By being able to illuminate the veil of darkness, Evelyn is able to fashion through her poetry the stuff that dreams are made of.

"Henrietha" A troubled Jamaican woman of many woesome years and with a history of compulsive abuse, marries into misery as wife to male chauvinist and philanderer Demian Browne who in his treachery around the right to ownership of Henrietha's flesh earnestly evinces- "If I can't have you then no other man will." 'She's white so she doesn't understand my plight as a black woman'. So thinks Henrietha Browne about Joanna White who she met at a Caribana event. "Henrietha Browne is a 'story source' that will feed me the meat of my magazine article on strong women'." "Joe, my ex husband moved in with the biggest bimbo I've ever seen. I suspect they met when I was laid up with a terrible flu." "Waiting..." "Ruby, keeps on insisting she's a sistah when she knows darn well she isn't...!" Such is the conviction of Susan Ottawa a black Canadian lawyer with a staunch belief in self: the will to self-empower without any need for the Almighty God. She draws strength instead from her 'god' Johnny Cochrane as if she 'had caught the hem of his coat as he was leaving this world. "I can see the White House burning back then. I can see Martin Luther King Jr...I see Marvin Gaye." So says Anita Kingsley, an educated Jamaican woman who transitions across the chasm between the physical and the 'spirit' worlds. Through relatable characters "Henrietha"'s two novellas layer the politics of love, hate, race, and sensibility over religion and the paranormal. The storytelling is an unusual, edgy, hopscotch of enticing voyeurism. Questions arise while thoughts kindle around kinship and one's own self-awareness in the breadth of this human experience. It urges the surrender of disbelief as truth entwines fiction like life's pretzel of fantasy superimposing the thought- provoking-roller-coaster dynamic of reality. "This is truly a work of hope and conquest. The beginning is good and it gets better. The flashbacks engaged my mind on a travel through time on what was a journey at the tip of my fingers, and at the edge of my imagination. The young Henrietha is a beam of strength and inspiration for women of abuse."Barbara Mills, Social Activist-Sisters in Solidarity "Great reading ..the Be warned! "Henrietha" is a tear jerker. "Waiting for the World to Change" is a thrill with its rhythm and insightful message"Damian Andre, Musician "I sure look forward to adapting the material into a play and then the screen. It has guts and all 'oomph' of really worthy and watchable material.."D.Haughton, Play-/Screen-Writer

These true stories are Yahweh’s story written through the lives of His people. They take place within the context of a Hebraic Christian Community and it is an exciting expedition that just happens to occur in the lives of two midwives who live life caught in the crossfire between the natural and supernatural realms. Nanna and Mercy live life from the Kingdom backwards and truly delight in bringing the Kingdom of Heaven down into the earth. Their stories are presented as tiny portraits of the Heart of our beloved Father, and hopefully will bring a smile to your face and joy to your heart. They are shared in hopes of stirring up curiosity, expanding your vision and wonder, and awakening a hunger for the things unseen that can impact the birth of each new spirit-vessel exponentially. Expect the itsy-bitsy glimpses into the heavenlies to inspire your faith in Him. More information may be found on www.HebraicMidwifery.com

The autobiography is in three parts with and appendix of her publications and life history until 1750, and her famous letter on the lawfulness of a woman appearing in print. It is a priceless treasure of an eighteenth century British Baptist woman's life, ministry, publications and contribution of Evangelicalism in England and in America. Dutton gives her own account of her own of her conversion experience, two marriages, ministry contributions with her yokefellow husband, Benjamin Dutton and his death at sea. Dutton's autobiography is important. Because it highlights important moments in her life and records her influential publishing carrier and correspondence. it includes her famous letter on her right to publish influential theological and spiritual works. Her autobiography shows firsthand the vast contributions and prolific career and ministry of a woman in this era. Her areas of ministry include writing, correspondence, books, and tracts. These show her great contribution to the evangelicalism and her great spiritual and theological life and contribution to the Baptist ministry and church and Evangelicalism in America and England. A work of a woman in her own hand is a great rarity from the eighteenth century.