For his brilliant reportage ranging from the forested recesses of the Amazon to the manicured lawns of Westchester County, New York, Alex Shoumatoff has won acclaim as one of our most perceptive guides to the oddest corners of the earth. Now, with this book, he takes us on a kaleidoscopic journey into the most complex and myth-laden region of the American landscape and imagination. In this amazing narrative, Shoumatoff records his quest to capture the vast multiplicity of the American Southwest. Beginning with his first trip after college across the desert in a station wagon, some twenty-five years ago, he surveys the boundless variety of people and experiences constituting the place--the idea--that has become America's symbol and last redoubt of the "Other. From the Biosphere to the Mormons, from the deadly world of narcotraffickers to the secret lives of the covertly Jewish conversos, Shoumatoff explores the many alternative states of being who have staked their claim in the Southwest, making it a haven for every brand of refugee, fugitive, and utopian. And as he ventures across time and space, blending many genres--history, anthropology, natural science, to name only a few--he brings us a wealth of information on chile addiction, the diffusion of horses, the formation of the deserts and mountain ranges, the struggles of the Navajo to preserve their culture, and countless other aspects of this place we think we know. Full of profound sympathy and unique insights, Legends of the American Desert is a superbly rich epic of fact and reflection destined to take its place among such classics of regional portraiture as Ian Frazier's Great Plains. Alex Shoumatoff has created an exuberant celebration of a singularly American reality.

Combines history, anthropology, natural science, and personal narrative to provide a portrait of the American Southwest, looking at the variety of people and experiences that populate the area, focusing on the struggle between different cultures for access to water, and examining many other aspects of the diverse region.

The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.

Basket weaver, storyteller, and tribal elder, Frances Manuel is a living preserver of Tohono O'odham culture. Speaking to anthropologist Deborah Neff, who has known her for over twenty years, she tells of O'odham culture and society and of the fortunes and misfortunes of Native Americans in the southwestern borderlands over the past century.

By analyzing ways in which indigenous cultures described the American Southwest, David Teague persuasively argues against the destructive approach that Americans currently take to the region. Included are Native American legends and Spanish and Hispanic literature. As he traces ideas about the desert, Teague shows how literature and art represent the Southwest as a place to be sustained rather than transformed. 14 illustrations.

Layering climate science, mythologies, nature writing, and personal experiences, this New York Times Notable Book presents a stunning reckoning with our current moment and with the literal and figurative end of time. Desert Notebooks examines how the unprecedented pace of destruction to our environment and an increasingly unstable geopolitical landscape have led us to the brink of a calamity greater than any humankind has confronted before. As inhabitants of the Anthropocene, what might some of our own histories tell us about how to confront apocalypse? And how might the geologies and ecologies of desert spaces inform how we see and act toward time—the pasts we have erased and paved over, this anxious present, the future we have no choice but to build? Ehrenreich draws on the stark grandeur of the desert to ask how we might reckon with the uncertainty that surrounds us and fight off the crises that have already begun. In the canyons and oases of the Mojave and in Las Vegas’s neon apocalypse, Ehrenreich finds beauty, and even hope, surging up in the most unlikely places, from the most barren rocks, and the apparent emptiness of the sky. Desert Notebooks is a vital and necessary chronicle of our past and our present—unflinching, urgent—yet timeless and profound.

Naturalist Craig Childs's "utterly memorable and fantastic" study of the desert's dangerous beauty is based on years of adventures in the deserts of the American West (Washington Post). Like the highest mountain peaks, deserts are environments that can be inhospitable even to the most seasoned explorers. Craig Childs, who has spent years in the deserts of the American West as an adventurer, a river guide, and a field instructor in natural history, has developed a keen appreciation for these forbidding landscapes: their beauty, their wonder, and especially their paradoxes. His extraordinary treks through arid lands in search of water are an astonishing revelation of the natural world at its most extreme. "Utterly memorable and fantastic...Certainly no reader will ever see the desert in the same way again." —Suzannah Lessard, Washington Post