Liquid Architecture challenges the idea of architecture as a fixed, inert container and reconceptualises it as a body whose boundaries are rather blurred and ever-changing. This book moves away from form as the primary driver of spatial protocols and explores what the built environment might look like when viewed through the lenses of a ‘wet ontology’ that is attentive to fluidity, flows and territorial dynamism. A reconfiguration of architectural materials and authorship is thus considered, leading, in turn, to an exploration of the ethical dimensions of co-designing with natural systems (of various viscosities) through liquid paradigms. The book examines a set of principles for practice-led discoveries that incorporate hybrid, mixed media with the author’s intersubjective relationship with liquid matter. Drawing from qualitative-based analytical investigation models, the text allows comprehension of the liquid phenomena via material contextualisation of an ever-becoming research setting. Through a practical and theoretical engagement with the ontology of liquids, the reader is exposed to a range of design-led experiments and creative propositions, visualisation systems, construction, and testing of physical models that collectively translate into a series of novel insights for architectural agendas. This book will be of interest to architecture and design research students and academics because it advocates the need for a more symbiotic and resilient approach to natural systems, which could benefit from the integration of regenerating material flows into our buildings and urban settlements.

Liquid Architecture is the second in a series of interdisciplinary books produced by Skyline Press Books. The series provides a forum for fluid creative exchanges between artists and writers working in different parts of the world. Liquid Architecture emerged from a series of discussions between Tony Labat and Anna Novakov. Labat and Novakov used the concept of water as a metaphor for the fragile exchange between the writer and the artist ' as well as the precarious relationship between text and images and art and life.

"In Liquid Stone architects, engineers, and scholars explore the changing nature of concrete from both technical and aesthetic perspectives. More than thirty buildings by leading international architects such as Jean Nouvel, Herzog & de Meuron, Tadao Ando, Zaha Hadid, Steven Holl, Norman Foster, and Santiago Calatrava demonstrate through detailed descriptions, photographs, and technical drawings the remarkable new architectural and engineering accomplishments taking form at present and the promising future of this dynamic medium."--BOOK JACKET.

Architecture is based upon the misconception that strong is stable, both in sense of energy and structure, as an unchanged state of microclimate would require more material or insulation. Trans-structures are the opposite: building elements with the response-ability to change according to external conditions in order to maintain stability in terms of structure and/or energy. In this type of building, any effect (structural or thermal load) would generate an immediate affect (a response of the structure). Energy and weight would be counteracted and on a total scale, change would not occur. Such buildings are always in transition from one state to another, unlike conventional structures.

"I recommend this book to you with an earnestness that I have seldom felt for any collection of historic texts," writes William Gibson in his foreword.

This book on flexible formwork for fluid architecture is a multi-faceted research that covers a broad field: from design to material and technology, and from history to future developments. It offers a pragmatic approach that can be extended with more cases, materials, techniques and methods for fluid architecture, and provides a better understanding of the main aspects of fluid architecture and to help them find the most suitable combinations of all aspects. The book is a challenging experience with many new discoveries, including two patents: one on moulding of fluid surfaces and one on 3D printing of fibre–reinforced ice. It also features two world records: the larges span (30 meters) and the highest thin shell structure (30,5 meters) in ice as well as a method for the construction of a fully laminated shell structure in insulated glass.

The Architectural Imagination at the Digital Turn asks what it means to speak of a "digital turn" in architecture. It examines how architects at the time engaged with the digital and imagined future modes of practice, and looks at the technological, conceptual and economic phenomena behind this engagement. It argues that the adoption of digital technology in architecture was far from linear but depended on complex factors, from the operative logic of the technology itself to the context in which it was used and the people who interacted with it. Creating a mosaic-like account, the book presents debates, projects and publications that changed how architecture was visualized, fabricated and experienced using digital technology. Spanning the university, new media art institutes, ecologies, architectural bodies, fabrication and the city, it re-evaluates familiar narratives that emphasized formal explorations; instead, the book aims to complicate the "myth" of the digital by presenting a nuanced analysis of the material and social context behind each case study. During the 1990s, architects repurposed software and technological concepts from other disciplines and tested them in a design environment. Some architects were fascinated by its effects, others were more critical. Through its discussion on case studies, places and themes that fundamentally influenced discourse formation in the era, this book offers scholars, researchers and students fresh insights into how architecture can engage with the digital realm today.