An in-depth exploration of the profound relevance for contemporary women of the ancient Greek myth of Demeter and Persephone. Richly illustrated with dreams, insights, and relational dynamics drawn from clients in psychotherapy, this book will appeal to both layperson and professional. 25 photos.

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The classical Greek myth of Demeter and her daughter Persephone as told in Homer's Hymn to Demeter has been used most often to explain the cycle of the seasons. However, a closer examination will reveal insights on living and dying, loss and reconciliation, and suffering and healing. This work demostrates the continued importance and relevance of the myth of Demeter and Persephone to today's society. The first three chapters provide a summary of the Homeric story and examine the myth from the perspectives of the mother and daughter. The following chapters discuss the symbolism of critical objects, the role of female mentoring, the role of Hades and the meaning of the underworld, the subject of rape, and the masculinist perspective presented by Zeus and Helios, and derive lessons useful for healing and knowledge. The Hymn to Demeter as translated by Helene Foley is included as an appendix in order to provide a basis for the discussion in the text. Notes and a bibliography also follow the text.

NATIONAL BESTSELLER • A New York Times Notable Book • This fiery and provocative novel from the acclaimed Nobel Prize winner weaves a tale about the way the sufferings of childhood can shape, and misshape, the life of the adult. At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger. Rain, the mysterious white child with whom she crosses paths. And finally, Bride’s mother herself, Sweetness, who takes a lifetime to come to understand that “what you do to children matters. And they might never forget.” “Powerful.... A tale that is as forceful as it is affecting, as fierce as it is resonant.” —Michiko Kakutani, The New York Times

Nothing complicates life like Death. Lanie Stones, the daughter of the Royal Assassin and Chief Executioner of Liriat, has never led a normal life. Born with a gift for necromancy and a literal allergy to violence, she was raised in isolation in the family’s crumbling mansion by her oldest friend, the ancient revenant Goody Graves. When her parents are murdered, it falls on Lanie and her cheerfully psychotic sister Nita to settle their extensive debts or lose their ancestral home—and Goody with it. Appeals to Liriat's ruler to protect them fall on indifferent ears… until she, too, is murdered, throwing the nation's future into doubt. Hunted by Liriat’s enemies, hounded by her family’s creditors and terrorised by the ghost of her great-grandfather, Lanie will need more than luck to get through the next few months—but when the goddess of Death is on your side, anything is possible.

When Katie answers the call of duty, she awakens the call of her heart. Katie Russell loves working as a telephone operator in Mercy Falls, California. But since childhood she has been expected to marry well. Her family presses for an engagement to wealthy bachelor Bartholomew Foster and though he doesn't stir her heart, their engagement promises a secure financial future. Working the phone lines one evening, Katie overhears a chilling exchange between her friend Eliza and a familiar male voice. Katie soon learns that Eliza has disappeared, and the crime may be linked to another investigation by handsome new lighthouse keeper, Will Jesperson. Katie and Will soon form an alliance. An alliance that slowly blossoms into something more. Despite the danger surrounding her, Katie is powerfully drawn to Will. But she is not at liberty to marry for love. And though society forbids their growing affection, Katie can't help but notice Will's sense of peace. It's a peace that rests on his trust in God—a trust that Katie has never had to depend on, with her future so clearly mapped out before her. But the more Katie uncovers of the mystery, the more she discovers about herself, her past, and the brilliant future that could be hers if only she has the courage to trust in God and follow where her heart so fearlessly leads.

The Lost Girls analyses a number of British writers between 1850 and 1930 for whom the myth of Demeter's loss and eventual recovery of her cherished daughter Kore-Persephone, swept off in violent and catastrophic captivity by Dis, God of the Dead, had both huge personal and aesthetic significance. This book, in addition to scrutinising canonical and less well-known texts by male authors such as Thomas Hardy, E. M. Forster, and D. H. Lawrence, also focuses on unjustly neglected women writers – Mary Webb and Mary Butts – who utilised occult tropes to relocate themselves culturally, and especially in Butts's case to recover and restore a forgotten legacy, the myth of matriarchal origins. These novelists are placed in relation not only to one another but also to Victorian archaeologists and especially to Jane Ellen Harrison (1850-1928), one of the first women to distinguish herself in the history of British Classical scholarship and whose anthropological approach to the study of early Greek art and religion both influenced – and became transformed by – the literature. Rather than offering a teleological argument that moves lock-step through the decades,The Lost Girls proposes chapters that detail specific engagements with Demeter-Persephone through which to register distinct literary-cultural shifts in uses of the myth and new insights into the work of particular writers.