Física de la energía gravitacional y la fuerza de la gravedad. La Ley de la Gravedad Global. Tipos de energía del campo de gravedad. Energía cinética, potencial y mecánica. Experimentos de energía. El hecho de que la luz se desvíe en un campo gravitatorio justo el doble que la masa según la Ley de la Gravitación Universal de Newton me ha hecho sospechar que debería existir alguna relación especial entre las causas de ambas desviaciones. La precesión del perihelio de Mercurio se explica porque a la energía cinética también le afecta la gravedad el doble. Todo ello conlleva la alteración de la Ley de la Gravitación Universal de Newton, al explicar los componentes de la atractis causa y las consecuencias de la energía gravitacional sobre el movimiento en la nueva teoría del todo. Mención especial merecen la Ley de la Gravedad Global por sustentar una explicación diferente, consistente con el sentido común, de las decisivas predicciones de la Teoría de la Relatividad General de Einstein mediante una pequeña corrección de la Ley de la Gravitación Universal de Newton. En definitiva, los tres fenómenos naturales explicados por la Relatividad General de Einstein también son tratados y explicados, dentro del nuevo paradigma de la citada teoría de todo, de forma conjunta; me refiero a la precesión de la órbita de Mercurio, la curvatura de la luz y al corrimiento al rojo gravitacional de la luz.

Physics theory of everything about the gravity, energy and movement. Definition of energy and experiments with gravitational potential energy and mechanical energy. The fact that light deflects in a gravitational field exactly double than mass according to Newton’s Law of Universal Gravitation, made me suspect that there must existed some special relationship between the causes of both deviations. The difference of Global Dynamics to the Theory of Relativity is that while Einstein uses kinetic energy to alter space-time and balance the planetary orbits; Global Dynamics finds an additional force or second component of atractis causa, adjusted also by kinetic energy, to explain the physical reality without altering it. The Global Gravity Law deserves special mention for implying a different explanation, which is consistent with common sense, about the decisive predictions of the General Theory of Relativity of Einstein by means of a small adjustment of Newton’s Law of Universal Gravitation. The three great natural phenomena of General Relativity of Einstein are also discussed and explained with the two components of gravity and its mathematical integration in the Law of Global Gravity within the new paradigm or theory of everything and, of course, within common sense; I am referring to the effect of the gravitational lens, the gravitational red shift of light and the precession of the perihelion of Mercury.

A hybrid of reggae and rap, reggaeton is a music with Spanish-language lyrics and Caribbean aesthetics that has taken Latin America, the United States, and the world by storm. Superstars—including Daddy Yankee, Don Omar, and Ivy Queen—garner international attention, while aspiring performers use digital technologies to create and circulate their own tracks. Reggaeton brings together critical assessments of this wildly popular genre. Journalists, scholars, and artists delve into reggaeton’s local roots and its transnational dissemination; they parse the genre’s aesthetics, particularly in relation to those of hip-hop; and they explore the debates about race, nation, gender, and sexuality generated by the music and its associated cultural practices, from dance to fashion. The collection opens with an in-depth exploration of the social and sonic currents that coalesced into reggaeton in Puerto Rico during the 1990s. Contributors consider reggaeton in relation to that island, Panama, Jamaica, and New York; Cuban society, Miami’s hip-hop scene, and Dominican identity; and other genres including reggae en español, underground, and dancehall reggae. The reggaeton artist Tego Calderón provides a powerful indictment of racism in Latin America, while the hip-hop artist Welmo Romero Joseph discusses the development of reggaeton in Puerto Rico and his refusal to embrace the upstart genre. The collection features interviews with the DJ/rapper El General and the reggae performer Renato, as well as a translation of “Chamaco’s Corner,” the poem that served as the introduction to Daddy Yankee’s debut album. Among the volume’s striking images are photographs from Miguel Luciano’s series Pure Plantainum, a meditation on identity politics in the bling-bling era, and photos taken by the reggaeton videographer Kacho López during the making of the documentary Bling’d: Blood, Diamonds, and Hip-Hop. Contributors. Geoff Baker, Tego Calderón, Carolina Caycedo, Jose Davila, Jan Fairley, Juan Flores, Gallego (José Raúl González), Félix Jiménez, Kacho López, Miguel Luciano, Wayne Marshall, Frances Negrón-Muntaner, Alfredo Nieves Moreno, Ifeoma C. K. Nwankwo, Deborah Pacini Hernandez, Raquel Z. Rivera, Welmo Romero Joseph, Christoph Twickel, Alexandra T. Vazquez