First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The debut novel from Akashic’s new imprint, Punk Planet Books. Also check out the smash hits How the Hula Girl Sings, Tender as Hellfire, and The Boy Detective Fails. “A funny, hard-rocking first-person tale of teenage angst and discovery.” —Booklist “Captures the loose, fun, recklessness of midwestern punk.” —MTV.com Hairstyles of the Damned is an honest, true-life depiction of growing up punk on Chicago’s south side: a study in the demons of racial intolerance, Catholic school conformism, and class repression. It is the story of the riotous exploits of Brian, a high school burnout, and his best friend, Gretchen, a punk rock girl fond of brawling. Based on the actual events surrounding a Chicago high school’s segregated prom, this work of fiction unflinchingly pursues the truth in discovering what it means to be your own person.

Letters from prison testifying to deeply felt ethical principles have a long history, extending from antiquity to the present day. In the early modern era, the rise of printing houses helped turn these letters into a powerful form of political and religious resistance. W. Clark Gilpin’s fascinating book examines how letter writers in England—ranging from archbishops to Quaker women—consolidated the prison letter as a literary form. Drawing from a large collection of printed prison letters written from the reign of Henry VIII to the closing decades of the seventeenth century, Gilpin explores the genre's many facets within evolving contexts of reformation and revolution. The writers of these letters portrayed the prisoner of conscience as a distinct persona and the prison as a place of redemptive suffering where bearing witness had the power to change society. The Letter from Prison features a diverse cast of characters and a literary genre that combines drama and inspiration. It is sure to appeal to those interested in early modern England, prison literature, and cultural forms of resistance.

This study explores representations of the Madonna and Child in early modern culture. It considers the mother and son as a conceptual, religio-political unit and examines the ways in which that unit was embodied and performed. Of primary interest is the way mothers derived agency from bearing incipient rulers.

Among the pressing concerns of Americans in the first century of nationhood were day-to-day survival, political harmony, exploration of the continent, foreign policy, and--fixed deeply in the collective consciousness--hell and eternal damnation. The fear of fire and brimstone and the worm that never dies exerted a profound and lasting influence on Americans' ideas about themselves, their neighbors, and the rest of the world. Kathryn Gin Lum poses a number of vital questions: Why did the fear of hell survive Enlightenment critiques in America, after largely subsiding in Europe and elsewhere? What were the consequences for early and antebellum Americans of living with the fear of seeing themselves and many people they knew eternally damned? How did they live under the weighty obligation to save as many souls as possible? What about those who rejected this sense of obligation and fear? Gin Lum shows that beneath early Americans' vaunted millennial optimism lurked a pervasive anxiety: that rather than being favored by God, they and their nation might be the object of divine wrath. As time-honored social hierarchies crumbled before revival fire, economic unease, and political chaos, "saved" and "damned" became as crucial distinctions as race, class, and gender. The threat of damnation became an impetus for or deterrent from all kinds of behaviors, from reading novels to owning slaves. Gin Lum tracks the idea of hell from the Revolution to Reconstruction. She considers the ideas of theological leaders like Jonathan Edwards and Charles Finney, as well as those of ordinary women and men. She discusses the views of Native Americans, Americans of European and African descent, residents of Northern insane asylums and Southern plantations, New England's clergy and missionaries overseas, and even proponents of Swedenborgianism and annihilationism. Damned Nation offers a captivating account of an idea that played a transformative role in America's intellectual and cultural history.

Ever since its appearance in Europe five centuries ago, the rosary has been a widespread, highly visible devotion among Roman Catholics. Its popularity has persisted despite centuries of often seismic social upheaval, cultural change, and institutional reform. In form, the rosary consists of a ritually repeated sequence of prayers accompanied by meditations on episodes in the lives of Christ and Mary. As a devotional object of round beads strung on cord or wire, the rosary has changed very little since its introduction centuries ago. Today, the rosary can be found on virtually every continent, and in the hands of hard-line traditionalists as well as progressive Catholics. It is beloved by popes, professors, protesters, commuters on their way to work, children learning their “first prayers,” and homeless persons seeking shelter and safety. Why has this particular devotional object been so ubiquitous and resilient, especially in the face of Catholicism’s reinvention in the Early Modern, or “Counter-Reformation,” Era? Nathan D. Mitchell argues in lyric prose that to understand the rosary’s adaptability, it is essential to consider the changes Catholicism itself began to experience in the aftermath of the Reformation. Unlike many other scholars of this period, Mitchell argues that after the Reformation Catholicism actually became more innovative and diversified rather than retrenched and monolithic. This innovation was especially evident in the sometimes “subversive”; visual representations of sacred subjects, such as in the paintings of Caravaggio, and in new ways of perceiving the relation between Catholic devotion and the liturgy’s ritual symbols. The rosary was thus involved not only in how Catholics gave flesh to their faith, but in new ways of constructing their personal and collective identity. Ultimately, Mitchell employs the history of the rosary, and the concomitant devotion to the Virgin Mary with which it is associated, as a lens through which to better understand early modern Catholic history.

These last four years have worn us all down ... everyone is tired of being asked to look at their part in why they started misbelieving and misbehaving over these last four years ... we need to face what took place and ask ourselves what was so egregious that caused some of us to separate from our friends, relatives, family members, and co-workers ... what was so horrific that caused some of us to turn our eyes away from having each other's back ... what was so threatening to us as a nation that we haven't overcome before ... what caused some of us to put more faith in weapons than each other, or worse, taking up these arms against each other ... what took place that caused some of us to put others in harm's way and throw aside our individual primary human survival instincts during the Covid virus? ... most importantly, whatever happened that influenced some of us to set aside our common spiritual ethics and morals that we have abided by for these last 244 years ... history has shown us many times before that this is what happens when self-serving leaders and individuals use the people's shortcomings for their self interests to where we end being played and who ever wants to admit that they have been played.