A translation of the works of one of a key Palestinian poet contains his 10th and most recent poetry collection, along with selected earlier poems that illuminate the vision of what Arabic and Palestinian poetry are capable of.

An extraordinarily popular collection of poems written in and about Hawaii. First published in 1928, the book went through two printings a year for many years, and Blanding became the most popular American poet of the period. ""Vagabond's House"" is an ideal expression of that imaginary retreat which each man builds and furnishes according to his heart's desires. Dreamy illustrations give the book a look to match.

Announcing the 2007 recipient of the prestigious Yale Younger Poets prize Fady Joudah's The Earth in the Attic is the 2007 winner of the Yale Series of Younger Poets competition. In his poems Joudah explores big themes--identity, war, religion, what we hold in common--while never losing sight of the quotidian, the specific. Contest judge Louise Gl ck describes the poet in her Foreword as "that strange animal, the lyric poet in whom circumstance and profession . . . have compelled obsession with large social contexts and grave national dilemmas." She finds in his poetry an incantatory quality and concludes, "These are small poems, many of them, but the grandeur of conception is inescapable. The Earth in the Attic is varied, coherent, fierce, tender; impossible to put down, impossible to forget."

"Originally published in Arabic in 1995"--Title page verso.

Heralding a new period of creativity, In the Wake of the Poetic explores the aesthetics and politics of Palestinian cultural expression in the last two decades. As it increasingly gains a significant presence on the international scene, much of Palestinian art owes a debt to Mahmoud Darwish, one of the finest contemporary poets, and to Palestinian writers of his generation. Rahman maps the immense influence of Darwish’s poetry on a new generation of performance artists, visual artists, spoken-word poets, and musicians. Through an examination of selected works by key artists—such as Suheir Hammad, Ghassan Zaqtan, Elia Suleiman, Mona Hatoum, Sharif Waked, and others—Rahman articulates an aesthetic founded on loss, dispersion, dispossession, and transformation. It interrupts dominant regimes, constituting acts of dissension and intervention. It reinscribes belonging and is oriented toward solidarity and future. This innovative wave of experimentation transforms our understanding of the national through the diasporic and the transnational, and offers a profound meditation on identity.