Christianity Today 2020 Book Award (Award of Merit, Theology/Ethics) Outreach 2020 Recommended Resource of the Year (Theology and Biblical Studies) The question of what makes life worth living is more vital now than ever. In today's pluralistic, postsecular world, universal values are dismissed as mere matters of private opinion, and the question of what constitutes flourishing life--for ourselves, our neighbors, and the planet as a whole--is neglected in our universities, our churches, and our culture at large. Although we increasingly have technology to do almost anything, we have little sense of what is truly worth accomplishing. In this provocative new contribution to public theology, world-renowned theologian Miroslav Volf (named "America's New Public Intellectual" by Scot McKnight on his Jesus Creed blog) and Matthew Croasmun explain that the intellectual tools needed to rescue us from our present malaise and meet our new cultural challenge are the tools of theology. A renewal of theology is crucial to help us articulate compelling visions of the good life, find our way through the maze of contested questions of value, and answer the fundamental question of what makes life worth living.

In a weaving together of contradictory realms—past and present, rustbelt city and rural/urban South, old-world Catholicism and backwoods Protestantism—Joseph Bathanti draws readers into the 1970s as protagonist George Dolce faces major upheaval in The Life of the World to Come. George aspires to leave his blue collar, Catholic neighborhood of East Liberty in Pittsburgh. He is on the cusp of graduation from college and headed for law school when he becomes entangled in a local gambling ring. After his father gets laid off at the steel mill, George dramatically increases his wagering to help his parents with finances. What's more, he allows his boss at his real job and love interest's father, a pharmacist named Phil Rosechild, to place bets through him with the gambling ring's volatile kingpin. As his parents' financial situation deteriorates, George delves deeper into gambling, and he even goes so far as to set up Phil by using the pharmacist's unschooled and ever-growing betting practices to his own end—cheating the father of the woman he loves. When Phil welches on a large bet that George has placed for him, George finds himself in life-threatening trouble and must abandon his law school dreams. He robs the pharmacy, steals the delivery car, and flees south. After his stolen car breaks down in Queen, North Carolina, he meets a young, mysterious woman known as Crow. The two form a bond and eventually take to the road in an attempt to reconcile their harrowing, often surreal destiny and to escape George's inevitable punishment.

Snail World: Life in the Slimelight is a collection of absorbing snapshots from an alternate universe where snails drink bubble tea at the mall, hit tiny bongs, and get beamed up into flying saucers. Real snails and frogs bring to life miniature scenes meticulously created by artists Aleia Murawski and Sam Copeland, inspired by moody, cinematic moments and nostalgic Americana. These dreamlike and often hilarious images evoke the melodrama of daily life: a snail alone in an apartment with one last box to move; two snails getting slime all over grandma's plastic-covered armchairs; a frog doing karaoke in a heart-shaped hot tub. With hidden details to discover each time you flip through the pages, Snail World is a quirky celebration of the (very) little things in life. By Aleia Murawski and Sam Copeland. Hardcover with debossed image and spot gloss on cover. 80 pages, full color interior. Published by Broccoli. Measures 7" x 9 1⁄4".

Life in the World Unseen

The Structures of the Life-World is the final focus of twenty-seven years of Alfred Schutz's labor, encompassing the fruits of his work between 1932 and his death in 1959. This book represents Schutz's seminal attempt to achieve a comprehensive grasp of the nature of social reality. Here he integrates his theory of relevance with his analysis of social structures. Thomas Luckmann, a former student of Schutz's, completed the manuscript for publication after Schutz's untimely death.

Explores the lives of eight children from different countries around the world.

From idea to flesh to myth, this is the story of Alec Checkerfield: Seventh Earl of Finsbury, pirate, renegade, hero, anomaly, Mendoza's once and future love. Mendoza is a Preserver, which means that she's sent back from the twenty-fourth century by Dr. Zeus, Incorporated - the Company - to recover things from the past which would otherwise be lost. She's a botanist, a good one. She's an immortal, indestructible cyborg. And she's a woman in love. In sixteenth century England, Mendoza fell for a native, a renegade, a tall, dark, not handsome man who radiated determination and sexuality. He died a martyr's death, burned at the stake. In nineteenth century America, Mendoza fell for an eerily identical native, a renegade, a tall, dark, not handsome man who radiated determination and sexuality. When he died, she killed six men to avenge him. The Company didn't like that - bad for business. But she's immortal and indestructible, so they couldn't hurt her. Instead, they dumped her in the Back Way Back. Meanwhile, back in the future, three eccentric geniuses sit in a parlor at Oxford University and play at being the new Inklings, the heirs of C. S. Lewis and J. R. R. Tolkien. Working for Dr. Zeus, they create heroic stories and give them flesh, myths in blood and DNA to protect the future from the World to Come, the fearsome Silence that will fall on the world in 2355. They create a hero, a tall, dark, not handsome man who radiates determination and sexuality. "Now," stranded 150,000 years in the past, there are no natives for Mendoza to fall in love with. She tends a garden of maize, and she pines for the man she lost, twice. For Three. Thousand. Years. Then, one day, out of the sky and out of the future comes a renegade, a timefaring pirate, a tall, dark, not handsome man who radiates determination and sexuality. This is the beginning of the end. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.