Life of Groo features 64 full-color pages guaranteed to make you smile.

You probably think Groo the Wanderer is the most destructive force in his world. Not so! Even at his most inept, Groo cannot destroy a village faster than the hogs of Horder. Theirs is an evil species that has existed forever and that spreads death and annihilation to this day. They control your mind, they control your body, and worst of all, they control your money. So what happens when Groo comes nose to nose with them? Find out in this latest Groo adventure! Collects the four-issue miniseries Groo: The Hogs of Horder. The prior Groo miniseries, Hell on Earth, was nominated for the 2009 Best Limited Series Eisner Award!

We had the Fray of the Gods. Now we have the Play of the Gods - a tale of lust for gold, lust for power, and lust for cheese dip. The Gods themselves watch this story from the above so it must be good enough for you. This handsome paperback volume collects all four issues of the series: in one package, you get a lot of Groo doing real stupid things and causing mass destruction. Just what you wanted!

Evanier! Aragones! Yeates! The team behind the hit Groo the Wanderer series goes to Comic-Con, finding inspiration not only in their enthusiastic fans but in their fellow creators, too—especially those working on Tarzan comics. Sergio Aragones finds a way to introduce the two characters to each other, and so Tarzan, the lord of the jungle, is set on a path that will lead him to Groo, the master of cheese dip. Also includes the return of the Rufferto backup strips! Groo and Tarzan return to Dark Horse in this exciting crossover!

A collection of comics featuring the adventures of Groo and his friends.

A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives Bad Film Histories is a vital work that unsettles the authority of the archive. Katherine Groo daringly takes readers to the margins of the film record, addressing the undertheorization of film history and offering a rigorous corrective. Taking ethnographic cinema as a crucial case study, Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. Rather than filling holes, Groo endeavors to understand the imprecisions and absences that define film history and its archives. Bad Film Histories draws on numerous works of ethnographic cinema, from Edward S. Curtis’s In the Land of the Head Hunters, to a Citroën-sponsored “croisière” across Africa, to the extensive archives of the Maison Lumière and the Musée Albert-Kahn, to dozens of expedition films from the 1910s and 1920s. The project is deeply grounded in poststructural approaches to history, and throughout Groo draws on these frameworks to offer innovative and accessible readings that explain ethnographic cinema’s destabilizing energies. As Groo describes, ethnographic works are mostly untitled, unauthored, seemingly infinite in number, and largely unrestored even in their digital afterlives. Her examination of ethnographic cinema provides necessary new thought for both film scholars and those who are thrilled by cinema’s boundless possibilities. In so doing, she boldly reexamines what early ethnographic cinema is and how these films produce meaning, challenging the foundations of film history and prevailing approaches to the archive.

"This volume collects issues #1-#4 of the Dark Horse Comics miniseries 'Groo vs. Conan'"--Colophon.