About the Author G. Darrell Russell Jr. is a retired judge of the District Court of Maryland. He now practices law at a reduced pace in a small firm in eastern Baltimore County. He lives in Towson, Maryland. Three of his four adult children are nearby. His fourth child, Maureen, resides in Birmingham, Alabama, where she runs marathons like her dad. She obtained her graduate degree from South Alabama. Her brother Brendan also went to Alabama at the Tuscaloosa campus. Roll Tide Roll! Russell’s other two children, Graham and Eileen, served their country in the Navy (SEAL program) and AmeriCorps, respectively. Russell spent early years as a lacrosse, tennis, and cross-country coach at his alma mater, Loyola University in Maryland. He was the first commissioner of the National Lacrosse League. He has authored several books on law and sports, his dual avocations. He is a trustee of his Elks Lodge in Towson. Lincoln and Kennedy: Redux was first written by Russell while a law student at the University of Baltimore. It was entitled Lincoln and Kennedy: Looked at Kindly Together. He rewrote it out of nostalgia for the halcyon Kennedy days of Camelot.

July, 2009; Andrew Curtiss received a Chain Mail in his E-Mail box. The Message was sent to him from a former colleague he served with in the US Army Special Forces at Fort Bragg North Carolina. The subject line of the message read "Congratulations you made the terrorist watch list!" The content suggested that the Department of Homeland Security had labled millions of Americans who are Constitutionalists, Pro Life, of Christian faith, voters for rightwing politics, are combat veterans and more; as potential domestic terrorists. After researching the matter Andrew found that the DHS did infact publish such a report that was meant to be confidential for law enforcement only. The report was published April 7, 2009. It was during Andrew's research into the matter that he realized the "Fundamental Transformation" of America as promised by Barrack Obama was indeed transforming America into something much like Oceania in George Orwell's "1984." 1984 Redux digs deep into the issues facing Americans today as America "Fundamentally Transforms." Curtiss draws the comparison of where Obama and his leftist handlers and drones want to take America as part of this transformation; to the extreme Socialist Oligarchy depicted in Orwell's "1984." Supported by scores of references and facts, one might be surprised to see how close to Orwell's nightmarish depiction America is headed. 1984 Redux is not only a wakeup call to America, but the world; as to what could be if the most influential nation in the world and "last hope for freedom" falls to the left.

This work is a witty exploration of the eerie similarities between the assassinations of presidents Abraham Lincoln and John Kennedy that have fascinated both casual and serious history buffs for more than half a century. From the compilation of these mysterious coincidences to the campfire story of a curse cast upon the American presidency, this account is filled with captivating anecdotes that are often hard to believe. Balancing historical research with a sprinkle of whimsy, this book is the most substantial investigation of a nearly folkloric American topic. Pulling back the curtain of history, it sheds light on what makes these coincidences so intriguing and enduring.

President Abraham Lincoln grew up in a one-room log cabin. President John F. Kennedy was raised in the lap of luxury. One was a Republican and one a Democrat. They lived and served a hundred years apart. Yet they had a number of things in common. Some were coincidental: having seven letters in their last names. Some were monumental: Lincoln's support for the abolitionist movement and Kennedy's support for the civil rights movement. They both lost a son while in office. And, of course, both were assassinated. In this illuminating book, Gene Barretta offers an insightful portrait of two of our country's most famous presidents.

Fantasy and politics are familiar dancing partners that rarely separate, even in the face of post–Election Day realities. But Hollywood has a tradition of punching holes in the fairy tales of electoral promises with films that meditate on what could have been and should have been. With Hollywood Goes to Washington,Michael Coyne investigates how the American political film unravels the labyrinthine entanglements of politics and the psyche of the American electorate in order to reveal brutal truths about the state of our democracy. From conspiracy dramas such as The Manchurian Candidate to satires like Wag the Dog, Hollywood Goes to Washington argues that political films in American cinema have long reflected the issues and tensions roiling within American society. Coyne elucidates the mythology, iconography, and ideology embedded in both classic and lesser-known films—including Gabriel Over the White House, Silver City, Advise and Consent, and The Siege—and examines the cinematic portrayals of presidents in the White House, the everyman American citizen, and the nebulous enemies who threaten American democracy. The author provocatively contends that whether addressing the threat of domestic fascism in Citizen Kane or the disillusionment of Vietnam and paranoia of the post-Watergate era in Executive Action, the American political film stands as an important cultural bellwether and democratic force—one that is more vital than ever in the face of decreasing civil liberties in the present-day United States. Compelling and wholly original, Hollywood Goes to Washington exposes the political power of the silver screen and its ramifications for contemporary American culture.

*Includes dozens of pictures of Lincoln, Kennedy, and other important people, places, and events. *Explains how Booth's plot against Lincoln evolved and the political circumstances that compelled Kennedy to make his fateful trip to Dallas. *Covers the aftermath of both assassinations, including the manhunt for Booth and the investigations of the Kennedy assassination. *Discusses the conspiracy theories surrounding the Kennedy assassination and the similarities and differences between Kennedy, Lincoln and their assassinations. In the annals of American history, few moments have been so thoroughly seared into the nation's conscience that Americans can remember exactly where and when they heard about an earth-shattering event. In the 19th century, there was the assassination of Abraham Lincoln, and in the 20th century there was Pearl Harbor and the assassination of President John F. Kennedy. Until April 14, 1865, John Wilkes Booth was one of the most famous actors of his time, and President Abraham Lincoln had even watched him perform. But his most significant performance at a theater did not take place on the stage. That night, Booth became one of history's most infamous assassins when he assassinated President Lincoln at Ford's Theatre in Washington, D.C. Although Robert E. Lee's Army of Northern Virginia had surrendered days earlier, Booth believed the war was not yet over because Confederate General Joseph E. Johnston's army was still fighting the Union Army, so he and his group of conspirators plotted to kill Lincoln and other top officials in a bid to decapitate the federal government and help the South. Perhaps not surprisingly, the actor's flair for the dramatic came at a cost to the plot. It took almost no time for the shocked public and the federal government to begin unraveling Booth's conspiracy, which had mostly faltered from the beginning. Following the shooting, America's most famous manhunt commenced, which itself became the stuff of legends. November 22, 1963 started as a typical Friday, and many Americans were unaware that President Kennedy was even heading to Dallas, Texas. John and Jackie arrived in Dallas in the morning, with Texas Governor John Connally alongside them and Vice President Lyndon B. Johnson due to arrive later to meet them there. As the First Couple rode with the Connallys in an open motorcade en route to a speech Kennedy would deliver later. As they waved to the people lining the streets, around 12:30 p.m. Central Standard Time, Governor Connally's wife turned around to the first couple and said, "Mr. President, you can't say Dallas doesn't love you." Moments later, the most controversial assassination in American history took place as a series of shots were fired at the motorcade. The indelible images provided by the Zapruder film of Kennedy being hit in the throat and head, followed by Jackie crawling over the backseat toward the trunk are now instantly recognizable. Within minutes, the news of the shooting began to spread from Dallas across the nation, and everyone's worst fears were confirmed when the President was declared dead about half an hour after the shooting. In the wake of the shooting, Lee Harvey Oswald was arrested, proclaimed his innocence, and was then murdered himself by Jack Ruby two days later. The day after that, the President was given a state funeral and procession. The unbelievable chain of events that took place in those 72 hours understandably left the nation shell-shocked. Killing The President chronicles the two most shocking assassinations in American history, the chaos that ensued in the immediate aftermath, and their similarities and differences. Along with dozens of pictures, you will learn about the assassinations of Lincoln and Kennedy like you never have before.