THE NO.1 SUNDAY TIMES BESTSELLER ************************************* 'Witty, dark, devastating' Caitlin Moran 'Unflinching, unputdownable' Guardian 'Brutally honest, funny, emotionally raw' Matt Haig 'I love it' Jon Ronson ************************************* So, this is me. Lily Allen. I am a mother, and I was a wife. I'm also a singer and a songwriter. I have loved and been let down. I've been stalked and assaulted. I am a success and a failure. I've been broken and full of hope. I am all these things and more. I'm telling my truth because when women share their stories, loudly and clearly and honestly, things begin to change - for the better. So, this is my story. These are my thoughts exactly. **Includes an exclusive new chapter**

Dorothy Carvello knows all about the music biz. She was the first female A&R executive at Atlantic Records, and one of the few in the room at RCA and Columbia. But before that, she was secretary to Ahmet Ertegun, Atlantic's infamous president, who signed acts like Aretha Franklin and Led Zeppelin, negotiated distribution deals with Mick Jagger, and added Neil Young to Crosby, Stills & Nash. The stories she tells about the kingmakers of the music biz are outrageous, but it is her sinuous friendship with Ahmet that frames her narrative. He was notoriously abusive, sexually harassing Dorothy on a daily basis. Carvello reveals here how she flipped the script and showed Ertegun and every other man who tried to control her that a woman can be just as willing to do what it takes to get a hit. Never-before-heard stories about artists like Michael Jackson, Madonna, Steven Tyler, Bon Jovi, INXS, Marc Anthony, and many more make this book a must-read for anyone looking for the real stories on what it takes for a woman to make it in a male-dominated industry.

NYPD independent forensics consultant Lilith Adams may not be precisely human, but it hadn't made her life any less monotonous. The nights and bodies just bled into a dull and seemingly useless existence. All she wanted was a real mystery to chase, a purpose. Everything is about to change, and her quiet little life will never be the same. When her uncle goes missing from a small town in Tennessee, Lilith's doting father sends her to investigate with his head of security, Chance Deveraux. They quickly find themselves caught in a whirlwind of violence and terror that uncovers a story buried for over six hundred years. The vengeful secret could very well cost her everything. To survive, they'll have to find powerful new allies, but trusting them might be the biggest mistake of all. Blood Lily is a thriller that redefines classic supernatural elements and myths through a scientific lens. The story challenges every relationship in Lilith's life, forcing her to deal with the emotional grit of loss in the face of overwhelming odds.

With her urban prom-queen style and West London punk attitude, Lily Allen is recognised worldwide as much for her quirky image and party-girl reputation as her music. Lily's meteoric rise to fame has been peppered with extreme highs and lows – no lower than when she tragically suffered a miscarriage in 2008. This, like every step of Lily's life, is charted in this new biography.

Reading level: 5 [blue].

Wolfson chronicles British pop princess Lily Allen's meteoric rise to fame which has been peppered with extreme highs and lows.

Lillian Allen is one of the leading creative Black feminist voices in Canada. Her work has been foundational to the dub poetry movement, which swept across the Black diaspora in the 1980s, taking roots/routes in Kingston, Toronto, and London and offering exciting sounds of protest and a careful, detailed documenting of everyday life as political praxis. Make the World New brings together some of the highlights of Lillian Allen's work in a single volume. It revisits her well-known verse from the celebrated collections Rhythm an’ Hardtimes, Women Do This Everyday, and Psychic Unrest, while also assembling new and uncollected poems. Allen's poetry is incisive in its narration of Black life and its call to create new and different futures. Her work highlights the need for radical intersectional change as a process of social transformation. Allen’s afterword, “Tuning the Heart with Poetry,” includes the writer's reflections on her process and the social and cultural impact of the work. The introduction, by Ronald Cummings, engages with the duality of Lillian Allen's poetry in its written and spoken forms, and the give and take in committing poems to the page that “are not meant to lay still.” He also reflects on the dynamism of Allen's dub poetry, where, for example, her portrayal of breaths and breathings take on new resonance in the era of Black Lives Matter and COVID-19.