Marianna Lanskaya termine son premier roman, en offrant un voyage, plein de suspense et de découvertes bouleversantes, et plongeant le lecteur au cœur d’une grande aventure aussi riche que passionnante...Ce livre est destiné à tous les gens qui cherchent de nouvelles inspirations pour avancer dans la vie. Ce roman peut intéresser non seulement les adolescents qui aiment les aventures surnaturelles et les jeux vidéo mais aussi toutes les femmes et les hommes romantiques sur la Terre.

"Suppose that everything we think we know about the Victorians is wrong." So begins Inventing the Victorians by Matthew Sweet, a compact and mind-bending whirlwind tour through the soul of the nineteenth century, and a round debunking of our assumptions about it. The Victorians have been victims of the "the enormous condescension of posterity," in the historian E. P. Thompson's phrase. Locked in the drawing room, theirs was an age when, supposedly, existence was stultifying, dank, and over-furnished, and when behavior conformed so rigorously to proprieties that the repressed results put Freud into business. We think we have the Victorians pegged--as self-righteous, imperialist, racist, materialist, hypocritical and, worst of all, earnest. Oh how wrong we are, argues Matthew Sweet in this highly entertaining, provocative, and illuminating look at our great, and great-great, grandparents. One hundred years after Queen Victoria's death, Sweet forces us to think again about her century, entombed in our minds by Dickens, the Elephant Man, Sweeney Todd, and by images of unfettered capitalism and grinding poverty. Sweet believes not only that we're wrong about the Victorians but profoundly indebted to them. In ways we have been slow to acknowledge, their age and our own remain closely intertwined. The Victorians invented the theme park, the shopping mall, the movies, the penny arcade, the roller coaster, the crime novel, and the sensational newspaper story. Sweet also argues that our twenty-first century smugness about how far we have evolved is misplaced. The Victorians were less racist than we are, less religious, less violent, and less intolerant. Far from being an outcast, Oscar Wilde was a fairly typical Victorian man; the love that dared not speak its name was declared itself fairly openly. In 1868 the first international cricket match was played between an English team and an Australian team composed entirely of aborigines. The Victorians loved sensation, novelty, scandal, weekend getaways, and the latest conveniences (by 1869, there were image-capable telegraphs; in 1873 a store had a machine that dispensed milk to after-hours' shoppers). Does all this sound familiar? As Sweet proves in this fascinating, eye-opening book, the reflection we find in the mirror of the nineteenth century is our own. We inhabit buildings built by the Victorians; some of us use their sewer system and ride on the railways they built. We dismiss them because they are the age against whom we have defined our own. In brilliant style, Inventing the Victorians shows how much we have been missing.

This illustrated book, focuses on Gauguin's use of narrative, both as inspiration and fuel for his work and as a tool to create a personal mythology around himself as an artist

This title offers a scathing view of sex manuals for children and society's hypocrisy of over sex that argues for the rights of children to their own bodies and their own sexuality. Written in the wake of May 1968 and Deleuze and Guattari's Anti-Oedipus, Tony Duvert's Good Sex Illustrated (Le bon sexe illustre) was part of the miraculous moment when sexuality could turn the world upside down and reveal social hypocrisy for what it was. Bitterly funny and unabashedly anarchistic, Good Sex Illustrated openly declares war on mothers, family, psychoanalysis, morality, and the entire social construct, through a close reading of sex manuals for children. Published in 1973, one year after Duvert won the prestigious Prix Medicis, it proved that accolades had not tempered his scathing wit or his approach to such taboo topics as pedophilia. This translation, by award-winning author Bruce Benderson, will belatedly introduce English-speaking audiences to the most infamous gay writer from France since Jean Genet first hit the scene in the 1940s.

Pamela Des Barres spent the sexual revolution on the ramparts as the celebrated "queen of the groupies" and chronicled her adventures with the high priests of rock in her best seller I'm With the Band. Affectionate, subversive, and funny, it was hailed by The New York Times as representing "something honorable and loving ... about the sexual honesty of modern women." It became an underground classic, an emblematic memoir of the 1960s generation.