After a hit-and-run accident which kills a couple and leaves their daughter in a coma, an Austrian motorist obtains a job as an ambulance driver to find her. He helps her recover and the two fall in love, but her past comes between them.

Isabelle d’Este, daughter of the Duke of Ferrara, born into privilege and the political and artistic turbulence of Renaissance Italy, is a stunning black-eyed blond and an art lover and collector. Worldly and ambitious, she has never envied her less attractive sister, the spirited but naïve Beatrice, until, by a quirk of fate, Beatrice is betrothed to the future Duke of Milan. Although he is more than twice their age, openly lives with his mistress, and is reputedly trying to eliminate the current duke by nefarious means, Ludovico Sforza is Isabella’s match in intellect and passion for all things of beauty. Only he would allow her to fulfill her destiny: to reign over one of the world’s most powerful and enlightened realms and be immortalized in oil by the genius Leonardo da Vinci. Isabella vows that she will not rest until she wins her true fate, and the two sisters compete for supremacy in the illustrious courts of Europe. A haunting novel of rivalry, love, and betrayal that transports you back to Renaissance Italy, Leonardo’s Swans will have you dashing to the works of the great master—not for clues to a mystery but to contemplate the secrets of the human heart.

This prize-winning book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. “An essential handbook for the pro, and also a beautifully illustrated primer for the layperson. Kirsh and Levenson teach the most valuable lessons about painting of all: how meanings, material, and techniques are bound up together.”—John Walsh, former director, J. Paul Getty Museum “Every element of Kirsh and Levenson's book is smart, concise, and informative. . . . [It is] the essential book on its subject.”—Kenneth Baker, San Francisco Examiner & Chronicle “A long overdue book with direct relevance for modern students of the history of art.”—Libby Sheldon, Burlington Magazine

Examines Leonardo da Vinci's beginnings as an artist and his earliest works, including the Uffizi Annunciation and the Munich Madonna and Child

1478 was the year in which Leonardo da Vinci, aged 26, obtained his first official commission and witnessed the Pazzi Conspiracy against the Medici family. In that year, he probably opened his independent workshop, leaving that of his master Andrea del Verrocchio, and, in its final months, he began to paint two paintings representing the Virgin Mary. One of these paintings is very likely the Benois Madonna at the State Hermitage, St. Petersburg; a work that marks a strong change in Leonardo’s style and power of expression and his representation of light and human emotions. This book provides an in-depth analysis of Leonardo’s growth as an artist in this year, detailing his training, his culture, his collaboration with Verrocchio, and his engagement in the artistic and cultural life of 1460s and 1470s Florence.

This evocative account of the life of the Renaissance's greatest figure traces Leonardo's early development as an artist and court figure to his final years in exile, portraying his loves and sufferings, as well as his intellectual curiosity and tireless loyalty to his ideals. But it is the background to his famous painting La Gioconda and his relationship with the mysterious Florentine woman who modelled for it that are at the heart of the novel - here presented for the first time in an unabridged translation. The result is an engrossing and unforgettable read.An unjustly forgotten masterpiece of Russian literature that inspired one of Freud's most important essays, Leonardo da Vinci also offers an illuminating snapshot of the society of the period - beset with intrigue and religious and social tension - and a host of memorable historical figures such as Michelangelo, Raphael, Machiavelli, Savonarola and the infamous Borgias.

The Traces is a ranging inquiry into the seductions of memory and travel, the fragile paradox of desire, and the art of making meaning from a life. The Traces is a work of memoir and criticism that explores the nature of happiness in art, literature, and philosophy, structured around a season spent in Italy and a reading of Italo Calvino's Invisible Cities. Poised between plummeting depressions, the author considers the intellectual merits of joy and the redeeming promise offered by the beauty, both natural and manmade, that surrounds her. Traveling from Florence to Rome to Venice, drawing on the fields of physics, history, architecture, and cartography, and spurred by thinkers from Aristotle and Montaigne to Cesare Pavese and Anne Carson,The Traces is an ecstatic, insightful, and original debut.