The world we inhabit is enchanted—every tree, rock, and star, and even "empty" space itself, is teeming with living energy and awareness. And it's all nearer to us than our own breath. Why, then, can't we see it? Because, according to Jeremy Hayward, we are taught not to. And because our cultural conditioning keeps us in denial about the fact that a strictly scientific worldview provides only a partial, and unsatisfactory, view of reality. Letters to Vanessa is the guidebook for a generation caught in the crunch between the hard realities of science and the genuine yearning for an experience of the sacred. In a series of letters addressed to his teenage daughter, Dr. Hayward points the way past the limits of science and shows how we can connect with the magical, multidimensional universe of soul. Along the way he presents the most recent findings of neuroscience, cognitive psychology, new biology, and physics in a most engaging and understandable way. He also provides practical meditation instructions that will enable everyone to reconnect with the joyous reality of ordinary life.

This collection contains over 300 letters of painter & decorative designer Vanessa Bell, the central figure in the Bloomsbury group.

Your child will love learning the alphabet in this silly, rhyming alphabet book! Follow the hilarious antics of unforgettable characters, whose actions shape and highlight each letter of the alphabet. These amazingly fun letter adventures are an innovative way to make learning and tracing lowercase letters both easy and entertaining! With fantastically funny stories and colorful, amusing artwork, "Crazy Town Upside Down: An Alphabet Book" is perfect for children ages 2 to 6! To help your future reader remember the letters of the alphabet, this creative and engaging book uses successful teaching strategies including rhyming, finger tracing, and alliteration. By emphasizing and repeating the target letter sound several times, your little learner will begin to understand the corresponding letter sound by simply listening to and enjoying the stories!

Holly doesn't want to give up her tooth, but she doesn't expect a letter from the tooth fairy when she fails to put it under her pillow. So begins a week of correspondence between Holly and the Tooth Fairy.

Austin Voronkov is many things. He is an engineer, an inventor, an immigrant from Russia to Bridgeport, Connecticut, in 1913, where he gets a job at a rifle factory. At the house where he rents a room, he falls in love with a woman named Julia, who becomes his wife and the mother of his three children. When Austin is wrongly accused of attending anarchist gatherings his limited grasp of English condemns him to his fate as a deportee, retreating with his new bride to his home in Russia, where he and his young family become embroiled in the Civil War and must flee once again, to Mexico. While Julia and the children are eventually able to return to the U.S., Austin becomes indefinitely stranded in Mexico City because of the black mark on his record. He keeps a daily correspondence with Julia, as they each exchange their hopes and fears for the future, and as they struggle to remain a family across a distance of two countries. Austin becomes convinced that his engineering designs will be awarded patents, thereby paving the way for the government to approve his return and award his long sought-after American citizenship. At the same time he becomes convinced that an FBI agent is monitoring his every move, with the intent of blocking any possible return to the United States. Austin and Julia's struggles build to crisis and heartrending resolution in this dazzling, sweeping debut. The novel is based in part on Vanessa Manko's family history and the life of a grandfather she never knew. Manko used this history as a jumping off point for the novel, which focuses on borders between the past and present, sanity and madness, while the very real U.S.-Mexico border looms. The novel also explores how loss reshapes and transforms lives. It is a deeply moving testament to the enduring power of family and the meaning of home.

“Consent” is a Molotov cocktail, flung at the face of the French establishment, a work of dazzling, highly controlled fury...By every conceivable metric, her book is a triumph.” -- The New York Times Already an international literary sensation, an intimate and powerful memoir of a young French teenage girl’s relationship with a famous, much older male writer—a universal #MeToo story of power, manipulation, trauma, recovery, and resiliency that exposes the hypocrisy of a culture that has allowed the sexual abuse of minors to occur unchecked. Sometimes, all it takes is a single voice to shatter the silence of complicity. Thirty years ago, Vanessa Springora was the teenage muse of one of the country’s most celebrated writers, a footnote in the narrative of a very influential man in the French literary world. At the end of 2019, as women around the world began to speak out, Vanessa, now in her forties and the director of one of France’s leading publishing houses, decided to reclaim her own story, offering her perspective of those events sharply known. Consent is the story of one precocious young girl’s stolen adolescence. Devastating in its honesty, Vanessa’s painstakingly memoir lays bare the cultural attitudes and circumstances that made it possible for a thirteen-year-old girl to become involved with a fifty-year-old man who happened to be a notable writer. As she recalls the events of her childhood and her seduction by one of her country’s most notable writers, Vanessa reflects on the ways in which this disturbing relationship changed and affected her as she grew older. Drawing parallels between children’s fairy tales and French history and her personal life, Vanessa offers an intimate and absorbing look at the meaning of love and consent and the toll of trauma and the power of healing in women’s lives. Ultimately, she offers a forceful indictment of a chauvinistic literary world that has for too long accepted and helped perpetuate gender inequality and the exploitation and sexual abuse of children. Translated from the French by Natasha Lehrer "...One of the belated truths that emerges from [Consent] is that Springora is a writer. [...]Her sentences gleam like metal; each chapter snaps shut with the clean brutality of a latch." -- The New Yorker "Consent [is] rapier-sharp, written with restraint, elegance and brevity." -- The Times (London) "[Consent] has something steely in its heart, and it departs from the typical American memoir of childhood abuse in exhilarating ways." -- Slate "Lucid and nuanced...[Consent] will speak to trauma survivors everywhere." -- Los Angeles Review of Books ”A piercing memoir about the sexually abusive relationship she endured at age 14 with a 50-year-old writer...This chilling account will linger with readers long after the last page is turned.” -- Publishers Weekly "Springora's lucid account is a commanding discussion of sexual abuse and victimization, and a powerful act of reclamation." -- Booklist "A chilling story of child abuse and the sophisticated Parisians who looked the other way...[Springora] is an elegant and perceptive writer." -- Kirkus

This biography is to concentrate exclusively on Woolf's close and inspirational female friendships with the key women in her life. Curtis looks both at the effect of these relationships on her emotional life and the inspiration that each woman provided for the female protagonists in her fiction. The author begins by exposing the lesser-known details of Woolf's Victorian childhood, and continues with a study of the other unique women in Woolf's life: her sister Vanessa Bell; artist Dora Carrington; writer Katherine Mansfield; novelist Vita Sackville-West; and militant composer Ethel Smyth.