Centered around the 2011 Libyan Revolution, Libyan Sugar is a road trip through a war zone, detailed through photographs, journal entries, and written communication with family and colleagues. A record of Michael Christopher Brown's life both inside and outside Libya during that year, the work is about a young man going to war for the first time and his experience of that age-old desire to get as close as possible to a conflict in order to discover something about war and something about himself, perhaps a certain definition of life and death.

This book offers a novel, incisive and wide-ranging account of Libya's '17 February Revolution' by tracing how critical towns, communities and political groups helped to shape its course. Each community, whether geographical (e.g. Misrata, Zintan), tribal/communal (e.g. Beni Walid) or political (e.g. the Muslim Brotherhood) took its own path into the uprisings and subsequent conflict of 2011, according to their own histories and relationship to Muammar Qadhafi's regime. The story of each group is told by the authors, based on reportage and expert analysis, from the outbreak of protests in Benghazi in February 2011 through to the transitional period following the end of fighting in October 2011. They describe the emergence of Libya's new politics through the unique stories of those who made it happen, or those who fought against it. The Libyan Revolution and its Aftermath brings together leading journalists, academics, and specialists, each with extensive field experience amidst the constituencies they depict, drawing on interviews with fighters, politicians and civil society leaders who have contributed their own account of events to this volume.

This book delivers a thorough and essential analysis of current economic policy, transformation and legislative changes in Libya. The authors answer many questions about Libya’s distinctive society and economic system and explain the necessity for the major restructuring of the Libyan economy which is currently in process. The book makes extensive use of previously unavailable economic and social data and thus allows a unique insight into a fascinating country.

Poetry collection that explores culture, displacement, and feminism. The author is Libyan and looks at the way Libyan and other cultures regard women

Seven superb short stories from the bestselling author of Charlie and the Chocolate Factory and The BFG! The Wonderful Story of Henry Sugar is coming soon to Netflix! Meet the boy who can talk to animals and the man who can see with his eyes closed. And find out about the treasure buried deep underground. A clever mix of fact and fiction, this collection also includes how master storyteller Roald Dahl became a writer. With Roald Dahl, you can never be sure where reality ends and fantasy begins. "All the tales are entrancing inventions." —Publishers Weekly

Since 2011 the Libyan crisis has moved from being a domestic dispute to assuming increasing importance at the international level. Today it represents a crucial issue affecting global security. The intervention of external actors in the Libyan crisis was mainly driven by a desire to direct the transition towards outcomes that would best meet their own political and economic interests. Accordingly, each external player tried to support one specific faction, favoring either the Parliament in Tobruk, upheld by Khalifa Haftar, or the Presidential Council headed by Fayez al-Serraj in Tripoli, the latter being legitimized by the UN as well as by local militias in both Misrata and Tripoli. This report analyzes the troublesome re-building of Libya with a focus on the specific role played by international actors (neighboring and Gulf countries, European nations, Russia and the US) which make it more of an international rather than a domestic issue.

Yo Soy Fidel follows the cortège of Fidel Castro, former Cuban revolutionary and politician, over a period of several days in late 2016. American photographer Michael Christopher Brown (born 1978) leaned out of a rear passenger window of his passing vehicle in order to photograph Cubans waiting alongside the highway for Fidel's military convoy, carrying his cremated remains from Havana to Santiago, to pass. The route mirrored Fidel's post-revolution journey from Santiago to Havana in 1959, which helped solidify his image as hero and legend. In Yo Soy Fidel, fragments of this initial image have survived his death though perhaps inevitably lead to a question of what is to come. A country largely seen for half a century as a symbol of dignity and hope in the fight against imperialism, Cuba has a choice: to stay true to Fidel's revolutionary path or embrace globalization and all it entails.