"Graham Robb tells the complicated story of this colossal life with authority and sympathy. . . . Unquestionably, a magnificent biography".--"Washington Square Press". of photos.

"To love is to act"-- "Aimer, c'est agir." These words, which Victor Hugo wrote three days before he died, epitomize his life's philosophy. His love of freedom, democracy, and all people--especially the poor and wretched--drove him not only to write his epic Les Misérables but also to follow his conscience. We have much to learn from Hugo, who battled for justice, lobbied against slavery and the death penalty, and fought for the rights of women and children. In a series of essays that interweave Hugo's life with Les Misérables and point to the novel's contemporary relevance, To Love Is to Act explores how Hugo reveals his guiding principles for life, including his belief in the redemptive power of love and forgiveness. Enriching the book are insights from artists who captured the novel's heart in the famed musical, Les Mis creators Alain Boublil and Claude-Michel Schönberg, producer of the musical Les Misérables Cameron Mackintosh, film director Tom Hooper, and award-winning actors who have portrayed Jean Valjean: Colm Wilkinson and Hugh Jackman.

Victor Hugo is an icon of French culture. He achieved immense success as a poet, dramatist, and novelist, and he was also elected to both houses of the French Parliament. Leading the Romantic campaign against artistic tradition and defying the Second Empire in exile, he became synonymous with the progressive ideals of the French Revolution. His state funeral in Paris made headlines across the world, and his breadth of appeal remains evident today, not least thanks to the popularity of his bestseller, Les Misérables, and its myriad theatrical and cinematic incarnations. This biography, the first in English for more than twenty years, provides a concise but comprehensive exploration of Hugo’s monumental body of work within the context of his dramatic life. Hugo wrestled with family tragedy and personal misgivings while being pulled into the turmoil of the nineteenth century, from the fall of Napoleon’s Empire to the rise of France’s Third Republic. Throughout these twists of fate, he sensed a natural order of collapse and renewal. This unending cycle of creation shaped his ideas about freedom and roused his imagination, which he channeled into his prolific writing and other outlets like drawing. As Bradley Stephens argues, such creative intellectual vigor suggests that Hugo was too restless to sit comfortably on the pedestal of literary greatness; Hugo’s was a mind as revolutionary as the time in which he lived.

A New York Times Book Review Editors' Choice Winner of the American Library in Paris Book Award, 2017 Les Misérables is among the most popular and enduring novels ever written. Like Inspector Javert’s dogged pursuit of Jean Valjean, its appeal has never waned, but only grown broader in its one-hundred-and-fifty-year life. Whether we encounter Victor Hugo’s story on the page, onstage, or on-screen, Les Misérables continues to captivate while also, perhaps unexpectedly, speaking to contemporary concerns. In The Novel of the Century, the acclaimed scholar and translator David Bellos tells us why. This enchanting biography of a classic of world literature is written for “Les Mis” fanatics and novices alike. Casting decades of scholarship into accessible narrative form, Bellos brings to life the extraordinary story of how Victor Hugo managed to write his novel of the downtrodden despite a revolution, a coup d’état, and political exile; how he pulled off a pathbreaking deal to get it published; and how his approach to the “social question” would define his era’s moral imagination. More than an ode to Hugo’s masterpiece, The Novel of the Century also shows that what Les Misérables has to say about poverty, history, and revolution is full of meaning today.

With trenchant realism and profound understanding, Josephson presents a realistic biography of the great romantic who authored "Les Miserables" and "The Hunchback of Notre Dame," among others.

CHAPTER I. EARLY YEARS. The glory of France touched its zenith at the period when our narrative opens. Europe virtually lay at the feet of Napoleon, who had risen to a height of authority and power which might well have satisfied the most vaulting ambition. Nations whose records extended back into the ages of antiquity trembled before him; and only one people, that of this sea-girt isle of Britain, declined to bend the knee to the all-conquering First Consul. Yet the philosophic mind, reflecting that the stability of a nation or a throne must be measured by its growth, must surely have distrusted the permanence of a grandeur and a greatness thus rapidly achieved. And speedily would such prevision have been justified, for in little more than one brief decade the sun of Napoleon set as suddenly as it arose. But while as yet the fame and the splendour of the conqueror were in their noonday, there was born at Besançon another child of genius, whose triumphs were to be won in a different and a nobler sphere. He was destined to touch, as with Ithuriel's spear, the sleeping spirit of French poesy, and to animate it with new life, vigour, and enthusiasm; he was to recall the divine muse from the drear region of classicism, and, by revivifying almost every branch of imaginative literature, he was himself to gain the triple crown of poet, romancist, and dramatist. And not alone for this was the child Victor Hugo to grow into manhood and venerable age. He was to become a great apostle of liberty, and as his life opened with the triumphs of the first Napoleon, so before its close he was destined to behold the last of that name pass away in the whirlwind, and France recover much of her prosperity and her power under the ægis of the Republic, of which the poet sang and for which he laboured.