Anadarko, Oklahoma, bills itself today as the “Indian Capital of the Nation,” but it was a drowsy frontier village when budding photographer Annette Ross Hume arrived in 1890. Home to a federal agency charged with serving the many American Indian tribes in the area, the town burgeoned when the U.S. government auctioned off building lots at the turn of the twentieth century. Hume faithfully documented its explosive growth and the American Indians she encountered. Her extraordinary photographs are collected here for the first time. In their introduction, authors Kristina L. Southwell and John R. Lovett provide an illuminating biography of Hume, focusing on her life in Anadarko and the development of her photographic skills. Born in 1858, in Perrysburg, Ohio, Hume moved to Oklahoma Territory with her husband after he accepted an appointment as physician for the Kiowa, Comanche, and Wichita Agency. She soon acquired a camera and began documenting daily life. Her portraits of everyday life are unforgettable — images of Indian mothers with babies in cradleboards, tribal elders (including Comanche chief Quanah Parker) conducting council meetings, families receiving their issue of beef from the government agent, and men and women engaging in the popular pastime of gambling. In 1927, historian Edward Everett Dale, on behalf of the University of Oklahoma, purchased Hume’s original glass plates for the university’s newly launched Western History Collections. The Annette Ross Hume collection has been a favorite of researchers for many years. Now this elegant volume makes Hume’s photographs more widely accessible, allowing a unique glimpse into a truly diverse American West.

The Life of Ten Bears is a remarkable collection of nineteenth-century Comanche oral histories given by Francis Joseph "Joe A" Attocknie. Although various elements of Ten Bears's life (ca. 1790-1872) are widely known, including several versions of how the toddler Ten Bears survived the massacre of his family, other parts have not been as widely publicized, remaining instead in the collective memory of his descendants. Other narratives in this collection reference lesser-known family members. These narratives are about the historical episodes that Attocknie's family thought were worth remembering and add a unique perspective on Comanche society and tradition as experienced through several generations of his family. Kavanagh's introduction adds context to the personal narratives by discussing the process of transmission. These narratives serve multiple purposes for Comanche families and communities. Some autobiographical accounts, "recounting" brave deeds and war honors, function as validation of status claims, while others illustrate the giving of names; still others recall humorous situations, song-ridicules, slapstick, and tragedies. Such family oral histories quickly transcend specific people and events by restoring key voices to the larger historical narrative of the American West.

Stories in the book are by or about the Indians of Texas after they settled in Indian Territory.

Mission of the Women's American Baptist Home Mission Society at Saddle Mountain, Kiowa County, Oklahoma.

The story of the westward expansion of this country does not stop with the hardships encountered by travelers on the Mormon Trail, the discomforts endured by early settlers in sod houses, the bravery of the Pony Express riders, the romantic solitude of the cowboys, or the sufferings of the Indians forced to abandon their homes bleak and alien country. Much has been written about these colorful episodes and, through the courtesy of Hollywood and TV, has been brought into millions of homes in living color. But what happened to the people, including the Indians, who survived the great raid on Fort X, the bitter winters and scorching summers spent in primitive housing, the terrible loneliness and lack of communication with eastern kin? What did migrants do when they reached the end of the Mormon Trail? And did the Cherokees’ Trail of tears become a never-ending journey from one “relocation” to another? How did people develop and accommodate themselves to an environment which was itself constantly altered by an ever-changing society? In these essays we find that tragedy and joy, victory and defeat, human fulfillment and human degradation are visible in roughly equal proportions in the story of the Americanization of the West: that the goals, both realistic and unrealistic, of one group, society, or culture are frequently pursued only at the expense of other groups; and that the skeletons in the closet of American history abound to a greater extent than a nation convinced if its own virtue is willing to admit. Racism has plagued the nation since its inception, and exploitation of one group by another was sadly a part of the Western frontier. However, there was a freshness and vigor in the history of the West. Young railroads continued to grow, linking productive farms with brawling cities. New businesses and new political parties emerged, all contributing to the growth of the region that Stephen A. Douglas called the “adhesive of the Union.” These essays do not add up to a complete history of the Trans-Mississippi West: rather, each historian has pursued his own particular research interest, and various topics and settings are presented in this volume. The result is a fascinating collection that serves to illuminate both the tragedies and accomplishments of the westward movement.

Critical acclaim for The Last Comanche Chief "Truly distinguished. Neeley re-creates the character and achievements of this most significant of all Comanche leaders." -- Robert M. Utley author of The Lance and the Shield: The Life and Times of Sitting Bull "A vivid, eyewitness account of life for settlers and Native Americans in those violent and difficult times." -- Christian Science Monitor "The special merits of Neeley's work include its reliance on primary sources and illuminating descriptions of interactions among Southern Plains people, Native and white." -- Library Journal "He has given us a fuller and clearer portrait of this extraordinary Lord of the South Plains than we've ever had before." -- The Dallas Morning News