The three novels in Waiwaiole’s dark and dangerous Wiley series chronicle the tragic twists and turns in the lives of two old friends after those lives have completely gone off the rails in Portland, Oregon. In LEON’S LEGACY, Waiwaiole goes back to where it all began — back when Wiley and Leon were high school kids pursuing the state basketball championship. Unfortunately, it was also the year that the crack gangs from California began to sink their talons into Portland’s inner city, a juxtaposition that threatens not only their hoop quest but also their lives. An inner-city high school teacher and basketball coach when this actually occurred in Portland, Waiwaiole has a wealth of first-hand exposure to this story and the writing chops to deliver it convincingly. Praise for LEON’S LEGACY … “Lono Waiwaiole writes with a command you don’t see much anymore. He is the opposite of the winking hard-boil writer of today. He writes authentically and knowingly about America’s underclass, the streets and being an outsider. Leon’s Legacy is an unexpectedly honest novel about a violent teenage world, peopled with intensely believable characters whose upside down humanity will grab you.” —Kent Harrington, author of The Red Jungle and Rat Machine Possible blurbs (most for previous books; not sure about Christgau’s) … “Lono Waiwaiole’s Wiley novels are the past and the future of hard-boiled crime fiction, rolled up together inside prose that’s as cold and as shiny as the city streets. But there’s hope and redemption there too, glinting like the morning sun on wet pavement.” —Lee Child “With prose so sharp you can’t even feel the cut, scalpel-like in its precision, and driving to the heart by way of the gut, Lono Waiwaiole is that rarest of writers — brutally honest, unflinchingly brave, and not about to take no for an answer. Neither Wiley nor Waiwaiole are to be missed!” —Greg Rucka “Noir fans need to know about Waiwaiole right now. He’s the real thing, and he’s too good to miss.” —Bill Ott (Booklist starred review) “A tale of basketball, friendship, and street gang hostility that reads with the pace of a blistering fast break.” —John Christgau, author of Tricksters in the Madhouse: Lakers vs. Globetrotters, 1948 and The Origins of the Jump Shot: Eight Men Who Shook the World of Basketball

Leon Ehrenpreis has been one of the leading mathematicians in the twentieth century. His contributions to the theory of partial differential equations were part of the golden era of PDEs, and led him to what is maybe his most important contribution, the Fundamental Principle, which he announced in 1960, and fully demonstrated in 1970. His most recent work, on the other hand, focused on a novel and far reaching understanding of the Radon transform, and offered new insights in integral geometry. Leon Ehrenpreis died in 2010, and this volume collects writings in his honor by a cadre of distinguished mathematicians, many of which were his collaborators.

For more than a million years, man's utter dependence on technology has been producing a host of intricate problems. For example, we steadily reduce the need for human labor while finding ways to increase life expectancy. We mass produce the automobile without grasping the harsh effects it leaves on the environment. The Human Legacy concerns the evolution and development of man–physically, socially, psychologically–into the latest version of the species we see around us today. The author paints an intriguing picture of man, living in complex societies and trying to solve the unanticipated consequences of action.

The definitive New York Times bestselling biography of legendary musician, composer, and performer Leon Russell, who profoudly influenced George Harrison, the Rolling Stones, Eric Clapton, Elton John, Willie Nelson, Tom Petty, and the world of music as a whole. Leon Russell is an icon, but somehow is still an underappreciated artist. He is spoken of in tones reserved not just for the most talented musicians, but also for the most complex and fascinating. His career is like a roadmap of music history, often intersecting with rock royalty like Bob Dylan, the Stones, and the Beatles. He started in the Fifties as a teenager touring with Jerry Lee Lewis, going on to play piano on records by such giants as Frank Sinatra, The Beach Boys, and Phil Spector, and on hundreds of classic songs with major recording artists. Leon was Elton John’s idol, and Elton inducted him into the Rock and Roll Hall of Fame in 2011. Leon also gets credit for altering Willie Nelson’s career, giving us the long-haired, pot-friendly Willie we all know and love today. In his prime, Leon filled stadiums on solo tours, and was an organizer/performer on both Joe Cocker’s revolutionary Mad Dogs and Englishmen tour and George Harrison’s Concert for Bangladesh. Leon also founded Shelter Records in 1969 with producer Denny Cordell, discovering and releasing the debut albums of Tom Petty, the Gap Band, Phoebe Snow, and J.J. Cale. Leon always assembled wildly diverse bands and performances, fostering creative and free atmospheres for musicians to live and work together. He brazenly challenged musical and social barriers. However, Russell also struggled with his demons, including substance abuse, severe depression, and a crippling stage fright that wreaked havoc on his psyche over the long haul and at times seemed to will himself into obscurity. Now, acclaimed author and founding member of Buffalo Tom, Bill Janovitz shines the spotlight on one of the most important music makers of the twentieth century.

“A remarkable, vivid, and meticulously researched story about an unjustly forgotten major figure of the nineteenth century.” - Nicholas B. Lemann “It’s more than a bio. It’s a way to understand Jewishness, the South, and America.” - Walter Isaacson “Peter Wolf’s The Sugar King is an absorbing ancestral journey.” - Henry Louis Gates, Jr. Peter M. Wolf unearths Southern Jewish history in a major new work, with a foreword by Calvin Trillin. A penniless, illiterate, Jewish thirteen-year-old from France crosses the Atlantic alone. Landing in raucous and polyglot New Orleans in 1837, the third largest city in America, he starts out as a peddler of notions to plantations along the Mississippi. He remains unable to read or to write in English or in French his entire life. Nevertheless, by the end of his intrigue-filled life, Leon Godchaux is known as the “Sugar King of Louisiana,” the owner of fourteen plantations, the largest sugar producer in the region and the top taxpayer in the state. He refuses to enter the sugar business until the end of slavery. Unsympathetic to the Lost Cause, caught up in the Civil War, and negotiating Reconstruction and Jim Crow, Godchaux simultaneously builds an esteemed New Orleans clothing empire. Godchaux relies on the accomplishments of two Black men. Joachim Tassin, a slave whose birth status both men conceal, is entwined with Leon Godchaux in his clothing business, and Norbert Rillieux is a free man of color whose overlooked ingenious invention enables Godchaux to build his sugar empire.

Explores the role of language, history, and politics in Romantic literature and thought, from Kant to Yeats.

"The stories people tell about themselves are interesting not only for the events and characters they describe but for something in the construction of the stories themselves. The ways in which individuals recount their histories--what they emphasize and omit, their stance as protagonists or victims, the relationship the story establishes between teller and audience--all shape what individuals can claim of their own lives. Personal stories are not merely a way of telling someone (or oneself) about one's life; they are the means by which identities may be fashioned."--from the Introduction In this provocative book, psychologists, anthropologists, and sociologists analyze interviews with a range of subjects--a minister who uses the death of his son to reaffirm his identity as a man of God, women who have given up their children at birth for adoption and who blame society for their action, Holocaust survivors, a victim of marital rape, and many others. Together these studies suggest a new way of thinking about autobiographical narratives: that these life stories play a significant role in the formation of identity, that the way they are told is shaped (and at times curtailed) by prevalent cultural norms, and that the stories--and at times the lives to which they relate--may be liberated from their psychic and social constraints if the social conditions of story telling can be critically engaged. Presenting a wide range of life stories, these studies demonstrate how "telling one's life" has the potential to clarify or mystify one's commitments and to animate or encumber one's future development.