Glasgow 1915. Set against the background of rent strikes, anti-war sentiment and a revolution brewing in Russia, a young Jewish woman from the Gorbals discovers a taste for protest, female solidarity, and the empowerment of women made possible by birth control. Her political sensibilities are fired up even further by a personal trauma, while a new love affair presents difficult choices.

"A genuine tour-de-force" - Lesley McDowell on 'An Exquisite Sense of What Is Beautiful'. Palestine 1920s. Working as a land agent for one of the richest men in the world, Polish-Jewish immigrant Lev Sela finds himself swept into a passionate relationship with Celia Kahn, a beautiful Scottish pioneer, after stumbling upon a strategic area of land that doesn't exist on any map. The resultant struggle for ownership involves the Jews, the Arabs, the Zionists, the British, a Russian engineer with ambitions to build a hydro-electric power station and the Bedouin living there. Touching on issues of identity, idealism, displacement, community, socialism and feminism, The Land Agent is the third title in J. David Simons' magnum opus 'From Glasgow to Galilee' – a loose trilogy following his award-winning novels The Credit Draper and The Liberation of Celia Kahn.

1911. Young Avram Escovitz is shipped off to Scotland to escape conscription into the Russian army. Living in the heart of Glasgow’s tight-knit Jewish community,?he dreams of playing for Celtic FC until World War I intervenes and he is sent to work as a credit draper, peddling goods on credit to the crofters and villagers of the Western Highlands. A stranger in a strange land, Avram is faced with the challenges of setting up a new business and capturing the heart of a Highland lass. But how easy will it be to shake off his Jewish roots? The award-winning The Credit Draper is the first book in J. David Simons’ magnum opus, a loose trilogy following his interconnected cast of characters from Glasgow to Galilee. The story continues with The Liberation of Celia Kahn and is concluded in the finale, The Land Agent, published in October 2014. Touching on issues of identity, displacement, community, feminism, alcoholism, socialism and idealism, the novels provide a valuable literary record of the Jewish community.

The personal collides with the political in this literary tour-de-force. In the 1950s, an eminent British writer pens a novel questioning the ethics of the nuclear destruction at Hiroshima and Nagasaki—but soon he’s trying to outrun his own past. Hakone, Japan, 2003. An eminent British writer in his 70s, Sir Edward Strathairn, returns to a resort in the Japanese mountains where, in his youth, he spent a beautiful, snowed-in winter. It was there he wrote his best-selling novel, The Waterwheel, accusing America of being in denial about the horrific aftermath of the Tokyo firebombings and the nuclear destruction at Hiroshima and Nagasaki. London, England, 1952. A young Edward falls in love with an avant-garde American artist, Macy. After their tumultuous relationship and breakup, he heads for Japan, where he is smitten again as he writes the novel that makes him famous. This is as much a thrilling romance as it is a sensitive exploration of blame, power and guilt in postwar America and Japan. With a narrator whose behavior strikes the national conscience as much as his own, An Exquisite Sense of What is Beautiful will stay with readers long after the final page is turned.

The President is dead. Cal Drummond is hiding out deep in the woods of the American South when he hears the news. Once a famous talk show host, he is now a disgraced man living a solitary existence in a cabin, drinking Jack Daniels, enjoying the cover of the trees, and getting on with life as Hank MacPhearson. But this news—and the journalist who delivers it—will have consequences that reach far back into Cal's past. They threaten his new life and identity, but they also throw him one final chance: it was an interview that brought about his downfall, but could it be another one, this time with him in the hotseat, that could bring him back to life? Taking the reader from Scotland to Mexico and from California to Georgia,The Interviewis a novel not only about speaking truth to power, but also about speaking truth to oneself.

The past century's culture wars that Britain has been consumed by, but that few North Americans seem aware of, have resulted in revised notions of Britishness and British literature. Yet literary anthologies remain anchored to an archaic Anglo-English interpretation of British literature. Conflicts have been played out over specific national vs. British identity (some residents prefer to describe themselves as being from Scotland, England, Wales, or Northern Ireland instead of Britain), in debates over immigration, race, ethnicity, class, and gender, and in arguments over British literature. These debates are strikingly detailed in such chapters as: "The Difficulty Defining 'Black British'," "British Jewish Writers" and "Xenophobia and the Booker Prize." Connections are also drawn between civil rights movements in the U.S. and UK. This generalist cultural study is a lively read and a fascinating glimpse into Britain's changing identity as reflected in 20th and 21st century British literature.