This goal Journal / Diary / Notebook is for anyone named Leslie it makes an awesome unique new years journal / greeting card idea as a present! This journal is 8 x 10 inches in size with 120 filled pages with a white background theme for writing down goals, thoughts, notes, ideas, or even sketching.

The 2020 UNODC Global Report on Trafficking in Persons is the fifth of its kind mandated by the General Assembly through the 2010 United Nations Global Plan of Action to Combat Trafficking in Persons. It covers more than 130 countries and provides an overview of patterns and flows of trafficking in persons at global, regional and national levels, based primarily on trafficking cases detected between 2017 and 2019. As UNODC has been systematically collecting data on trafficking in persons for more than a decade, trend information is presented for a broad range of indicators.

"The first truly definitive biography of Douglas Fairbanks, the greatest leading man of the silent film era"--

This Angel on My Chest is a collection of unconventionally linked stories, each about a different young woman whose husband dies suddenly and unexpectedly. Ranging from traditional stories to lists, a quiz, a YouTube link, and even a lecture about creative writing, the stories grasp to put into words the ways in which we all cope with unspeakable loss. Based on the author's own experience of losing her husband at age thirty-seven, this book explores the resulting grief, fury, and bewilderment, mirroring the obsessive nature of grieving. The stories examine the universal issues we face at a time of loss, as well as the specific concerns of a young widow: support groups, in-laws, insurance money, dating, and remarriage. This Angel on My Chest ultimately asks, how is it possible to move forward with life while "till death do you part" rings in your ears—and, how is it possible not to?

When it comes to writing Golden Age Hollywood biographies, the pen is deadlier than the sword Justine Turner is a world-famous biographer of Hollywood stars. She's also Charlotte Donovan's overbearing boss. So it comes as no surprise to Charlotte when Justine requests an emergency meeting related to her latest in-progress biography. It is a surprise, though, when Justine up and dies before their urgent discussion can begin. In the wake of such a tragedy, all Charlotte wants to do is finish the Jean Harlow biography that Justine had started. Instead, she finds herself in grave danger—stalked both online and in person by a drop-dead Jean Harlow look-alike. Together with police sergeant Den Brophy, Charlotte uncovers shocking revelations. But will these revelations be enough to catch the killer? Praise: "The Jean Harlow Bombshell is a page-turner, a modern whodunit threaded with Golden Age Hollywood glamour. Its protagonist, Charlotte Donovan, is a sleuth for our times, flawed, bright, and eminently relatable. Factor in the delicious elements of romance, friendship, and family, and you have a mystery as captivating as Jean Harlow's (still missing) star sapphire ring."—Jess Lourey, author of Salem's Cipher and Mercy's Chase "Twisty, fascinating, and gently edgy, this mixture of vintage Hollywood and contemporary New York will delight fans of the traditional mystery as well as those craving a modern read. Loved it!"—Hank Phillippi Ryan, nationally bestselling author of Trust Me "Mollie Cox Bryan concocts a fascinating mystery with more twists than a pretzel factory. Bryan's skillful portrayal of Charlotte and best friend Kate make it fun to follow them as they work through to the solution. An entertaining read, a steady pace, and memorable characters to meet."—Reviewing the Evidence

1980s. A young woman, desperate to escape the unspoken secrets of her impoverished Midwestern family, bluffs her way into a Chicago college. There she meets Jess, charismatic and rich and needy, and the two women form an insular, competitive friendship. As the city is terrorized by the Tylenol Killer, it triggers major repercussions: the lifestyle the narrator has come to share with Jess vanishes, and her attempts to restore order and control become increasingly desperate.

Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ''war against the obesity epidemic''. In Fat on Film, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers (2007), Precious (2009), Kung Fu Panda (2008), Paul Blart (2009) and Pitch Perfect (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ''obesity epidemic'' discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.