Throughout her childhood, Melie believes her mother is two people--Rosy Mother and Dark Mother--and she performs more and more rituals to keep Dark Mother away as she reaches adolescence, when she begins to realize that her mother is mentally ill and that Melie may be, as well.

THE SUNDAY TIMES TOP TEN BESTSELLER SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZE 'Tender, wise and funny' Sunday Express 'Beautifully observed, deadly funny' Max Porter Before becoming an acclaimed musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties and the female pop icons who hinted at a new kind of living. Returning to the scene of her childhood, Thorn takes us beyond the bus shelters, the pub car parks and the weekly discos, to the parents who wanted so much for their children and the children who wanted none of it. With great wit and insight, Thorn reconsiders the Green Belt post-war dream so many artists have mocked, and yet so many artists have come from.

Perfect for fans of The United States vs. Billie Holiday, this is the fiercely honest, no-holds-barred memoir of the legendary jazz, swing, and standards singing sensation—a fiftieth-anniversary edition updated with stunning new photos, a revised discography, and an insightful foreword by music writer David Ritz Taking the reader on a fast-moving journey from Billie Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.

'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey’s music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock ’n’ roll love affairs. Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. She asks what people see, who does the looking, and ultimately who writes women out of – and back into – history.

On a cold day deep in the heart of winter, Rowan’s father returns from an ill-fated hunting trip bearing a single, white rose. The rose is followed by the Huntress, a figure out of legend. Tall, cruel, and achingly beautiful, she brings Rowan back with her to a mountain fastness populated solely by the creatures of the hunt. Rowan, who once scorned the villagers for their superstitions, now finds herself at the heart of a curse with roots as deep as the mountains, ruled by an old magic that is as insidious as the touch of the winter rose. Torn between her family loyalties, her guilty relief at escaping her betrothal to the charming but arrogant Avery Lockland, and her complicated feelings for the Huntress, Rowan must find a way to break the curse before it destroys everything she loves. There is only one problem—if she can find a way to lift the curse, she will have to return to the life she left behind. And the only thing more unbearable than endless winter is facing a lifetime of springs without the Huntress. Thorn was named to the American Library Association's 2020 Over the Rainbow Fiction Longlist.

Hunted meets The Wrath and the Dawn in this bold fairytale retelling—where court intrigue, false identities, and dark secrets will thrill fans of classic and contemporary fantasy alike. Princess Alyrra has always longed to escape the confines of her royal life, but when her mother betroths her to a powerful prince in a distant kingdom, she has little hope for a better future. Until Alyrra arrives at her new kingdom, where a mysterious sorceress robs her of both her identity and her role as princess—and Alyrra seizes on the opportunity to start a new life for herself as a goose girl. But as Alyrra uncovers dangerous secrets about her new world, including a threat to the prince himself, she knows she can’t remain silent forever. With the fate of the kingdom at stake, Alyrra is caught between two worlds, and ultimately must decide who she is and what she stands for. Originally self-published as an ebook and now brought to life with completely revised text, Thorn also features an additional short story set in-world, The Bone Knife.