Research Paper (postgraduate) from the year 2018 in the subject American Studies - Literature, grade: 8,5, Aristotle University of Thessaloniki, course: Ethnic Studies, language: English, abstract: In the present paper I embed Ifemelu’s migration to America in the broader diaspora of Africans to the United States which is undertaken in search of more favourable education and career prospects. I suggest that diasporans could potentially comprise the par excellence hybrid identity that Homi Bhabha has championed in the development of his postcolonial theory of identity formation. I argue that Americanah poses a substantial challenge to hybridity and mimicry-based cultural identities by accentuating the very limitations of these models; namely, that they seriously overlook the psychic trauma caused by the loss of cultural authenticity due to the disconnection from the motherland and by the identity reinvention undertaken in the host country. My thesis posits that Ifemelu is affected by diasporic melancholia. Adapting Sigmund Freud’s concept of melancholia in the context of diaspora theory I seek to demonstrate that the inarticulate loss of the motherland and the position inbetween cultures disorients and traumatises the subject. I argue that the feelings of ceaseless restlessness and vague yet constant dissatisfaction that the subject experiences point to the trauma of identity loss, a psychic wound that only the physical return to the motherland can heal.

This study proposes that – rather than trying to discern the normative value of Afropolitanism as an identificatory concept, politics, ethics or aesthetics – Afropolitanism may be best approached as a distinct historical and cultural moment, that is, a certain historical constellation that allows us to glimpse the shifting and multiple silhouettes which Africa, as signifier, as real and imagined locus, embodies in the globalized, yet predominantly Western, cultural landscape of the 21st century. As such, Making Black History looks at contemporary fictions of the African or Black Diaspora that have been written and received in the moment of Afropolitanism. Discursively, this moment is very much part of a diasporic conversation that takes place in the US and is thus informed by various negotiations of blackness, race, class, and cultural identity. Yet rather than interpreting Afropolitan literatures (merely) as a rejection of racial solidarity, as some commentators have, they should be read as ambivalent responses to post-racial discourses dominating the first decade of the 21st century, particularly in the US, which oscillate between moments of intense hope and acute disappointment. Please read our interview with Dominique Haensell here: https://blog.degruyter.com/de-gruyters-10th-open-access-book-anniversary-dominique-haensell-and-her-winning-title-making-black-history/

Seminar paper from the year 2008 in the subject English - Literature, Works, grade: 2,0, course: African American Women Writers, language: English, abstract: To introduce my term paper "Race and Violence in Ann Petry's The Witness" I want to start with the definitions of the three terms race, racism and violence mentioned in the title. Regarding to the expressions I want to say something about the U.S. history, and about the current situation in the United States of America, with reference to the African American people. The Oxford Advanced Learner's Dictionary explains race as follows: "one of the main groups that humans can be divided into according to their physical differences, for example the colour of their skin; a group of people who share the same language, history, culture, etc." Racism means "the unfair treatment of people who belong to a different race; violent behaviour towards them; the belief that some races of people are better than others" The history of racism in the United States of America goes back to 17th century and should have come to an end with the American Civil War (1861-1865) and the abolition of slavery (1865). Unfortunately, the abolition of slavery was not the end of the African American martyrdom. It was the beginning of prejudices, discrimination, violence and struggle. When we think of racism against African American people, we think of a long and torturous way African Americans had to go and still go nowadays.

This is not a book about sound. It is a study of sounds that aims to write the resonance and response they call for. John Mowitt seeks to critique existing models in the expanding field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds, not just readily classified examples such as speech, music, industrial sounds, or codified signals. Mowitt is particularly interested in the fact that beyond hearing and listening we ÒauditÓ sounds and do so by drawing on paradigms of thought not easily accommodated within the concept of "sound studies." To draw attention to the ways in which sounds often are not perceived for the social and political functions they serve, each chapter presents a culturally resonant soundÑincluding a whistle, an echo, a gasp, and silenceÑto show how sounds enable critical social and political concepts such as dialogue, privacy, memory, social order, and art-making. Sounds: The Ambient Humanities significantly engages, provokes, and contributes to the dynamic field and inquiry of sound studies.

Based on the ongoing work of the agenda-setting Future of Minority Studies national research project, Identity Politics Reconsidered reconceptualizes the scholarly and political significance of social identity. It focuses on the deployment of 'identity' within ethnic, women's, disability, and gay and lesbian studies in order to stimulate discussion about issues that are simultaneously theoretical and practical, ranging from ethics and epistemology to political theory and pedagogical practice. This collection of powerful essays by both well-known and emerging scholars offers original answers to questions concerning the analytical legitimacy of 'identity' and 'experience', and the relationships among cultural autonomy, moral universalism and progressive politics.

A breathtaking novella from the award-winning author of Song for Night and GraceLand. —A New York Times Editors’ Choice “Moody, lyrical prose reminiscent of Toni Morrison’s Beloved . . . Though the fictional Abigail exists only on the pages of Abani’s novella, her character will seize the imagination of everyone who reads her story.” —Essence Magazine “Becoming Abigail, a spare yet voluptuous tale about a young Nigerian girl’s escape from prostitution is so hypnotic that it begs to be read in one sitting . . . Abigail is sensitive, courageous, and teetering on the brink of madness. Effortlessly gliding between past and present, Chris Abani spins a timeless story of misfortune and triumph.” —Entertainment Weekly Tough, spirited, and fiercely independent Abigail is brought as a teenager to London from Nigeria by relatives who attempt to force her into prostitution. She flees, struggling to find herself in the shadow of a strong but dead mother. In spare yet haunting and lyrical prose reminiscent of Marguerite Duras, Abani brings to life a young woman who lives with a strength and inner light that will enlighten and uplift the reader.

From the author of the award-winning GraceLand comes a searing, dazzlingly written novel of a tarnished City of Angels Praised as “singular” (The Philadelphia Inquirer) and “extraordinary” (The New York Times Book Review), GraceLand stunned critics and instantly established Chris Abani as an exciting new voice in fiction. In his second novel, set against the uncompromising landscape of East L.A., Abani follows a struggling artist named Black, whose life and friendships reveal a world far removed from the mainstream. Through Black’s journey of self- discovery, Abani raises essential questions about poverty, religion, and ethnicity in America today. The Virgin of Flames, a marvelous and gritty novel filled with indelible images and unforgettable characters, confirms Chris Abani as an immensely talented writer.