Fifteen writers share their take on the phenomenon of Cowboys — a calling, a vocation, and a status that has nothing to do with gender. Whether in the old west or the Australian outback, New England or the Great Plains, these girls and their horses work hard, play hard, and love hard. Contributors Radclyffe and Jove Bell depict the rough and tumble world of female rodeo riders, while Cheyenne Blue explores cattle ranching and the new environmentalism, and Delilah Devlin writes about a “Hired Hand” who may be a woman, but is more than a match for any man. Sexy, steamy, and crackling with the energy of a wild filly, these stories represent the cutting edge of lesbian cowboy fiction.

Leather, lust, riding a horse by day, a woman by night. The Western is making a comeback on the big screen and in made-for-TV movies, and the time is right for a cowboy-themed lesbian erotica anthology, with a difference.

Queer Cinema: Schoolgirls, Vampires, and Gay Cowboys illustrates queer cinematic aesthetics by highlighting key films that emerged at historical turning points throughout the twentieth century. Barbara Mennel traces the representation of gays and lesbians from the sexual liberation movements of the roaring 1920s in Berlin to the Stonewall Rebellion in New York City and the emergence of queer activism and film in the early 1990s. She explains early tropes of queerness, such as the boarding school or the vampire, and describes the development of camp from 1950s Hollywood to underground art of the late 1960s in New York City. Mennel concludes with an exploration of the contemporary mainstreaming of gay and lesbian films and global queer cinema. Queer Cinema: Schoolgirls, Vampires and Gay Cowboys not only offers an introduction to a gay and lesbian film history, but also contributes to an academic discussion about queer subversion of mainstream film.

Immortal, Invisible: Lesbians and the Moving Image is the first collection to bring together leading film-makers, academics and activists to discuss films by, for and about lesbians and queer women. The contributors debate the practice of lesbian and queer film-making, from the queer cinema of Monika Treut to the work of lesbian film-makers Andrea Weiss and Greta Schiller. They explore the pleasures and problems of lesbian spectatorship, both in mainstream Hollywood films including Aliens and Red Sonja, and in independent cinema from She Must be Seeing Things to Salmonberries and Desert Hearts. The authors tackle tricky questions: can a film such as Strictly Ballroom be both pleasurably camp and heterosexist? Is it ok to drool over dyke icons like Sigourney Weaver and kd lang? What makes a film lesbian, or queer, or even post-queer? What about showing sex on screen? And why do lesbian screen romances hardly ever have happy endings? Immortal, Invisible is splendidly illustrated with a selection of images from film and television texts.

Over seven decades, Librarian, Ada Shook, is witness to the racism laced through her Southern city; the paradox of religion as both comfort and torment; and the survival networks created by gay people. Eleven interconnected stories cover the sweep of one woman’s personal history as she reaches her own form of Southern womanhood—compassionate, resilient, principled, lesbian.

A photographic celebration of the love and relationships of queer people of color by a former New York Times multimedia journalist “Thank you, Jamal Jordan, for showing the world what true love looks like.”—Billy Porter Queer Love in Color features photographs and stories of couples and families across the United States and around the world. This singular, moving collection offers an intimate look at what it means to live at the intersections of queer and POC identities today, and honors an inclusive vision of love, affection, and family across the spectrum of gender, race, and age.

Queer Dance challenges social norms and enacts queer coalition across the LGBTQ community. The book joins forces with feminist, anti-racist, and anti-colonial work to consider how bodies are forces of social change.