Most of these letters are 'finds,’ never previously published and serving to deepen and to give order to our awareness of Ford’s literary activities and involvements. Professor Ludwig, with lucidity, exactness and wisdom, has provided us with a coherent personal documentation. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ford Madox Ford - novelist, poet, critic, champion of young authors, travel writer, chronicler of his own times - was a man "mad about writing." As Ezra Pound observed, Ford "actually lived the heroic artistic life that Yeats talked about." An incorrigible bohemian who passed as "a nice old gentleman at a tea party," Ford devoted himself to literature and the arts, founding two important literary magazines, The English Review and the transatlantic review, and writing over eighty books, including The Good Soldier and Parade's End.

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’, and which has been adapted by Tom Stoppard for the BBC and HBO. Ford’s America, like the other places he wrote about extensively such as England or France, is a place of the imagination as much as the real place in which he lived and travelled. This volume is the first extended treatment of Ford’s lifelong contacts with American literature and culture. It combines contributions from British and American experts on Ford and Modernism. It has five closely inter-connected sections which display, between them, the range of Ford’s creative relationships with American writers and American territory. The first explores the transatlantic dimension of Ford’s modernism, from his involvement with Americans like James and Pound in Britain before the war, through the Paris days among the Americans in the transatlantic review circle such as Hemingway and Stein, to his time in America in the 20s and 30s, and the American care for his reputation after his death. The second section focuses on New York, and the publishing world portrayed in Ford’s only novel set mainly in the US, When the Wicked Man. A third section, discussing culture, politics, and journalism in his writing of the 1930s, is followed by two examples of his commentary on contemporary American culture, both published here for the first time. The final section juxtaposes two examples of the many American writers who have paid tribute to Ford: an essay tracking Robert Lowell’s regular recollections of his encounters with him; and Mary Gordon’s celebration of his life with the Polish-American painter Janice Biala. The volume also contains fourteen illustrations, including artwork by Biala and photographs of Ford.

Taking account of Ford Madox Ford’s entire literary output, this companion brings together prominent Ford specialists to offer an overview of existing Ford scholarship and to suggest new directions in Ford studies. The Routledge Research Companion to Ford Madox Ford is split into five parts, exploring the scholarly foundations of Ford Madox Ford studies, Ford's literary identity, Ford and place, specific case studies and themes and critical approaches. Within these five parts, the contributors cover areas relevant to Ford’s fiction, nonfiction and poetry, including reception history, life-writing, literary histories, gender and comedy. The Routledge Research Companion to Ford Madox Ford is an invaluable resource for students and scholars in Ford Studies, in modernism, and in the literary world that Ford helped shape in the early years of the twentieth century.

Ford Madox Ford's Novels was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The name of Ford Madox Ford appears again and again in twentieth-century literature, in many different connections. He was especially renowned as a literary personality, as a brilliant editor, and as an encourager of talented and emerging writers—"the Only Uncle of the Gifted Young," as H G. Wells called him. But he was also a major novelist in his own right, a fact which has been increasingly recognized in recent years. In this book, Mr. Meixner, a former assistant professor of English at the University of Kansas, presents an illuminating study of Ford's novels: descriptive, analytic, and evaluative. In particular he has been concerned—since the novelist was a highly conscious craftsman—with elucidating the techniques by which Ford gave (or failed to give) an intality. The reputations of The Good Soldier and of Ford's Tietjens novels have steadily risen in the last decade. Mr. Meixner's appraisals of these works are the fullest and probably the most perceptive yet published. A shortened version of his Good Soldier essay evoked much critical interest when it appeared in The Kenyon Review under the title "The Saddest Story." Mr. Meixner also examines such interesting novels as the Fifth Queen trilogy, Ladies Whose Bright Eyes, Mr. Fleight, Mr. Apollo, A Call, and The Marsden Case. During his lifetime, from 1873 to 1939, Ford published 76 books, including not only novels but poetry, memoirs, history, travels, biography, and literary criticism. He collaborated on three novels with Joseph Conrad, was an early, constant champion of Henry James, introduced D. H. Lawrence to the literary world, and published the first sections of James Joyce's Finnegans Wake.He was editor of both The English Review and the transatlantic review (on which he appointed Ernest Hemingway as his assistant editor).