A Life of Albert Pike, originally published in 1997, is as much a study of antebellum Arkansas as it is a portrait of the former general. A native of Massachusetts, Pike settled in Arkansas Territory in 1832 after wandering the Great Plains of Texas and New Mexico for two years. In Arkansas he became a schoolteacher, newspaperman, lawyer, Whig leader, poet, Freemason, and Confederate general who championed secession and fought against Black suffrage. During his tenure as Sovereign Grand Commander of the Scottish Rite—a position he held for more than thirty years beginning in 1859—Pike popularized the Masonic movement in the American South and Far West. In the wake of the Civil War, Pike left Arkansas, ultimately settling in Washington, D.C., where he lived out his last years in the Mason's House of the Temple. Drawing on original documents, Pike’s copious writings, and interviews with Pike’s descendants, Walter Lee Brown presents a fascinating personal history that also serves as a rich compendium of Arkansas’s antebellum history.

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A Life of Albert Pike, originally published in 1997, is as much a study of antebellum Arkansas as it is a portrait of the former general. A native of Massachusetts, Pike settled in Arkansas Territory in 1832 after wandering the Great Plains of Texas and New Mexico for two years. In Arkansas he became a schoolteacher, newspaperman, lawyer, Whig leader, poet, Freemason, and Confederate general who championed secession and fought against Black suffrage. During his tenure as Sovereign Grand Commander of the Scottish Rite—a position he held for more than thirty years beginning in 1859—Pike popularized the Masonic movement in the American South and Far West. In the wake of the Civil War, Pike left Arkansas, ultimately settling in Washington, D.C., where he lived out his last years in the Mason's House of the Temple. Drawing on original documents, Pike’s copious writings, and interviews with Pike’s descendants, Walter Lee Brown presents a fascinating personal history that also serves as a rich compendium of Arkansas’s antebellum history.

Satanism is a phenomenon that has existed as a prominent trope since very beginning of Christianity, when the Church Fathers entertained fantasies about people worshipping the Devil and indulging in macabre rituals. In the early modern period, similarly unfounded ideas led to the infamous witch trials which transpired primarily between 1400 and 1700. In the 1980s and 1990s, what has been labelled a "Satanic Panic" swept the United States and parts of Europe, with again, unfounded rumors about secret Satanist networks committing gruesome murders, kidnappings and ritualistic child abuse. Today, the so called Pizzagate and QAnon conspiracy theories in the United States again draw on these motifs, this time postulating that left-wing Satanists are secretly manipulating politics and doing nefarious deeds in the shadows. This book, however, is only indirectly concerned with the purely fictional Satanism of such paranoid fantasies. It does not deal directly with the literary tradition of Satanism either, where Satanists can appear as antagonists (or, more rarely, protagonists) in the plot of a story, or authors express Satanic sympathies in a poem or two. Rather, our selection of source texts focuses on actual, existing Satanic groups, and thinkers of importance to the emergence of a Satanic milieu that forms part of a broader landscape of alternative religion. Some of the texts do in a sense belong to the above-mentioned categories, e.g., Léo Taxil's spoof on conspiracy theories, or the quite literary pseudo-histories of Satanism - in fact Satanic tracts in disguise of Jules Michelet and Stanislaw Przybyszewski, but we have aimed to concentrate on 1. self-designated Satanic groups and ideologists, 2. groups and ideologists who prominently revere a figure they identify with Satan, even though they may not self-designate as Satanists, and 3. groups and ideologists mostly excluding, however, literary texts and conspiracy theories whose re-interpretations of Satan were crucial to the growth of such ideas--

This biography of John Gould Fletcher examines his Modernist work as poet and critic and his life as child, writer, husband, and lover. Fletcher moved in high literary circles, often causing confusion among his critics and followers with his writing--was he Imagist, Agrarian, or Modernist? Or was he simply John Gould Fletcher, the man, caught up in tumultuous times and events, seeking no particular label to pin on his writing, but rather reflecting the changing world as he saw and lived it?