With a focus on the connected spiritual legacy of the black Atlantic, Literary Expressions of African Spirituality leads the way to more comprehensive trans-geographical studies of African spirituality in black art. With essays focusing on African spirituality in creative works by several trans-Atlantic black authors across varying locations in the Ameri-Atlantic diaspora, this collection reveals and examines their shared spiritual cosmology. Diasporic in scope, Literary Expressions of African Spirituality offers new readings of black literatures through the prism of spiritual memory that survived the damaging impact of trans-Atlantic slaving. This memory is a significant thread that has often been missed in the reading and teaching of the literatures of the African diaspora. Essays in this collection explore unique black angles of seeing and ways of knowing that characterize African spiritual presence and influence in trans-Atlantic black artistic productions. Essays exploring works ranging from turn-of-the-century African American figure W.E.B. DuBois, South African novelist Zakes Mda, Haitian novelists Edwidge Danticat and Jacques Roumain, as well as African belief systems such as Voudoun and Candomble, provide a scope not yet offered in a single published volume. This collection explores the deep and often unconscious spiritual and psychosocial connectedness of people of African descent in the African and Ameri-Atlantic world.

African Spirituality in Black Women's Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spirituality in Black Women's Fiction traces applications and transformations of African spirituality in black women's writings that culminate in the conscious and deliberate celebration of Africanity in Hurston's Their Eyes Were Watching God. The journey from Wheatley's veiled remembrances to Hurston's explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston's icon of black female autonomy and self realization is woven from the thread work of African spiritual principles that date back to early black women's writings.

Donald Matthews affirms once and for all the African foundation of African-American religious practice. His analysis of the methods employed by historians, social scientists, and literary critics in the study of African-American religion and the Negro spiritual leads him to develop a methodology that encompasses contemporary scholarship without compromising the integrity of African-American religion and culture. Because the Negro spiritual is the earliest extant body of African-American folk religious narration, Matthews believes that it holds the key to understanding African-American religion. He explores the works of such seminal black scholars as W. E. B. DuBois, Melville Herskovits, and Zora Neale Hurston, tracing the early development of the African-centered approach to the interpretation of African-American religion. This approach involves "cultural/structuralism", the author's term for the method used by DuBois, Herskovits, and Hurston that emphasizes the thick reading of narrative expressions. Such a reading allows the scholar to identify the cultural significance of particular oral and written texts and serves as a point of identification and a cultural link between African and African-American religion. Matthews' close analysis of the spiritual employs a dialectical and postmodernist reading and reveals a religious philosophy that addresses the deepest concerns and desires of Africans in America. These concerns are cultural, political, and psychological, but are ultimately related to African religious structures of meaning. This book poses a challenge to end the battle between Afrocentrists and multiculturalists by acknowledging their common intellectual heritage in the works of DuBois, Herskovits, and Hurston. It will be of great interest to students and scholars of African-American religion and culture and those interested in Afrocentric literature.

Since the first African American denomination was established in Philadelphia in 1818, churches have gone beyond their role as spiritual guides in African American communities and have served as civic institutions, spaces for education, and sites for the cultivation of individuality and identities in the face of limited or non-existent freedom. In this Very Short Introduction, Eddie S. Glaude Jr. explores the history and circumstances of African American religion through three examples: conjure, African American Christianity, and African American Islam. He argues that the phrase "African American religion" is meaningful only insofar as it describes how through religion, African Americans have responded to oppressive conditions including slavery, Jim Crow apartheid, and the pervasive and institutionalized discrimination that exists today. This bold claim frames his interpretation of the historical record of the wide diversity of religious experiences in the African American community. He rejects the common tendency to racialize African American religious experiences as an inherent proclivity towards religiousness and instead focuses on how religious communities and experiences have developed in the African American community and the context in which these developments took place. About the Series: Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible. Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library. Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.

Toni Morrison's Spiritual Vision unpacks an oft-ignored but essential element of her work--her religion--and in so doing gives readers a deeper, richer understanding of her life and her writing. Nadra Nittle's wide-ranging, deep exploration of Morrison's oeuvre reveals the role of religion and spirituality in her life and literature.

This book connects traditional religions to the thriving religious activity in Africa today.

Focusing on the three leading religious traditions in Africa (African Traditional Religion, Islam, and Christianity), this book shows how belief in the supremacy of sacred words compels actions and influences practices in contemporary Africa. "Sacred words” are taken to mean holy texts as in divination, the Quran and the Bible. Toyin Falola evaluates how religious leaders engage with sacred words, both orals and texts, engendering practices that reveal the expression of religious beliefs, the impact of those beliefs, and the knowledge contained in them. Attention is given to the key ideas in the words chosen by religious leaders, and how they form a continuous knowledge system, impacting the politics of managing society and people.