From the moment that Watership Down made its appearance on screen in season one, speculation about Lost's literary allusions has played an important role in the larger discussion of the show. Fans and critics alike have noted the many references, from biblical passages and children's stories to science fiction and classic novels. Literary Lost teases out the critical significance of these featured books, demonstrating how literature has served to enhance the meaning of the show. It provides a fuller understanding of Lost and reveals how television can be used as a tool for stimulating a deeper interest in literary texts. The first chapter features an exhaustive list of "Lost books," including the show's predecessor texts. Subsequent chapters are arranged thematically, covering topics from free will and the nature of time to parenthood and group dynamics. From Lewis Carroll's creations, which appear as recurring images and themes throughout, to Slaughterhouse-Five's lessons on the nature of time, Literary Lost will help readers unravel the show's novelistic plot while celebrating its astonishing layers and nuances of text.

A young editor inherits her grandmother's estate only to learn that her editing pen has the power not only to change stories but also to change lives.

*Winner of the Chicago Review of Books Award for Fiction* A Heartland Booksellers Award Nominee An NPR Best Book of the Year A BookPage Best Book of the Year A Library Journal Best Winter/Spring Debut of 2020 A Most Anticipated Book of 2020 from the Boston Globe and The Millions A Best Book of February 2020 at Salon, The Millions, LitHub and Vol 1. Brooklyn “A stunner—equal parts epic and intimate, thrilling and elegiac.”—Laura Van den Berg, author of The Third Hotel The mesmerizing story of a Latin American science fiction writer and the lives her lost manuscript unites decades later in post-Katrina New Orleans In 1929 in New Orleans, a Dominican immigrant named Adana Moreau writes a science fiction novel. The novel earns rave reviews, and Adana begins a sequel. Then she falls gravely ill. Just before she dies, she destroys the only copy of the manuscript. Decades later in Chicago, Saul Drower is cleaning out his dead grandfather’s home when he discovers a mysterious manuscript written by none other than Adana Moreau. With the help of his friend Javier, Saul tracks down an address for Adana’s son in New Orleans, but as Hurricane Katrina strikes they must head to the storm-ravaged city for answers. What results is a brilliantly layered masterpiece—an ode to home, storytelling and the possibility of parallel worlds.

The English literary canon is haunted by the figure of the lost woman writer. In our own age, she has been a powerful stimulus for the rediscovery of works written by women. But as Jennifer Summit argues, "the lost woman writer" also served as an evocative symbol during the very formation of an English literary tradition from the fourteenth through the sixteenth centuries. Lost Property traces the representation of women writers from Margery Kempe and Christine de Pizan to Elizabeth I and Mary Queen of Scots, exploring how the woman writer became a focal point for emerging theories of literature and authorship in English precisely because of her perceived alienation from tradition. Through original archival research and readings of key literary texts, Summit writes a new history of the woman writer that reflects the impact of such developments as the introduction of printing, the Reformation, and the rise of the English court as a literary center. A major rethinking of the place of women writers in the histories of books, authorship, and canon-formation, Lost Property demonstrates that, rather than being an unimaginable anomaly, the idea of the woman writer played a key role in the invention of English literature.

he second book in Number One bestselling author Jasper Fforde's phenomenally successful Thursday Next series. 'Fans of the late Douglas Adams, or, even, Monty Python, will feel at home with Fforde' - Herald Thursday Next, literary detective and newlywed is back to embark on an adventure that begins, quite literally on her own doorstep. It seems that Landen, her husband of four weeks, actually drowned in an accident when he was two years old. Someone, somewhere, sometime, is responsible. The sinister Goliath Corporation wants its operative Jack Schitt out of the poem in which Thursday trapped him, and it will do almost anything to achieve this - but bribing the ChronoGuard? Is that possible? Having barely caught her breath after The Eyre Affair, Thursday must battle corrupt politicians, try to save the world from extinction, and help the Neanderthals to species self-determination. Mastadon migrations, journeys into Just William, a chance meeting with the Flopsy Bunnies, and violent life-and-death struggles in the summer sales are all part of a greater plan. But whose? and why?

A twisty psychological thriller from Natasha Preston, author of the #1 New York Times bestseller author of THE CELLAR! It's a fight for survival in a building designed to ensure that no one makes it out alive. In Piper's hometown, teenagers keep disappearing, and everyone assumes they're just a bunch of runaways. But when yet another person vanishes, Piper and her best friend Hazel suspect something more sinister is going on. So they decide to investigate, determined to learn the truth. Their search for answers leads them to the source of the missing...and their captors. Piper and Hazel suddenly find themselves locked away in a secluded property in the middle of a privately owned forest. But the building isn't only meant to keep them imprisoned; every room is a test to see if they can make it out alive. And failure means being lost...forever. A high stakes thriller for readers of One of Us is Lying and The Cheerleaders! Teen Thrillers also by Natasha Preston: The Cellar Awake The Cabin You Will Be Mine The Twin

DIVRecovers the history of nineteenth- and early-twentieth-century African American reading societies./div