Profiles of 18 prominent lesbian artists, from Kate Millett and Joan Snyder to Deborah Kass and Catherine Opie, complete this groundbreaking contribution to contemporary art history."--BOOK JACKET.

An acclaimed Washington Post photographer poignantly captures the diversity and intense beauty of gay and lesbian life in American. 70 dramatic photos and accompanying personal stories run the gamut from Christian lesbians to gay Elvis impersonators.C.

The Queerest Art rereads the history of performance as a celebration and critique of dissident sexualities, exploring the politics of pleasure and the pleasure of politics that drive the theatre.

A comprehensive and lavishly illustrated exploration of the relationship between art and homosexuality. This is the first book of its kind, a provocative, globe-spanning narrative history that considers the fascinating reciprocity between gay sexuality and art from the ancient world to today.

This benchmark publication documents the diversity and vitality of lesbian talent in Australia. A hitherto marginalised group, lesbian artists are now being incorporated into mainstream culture and this book provides a timely introduction to the issues explored by these artists, which include sexuality, mythology and religion, mass media and technology. The development of different modes of production through collaborative processes and collective art making is also discussed. The history of the emergence of lesbian art practice into contemporary culture is charted through documentation of alternative exhibition spaces, legislation, protest marches and events such as the Gay and Lesbian Mardi Gras held annually in Sydney. The acceptance of lesbian art as an art of difference rather than of community is examined. The diversity in lesbian art practice is highlighted through the variety of styles, art forms and practices which the author has uncovered. Performance art, film, video, computer generated imagery as well as painting, sculpture, graphic arts and craft reinforce the impression of a vital, imaginative body of work making an important contribution to late twentieth-century visual art. This book, with its theoretical discussion, historical overview and profiles of leading practitioners will be an invaluable resource for artists, students and teachers in art schools, women's, gender and queer studies, feminists, homosexuals and lesbians.

Sarah Schulman’s writing is bold, provocative, and refreshingly unrepentant. First published in 1994, My American History: Lesbian and Gay Life During the Reagan and Bush Years combines critical commentary with a rich and varied collection of news articles, letters, interviews, and reports in which the author traces the development of lesbian and gay politics in the U.S. In her coverage of many tireless campaigns of activism and resistance, Sarah Schulman documents a powerful political history that most people – gay or straight – never knew happened. In her Preface to this second edition, Urvashi Vaid argues for the continued relevance of Schulman’s writing to activism in the 21st century, particularly in light of the resurgence of the right in American politics. Also included is a selection of articles by Sarah Schulman for Womanews, in their original print format, with illustrations by Alison Bechdel. The book closes with an interview with the author, conducted by Steven Thrasher, especially for this new edition. It explores AIDS and homophobia during the Reagan/Bush administrations and at the dawn of the Trump era. My American History is a collection that gives voice to both the personal and political struggles of feminist and lesbian and gay communities in the 1980s. It is an important historical record that will enlighten and inform activists, as well as academics of women’s, gender and sexuality studies, in the 21st century.

Uncovering the lost history of gay, lesbian, bisexual, and transgender artists in New York City. Queer people have always flocked to New York seeking freedom, forging close-knit groups for support and inspiration. Gay Gotham brings to life the countercultural artistic communities that sprang up over the last hundred years, a creative class whose radical ideas would determine much of modern culture. More than 200 images—both works of art, such as paintings and photographs, as well as letters, snapshots, and ephemera—illuminate their personal bonds, scandal-provoking secrets at the time and many largely unknown to the public since. Starting with the bohemian era of the 1910s and 1920s, when the pansy craze drew voyeurs of all types to Greenwich Village and Harlem, the book winds through midcentury Broadway as well as Fire Island as it emerged as a hotbed, turns to the post-Stonewall, decade-long wild party that revolved around clubs like the Mineshaft and Studio 54, and continues all the way through the activist mobilization spurred by the AIDS crisis and the move toward acceptance at the century’s close. Throughout, readers encounter famous figures, from James Baldwin and Mae West to Leonard Bernstein, and discover lesser-known ones, such as Harmony Hammond, Greer Lankton, and Richard Bruce Nugent. Surprising relationships emerge: Andy Warhol and Mercedes de Acosta, Robert Mapplethorpe and Cecil Beaton, George Platt Lynes and Gertrude Stein. By peeling back the overlapping layers of this cultural network that thrived despite its illicitness, this groundbreaking publication reveals a whole new side of the history of New York and celebrates the power of artistic collaboration to transcend oppression.