Explores the literary texts produced during Byzantine Iconoclasm and their use as ideological tools by the main political circles.

Iconoclasm was the name given to the stance of that portion of Eastern Christianity that rejected worshipping God through images (eikones) representing Christ, the Virgin or the saints and was the official doctrine of the Byzantine Empire for most of the period between 726 and 843. It was a period marked by violent passions on either side. This is the first comprehensive account of the extant contemporary texts relating to this phenomenon and their impact on society, politics and identity. By examining the literary circles emerging both during the time of persecution and immediately after the restoration of icons in 843, the volume casts new light on the striking (re)construction of Byzantine society, whose iconophile identity was biasedly redefined by the political parties led by Theodoros Stoudites, Gregorios Dekapolites and Empress Theodora or the patriarchs Methodios, Ignatios and Photios. It thereby offers an innovative paradigm for approaching Byzantine literature.

The ninth-century Chronographia of George the Synkellos and Theophanes is the most influential historical text ever written in medieval Constantinople. Yet modern historians have never explained its popularity and power. This interdisciplinary study draws on new manuscript evidence to finally animate the Chronographia’s promise to show attentive readers the present meaning of the past. Begun by one of the Roman emperor’s most trusted and powerful officials in order to justify a failed revolt, the project became a shockingly ambitious re-writing of time itself—a synthesis of contemporary history, philosophy, and religious practice into a politicized retelling of the human story. Even through radical upheavals of the Byzantine political landscape, the Chronographia’s unique historical vision again and again compelled new readers to chase after the elusive Ends of Time.

This volume explores concepts of fiction in late antique hagiographical narrative in different cultural and literary traditions. It includes Greek, Latin, Syriac, Armenian, Persian and Arabic material. Whereas scholarship in these texts has traditionally focussed on historical questions, this book approaches imaginative narrative as an inherent element of the genre of hagiography that deserves to be studied in its own right. The chapters explore narrative complexities related to fiction, such as invention, authentication, intertextuality, imagination and fictionality. Together, they represent an innovative exploration of how these concepts relate to hagiographical discourses of truth and the religious notion of belief, while paying due attention to the various factors and contexts that impact readers’ responses.

Incorporating the latest scholarly developments to offer an in-depth account of the history of the Byzantine Empire, this revised edition sheds new light on the Empire's culture, theology, and economic and socio-political spheres. Charting from the Empire's origins, to its expansion and influence over the Mediterranean, later revival, and eventual fall – this book covers more than 1,000 years of history. With analysis of the Empire's changing social infrastructure, key events, and the broader cultural environment, Stathakopoulos expertly analyses how and why it became a powerhouse of literature, art, theology and learning, whilst also examining its aftermath and afterlife – and enduring significance today. Drawing on a variety of English and non-English sources, in addition to a plethora of visual and textual materials, this book is an invaluable resource for scholars, students, and general readers alike.

The Roman Empire (long since ruled from Constantinople) was in a perilous and tumultuous position in the early eighth century. Surrounded by expansionist enemies, most notably the Muslim Arab Umayyad Caliphate but also the Khazars, Slavs, Avars, Bulgars and Lombards, it was also riven by religious controversy and internal political instability. When a plot brought Leo III to the throne in 717, he was the fourth Emperor since Justinian II’s assassination six years earlier. Within weeks of his accession he was faced with the year-long siege of his capital by the Arabs. The siege was eventually broken (with the help of the secret weapon, Greek fire) but was only the first of many crises Leo faced in his twenty-four-year reign. His tenure saw a number of rebellions, and Peter Crawford considers how Leo dealt with these (and the extent to which his own policies caused them). Space is given to the great religious development of his reign, the initiation of Iconoclasm, its impact on the empire and its tainting of the reputation of Leo and much of his dynasty. He also considers various aspects of Leo’s administration: coinage, provincial infrastructure, civil law and foreign policy. This is a thorough and fascinating reassessment of a ruler who brought the Empire from the brink of extinction and maintained it through a time of real crisis.

The first three hundred years of the common era witnessed critical developments that would become foundational for Christianity itself, as well as for the societies and later history that emerged thereafter. The concept of 'ancient Christianity,' however, along with the content that the category represents, has raised much debate. This is, in part, because within this category lie multiple forms of devotion to Jesus Christ, multiple phenomena, and multiple permutations in the formative period of Christian history. Within those multiples lie numerous contests, as varieties of Christian identity laid claim to authority and authenticity in different ways. The Cambridge History of Ancient Christianity addresses these contested areas with both nuance and clarity by reviewing, synthesizing, and critically engaging recent scholarly developments. The 27 thematic chapters, specially commissioned for this volume from an international team of scholars, also offer constructive ways forward for future research.