If it were up to Mattie Markham, there would be a law that said your family wasn't allowed to move in the middle of the school year. After all, sixth grade is hard enough without wondering if you'll be able to make new friends or worrying that the kids in Pennsylvania won't like your North Carolina accent. But when Mattie meets her next-door neighbor and classmate, she begins to think maybe she was silly to fear being the "new girl." Agnes is like no one Mattie has ever met -- she's curious, hilarious, smart, and makes up the best games. If winter break is anything to go by, the rest of the school year should be a breeze. Only it isn't, because when vacation ends and school starts, Mattie realizes something: At school Agnes is known as the weird girl who no one likes. All Mattie wants is to fit in (okay, and maybe be a little popular too), but is that worth ending her friendship with Agnes?

The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside

“I love how this book gets the fragile ecosystem that is middle school. There’s a purity to the voice that feels very real, very Judy Blume. Loved it!”—R. J. Palacio, author of Wonder The Thing About Jellyfish meets The Kind of Friends We Used to Be in this sweet, honest middle grade debut. If it were up to Mattie Markham, there would be a law that said your family wasn’t allowed to move in the middle of the school year. After all, sixth grade is hard enough without wondering if you’ll be able to make new friends or worrying that the kids in Pennsylvania won’t like your North Carolina accent. But when Mattie meets her next-door neighbor and classmate, she begins to think maybe she was silly to fear being the “new girl.” Agnes is like no one Mattie has ever met—she’s curious, hilarious, smart, and makes up the best games. If winter break is anything to go by, the rest of the school year should be a breeze. Only it isn’t, because when vacation ends and school starts, Mattie realizes something: At school Agnes is known as the weird girl who no one likes. All Mattie wants is to fit in (okay, and maybe be a little popular too), but is that worth ending her friendship with Agnes?

The #1 New York Times bestselling (mostly true) memoir from the hilarious author of Furiously Happy. “Gaspingly funny and wonderfully inappropriate.”—O, The Oprah Magazine When Jenny Lawson was little, all she ever wanted was to fit in. That dream was cut short by her fantastically unbalanced father and a morbidly eccentric childhood. It did, however, open up an opportunity for Lawson to find the humor in the strange shame-spiral that is her life, and we are all the better for it. In the irreverent Let’s Pretend This Never Happened, Lawson’s long-suffering husband and sweet daughter help her uncover the surprising discovery that the most terribly human moments—the ones we want to pretend never happened—are the very same moments that make us the people we are today. For every intellectual misfit who thought they were the only ones to think the things that Lawson dares to say out loud, this is a poignant and hysterical look at the dark, disturbing, yet wonderful moments of our lives. Readers Guide Inside

Let's Pretend We Never Met realizes the ten-year fixation the late great Roman poet Catullus has had on Nathaniel G. Moore. Catullus becomes filter, lens, judge, subject and object. From the subjective finality of first-person illusory, Let's Pretend We Never Met is a poetic Dr. Jekyll and Mr. Hyde. With dramatic pauses, near-novella overtures and biographical necessity Let's Pretend We Never Met cashes in nostalgia for a more bitter and honest currency for today's disposable culture. Like Michael Ondaatje's The Collected Works of Billy the Kidd, Moore's poetry is a obsessed poetic biography, showcasing Moore at the height of his grave shift powers as a romantic pain magnet and exorciser--attempting to Houdini Catullus and himself from regret, depravity, and other histrionic side effects of modern life. With special appearances by Catullus' agent, Juventius, Rufus, Clodia Metelli and more.

“Oh, my word, I’m living this.” Dear friend, If you and I are new to each other, let me start here: This is not how this was supposed to go! In the portrait I had long ago painted of my family, I didn’t intend to include words like “widowed single mom.” I had envisioned many more decades with my husband Robb in the complicated, beautiful life of marriage. But in the course of twelve hours, our family of four became a trio, and since that day my boys and I have been creating a new life in an upside-down world. I have written this new book, which in a lot of ways is a sequel to And Life Comes Back, to answer the question so many have asked: “And then what happened—after the crisis became reality and your life began again?” I’ve leaned into honest storytelling to offer a look into the chaos and beauty of who we have become. I’ll be honest, this book was harder to write because I’m living it right now—I hardly feel like an expert who has figured it out. I hope my straight-up-honest stories will give you encouragement to take the next step. And the next. And the next. Sometimes, you just have to pretend you know what you’re doing, pretend you’re brave enough, and pretend you can do this. Sometimes you just have to pretend you’re normal until the new normal finds you. See you in the pages, Tricia

Stalag 17 (1953), the riveting drama of a German prisoner-of-war camp, was adapted from the Broadway play directed by José Ferrer in 1951. Billy Wilder developed the play and made the film version more interesting in every way. Edwin Blum, a veteran screenwriter and friend of Wilder's, collaborated on the screenplay but found working with Wilder an agonizing experience. Wilder's mordant humor and misanthropy percolate throughout this bitter story of egoism, class conflict, and betrayal. As in a well-constructed murder mystery, the incriminating evidence points to the wrong man. Jeffrey Meyers's introduction enriches the reading of Stalag 17 by including comparisons with the Broadway production and the reasons for Wilder's changes.