"As Cotkin shows, not only did Americans readily take to existentialism, but they were already heirs to a rich tradition of thinkers - from Jonathan Edwards and Herman Melville to Emily Dickinson and William James - who had wrestled with the problems of existence and the contingency of the world long before Sartre and his colleagues. After introducing the concept of an American existential tradition, Cotkin examines how formal existentialism first arrived in America in the 1930s through discussion of Kierkegaard and the early vogue among New York intellectuals for the works of Sartre, Beauvoir, and Camus.

Voices of Italian America presents a top-rate authoritative study and anthology of the italian-language literature written and published in the United States from the heydays of the Great Migration (1880–1920) to the almost definitive demise of the cultural world of the first generation soon before and after World War II. The volume resurrects the neglected and even forgotten territory of a nationwide “Little Italy” where people wrote, talked, read, and consumed the various forms of entertainment mostly in their native Italian language, in a complex interplay with native dialects and surrounding American English. The anthological sections include excerpts from the ethnically tinged thrillers by Tuscan-born first-comer Bernardino Ciambelli, as well as the first short stories by Italian American women, set in the Gilded Age. The fiction of political activists such as Carlo Tresca coexists with the hardboiled autobiography of Italian American cop Mike Fiaschetti, fighting against the Mafia. Voices of Italian America presents new material by English-speaking classics such as Pietro di Donato and John Fante, and a selection of poetry by a great bilingual voice, the champion of the “masses” and Industrial Workers of the World (IWW) poet Arturo Giovannitti, and by a lesserknown, self-taught, satirical versifier, Riccardo Cordiferro/Ironheart. Controversial documents on the difficult interracial relations between Italian Americans and African Americans live side by side with the first poignant chronicles from Ellis Island. This study sheds light on the “fabrication” of a new culture of immigrant origins—pliable, dynamic, constantly shifting and transforming itself—while focusing on stories, genres, rhythms, the “human touch” contributed by literature in its wider sense. Ultimately, through a rich sample of significant texts covering various aspects of the immigrant experience, Voices of Italian America offers the reader a literary history of Italian American culture.

Traces the historical dimensions of Native North American drama using a critical perspective.

Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Dolores Moyano Martin, of the Library of Congress Hispanic Division, has been the editor since 1977, and P. Sue Mundell was assistant editor from 1994 to 1998. The subject categories for Volume 56 are as follows: ∑ Electronic Resources for the Humanities ∑ Art ∑ History (including ethnohistory) ∑ Literature (including translations from the Spanish and Portuguese) ∑ Philosophy: Latin American Thought ∑ Music

The whole destiny of America is contained in the first Puritans who landed on these shores, wrote de Tocqueville. These newcomers, and the range of their intellectual achievements and failures, are vividly depicted in The Puritans in America. Exiled from England, the Puritans settled in what Cromwell called “a poor, cold, and useless” place—where they created a body of ideas and aspirations that were essential in the shaping of American religion, politics, and culture. In a felicitous blend of documents and narrative Alan Heimert and Andrew Delbanco recapture the sweep and restless change of Puritan thought from its incipient Americanism through its dominance in New England society to its fragmentation in the face of dissent from within and without. A general introduction sketches the Puritan environment, and shorter introductions open each of the six sections of the collection. Thirty-eight writers are included—among these Cotton, Bradford, Bradstreet, Winthrop, Rowlandson, Taylor, and the Mathers—as well as the testimony of Anne Hutchinson and documents illustrating the witchcraft crisis. The works, several of which are published here for the first time since the seventeenth century, are presented in modern spelling and punctuation. Despite numerous scholarly probings, Puritanism remains resistant to categories, whether those of Perry Miller, Max Weber, or Christopher Hill. This new anthology—the first major interpretive collection in nearly fifty years—reveals the beauty and power of Puritan literature as it emerged from the pursuit of self-knowledge in the New World.