From the New York Times bestselling author comes a story of love forged in the flames of the American Civil War, and a betrayal that threatens to tear it apart. Alaina McMann’s honor is compromised when she finds herself in the brazenly sensual arms of Union Major Ian McKenzie. Despite her loyalty to the Southern cause, she has no choice but to marry the Northern soldier. Their convictions keep them distant and cold from one another, until love begins to melt their hearts. But when Major McKenzie is dispatched on a mission to capture the most notorious and seductive spy in the confederacy, known only as the Moccasin, he realizes that the rebel he is hunting may be his own wife.

Transition: Book 1 by Terry V. Gentner Transition begins with Thomas Goodwin, a 68-year-old man in poor health. He has a dream in which he wins $182 million in the lottery. The dream is very specific and leads him to believe that he will discover the process of Transition. This process allows a person’s essence to be recorded and imprinted on a clone blank, resulting in a new, younger, and stronger body and mind. The dreams end, but he does win the exact amount he dreamed about. His new persona, Ian, builds an Empire the likes of which the world has never seen.

"You are in danger as well...Please heed my warning..." So begins the diary written by Catherine Morgan as she describes the events of a Monday in 1810 Regency England. When another Catherine Morgan, who lives in present-day New York City, receives the diary, she is drawn into the mystery as the present Monday begins to resemble the Monday in 1810. Writing in the diary, Catherine pleads for help by hinting this particular Monday can be changed as long as the day doesn't end the same way. Catherine and her brother XJ desperately try to unravel the clues from 1810, but this is complicated since the chapters of the diary become visible only when the same events have taken place in the present. When a betrayal endangers the lives of those in 1810, present-day Catherine and XJ have less than 24 hours to uncover the mystery before the past repeats. Unfortunately, they think someone close to them might be conspiring to keep the mystery unsolved. If their Monday ends the same way as the diary of 1810, the events of the past will be forever repeated.

When Teagan’s father abruptly abandons his family and his farm, Teagan finds herself wading through the wreckage of what was once an idyllic life, searching for something—or someone—to hold on to. What she finds is Ian, short for Obsidian: the magnificent but dangerously headstrong horse her father left behind. But even as she grows close to Ian, patiently training him, trying to overcome her fear of him, Teagan is learning that life and love are fragile. With an unflinching eye and remarkable restraint, Talley English tells a piercing story about how families hold together and fall apart; about loss and grief; about friendship; about the blunt cruelty of chance; and, finally, about forgiveness.

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Imperial Russia, is was said, had two capital cities because it had two identities: St. Petersburg was Russia's "window to Europe," whereas Moscow preserved the nation's proud historical traditions. Enlightened Metropolis challenges this myth by exploring how the tsarist regime actually tried to turn Moscow into a bridgehead of Europe in the heartland of Russia. Moscow in the eighteenth century was widely scorned as backward and "Asiatic." The tsars thought it a benighted place that endangered their state's internal security and their effort to make Russia European. Beginning with Catherine the Great, they sought to construct a new Moscow, with European buildings and institutions, a Westernized "middle estate," and a new cultural image as an enlightened metropolis. Drawing on the methodologies of urban, social, institutional, cultural, and intellectual history, Enlightened Metropolis asks: How was the urban environment - buildings, institutions, streets, smells - transformed in the nine decades from Catherine's accession to the death of Nicholas I? How were the lives of the inhabitants changed? Did a "middle estate" come into being? How similar was Moscow's modernization to that of Western cities, and how was it affected by the disastrous occupation by Napoleon? Lastly, how were Moscow and its people imagined by writers, artists, and social commentators in Russia and the West from the Enlightenment to the mid-nineteenth century?

In Surprised by Sound, Roi Tartakovsky shows that the power of rhyme endures well into the twenty-first century even though its exemplary usages may differ from traditional or expected forms. His work uncovers the mechanics of rhyme, revealing how and why it remains a vital part of poetry with connections to large questions about poetic freedom, cognitive and psychoanalytic theories, and the accidental aspects of language. As a contribution to studies of sound in poetry, Surprised by Sound takes on two central questions: First, what is it about the structure of rhyme that makes it such a potent and ongoing source of poetic production and extrapoetic fascination? Second, how has rhyme changed and survived in the era of free verse, whose prototypical poetry is as hostile to poetic meter as it is to the artificial sound of rhyme, including the sound of rhythmic thumping at the end of every line? In response, Tartakovsky theorizes a new category of rhyme that he terms “sporadic.” Since it is not systematized or expected, sporadic rhyme can be a single, strongly resounding rhyme used suddenly in a free verse poem. It can also be an internal rhyme in a villanelle or a few scattered rhymes unevenly distributed throughout a longer poem that nevertheless create a meaningful cluster of words. Examining usages across varied poetic traditions, Tartakovsky locates sporadic rhyme in sources ranging from a sixteenth-century sonnet to a nonsensical, practically unperformable piece by Gertrude Stein and a 2007 MoveOn.org ad in the New York Times. With careful attention to the soundscapes of poems, Surprised by Sound demonstrates that rhyme’s enduring value lies in its paradoxical and unstable nature as well as its capacity for creating poetic, cognitive, and psychic effects.