David Benton Sears could be considered the father of Moline, Illinois. It was upon his land that Moline was platted in 1843. It was because of his brush dam on the Mississippi River between the Moline shore and Rock Island--known today as Arsenal Island--that significant industry began to develop. Grain and lumber mills were the first, but farm implement and related factories soon found prominence after John Deere moved his plow-making business here in 1848. It would not be long before immigrants, particularly the Swedish, Belgian, and German, were drawn to Moline for the jobs and opportunities and added to the growing and prosperous population. Legendary Locals of Moline tells the known and not-so-well-known stories of many of the early and the more-recent individuals who have contributed to the fabric of the community, both locally and nationally. Historical and current photographs illustrate those who affected business and industry, culture, academia, public service, organizations and philanthropies, and sports and entertainment.

Peoria harkens back to the 1670s glory days of the French voyageurs and became the now-familiar face of Americana--its townsfolk have touched every aspect of national and international life, often significantly. In comedy, Fibber McGee and Molly, Charles Correll, Richard Pryor, Sam Kinison, and even Bishop Sheen with his witty homilies have made Peoria the "Habitat of Humor." Betty Friedan's The Feminine Mystique jump-started the 1960s feminist movement, while Philip José Farmer's The Lovers rocked the 1950s sci-fi universe. Dr. C.T. Vivian, Dr. Romeo Garrett, and John Gwynn Jr. held the frontline against racism. Representing the best of society's core values, Barb and Dick Hammond founded Friends of the Children of Haiti, a medical organization tending to the year-round needs of the earth's poorest. And unheralded Bill Noel has shouldered the sorrows and burdens of others who have leaned on him for decades. When it comes to all the legendary locals, they play in Peoria . . . and the world.

Includes bibliographical references (page 6) and index.

Arnie “the Farmer” Beswick was called “the consummate underdog” by Hot Rod magazine. While there was good reason, there is much more to his unbelievable career. Born a third-generation farmer in the small town of Morrison, Illinois, Arnie Beswick’s driving career began not behind the wheel of a straight-line terror but that of a tractor. On local dusty roads, Arnie’s budding reputation grew with street cars, as the “flying farmer” was coined to describe his driving style. When drag racing began in the Midwest in the early 1950s, Arnie was one of the pioneers who campaigned Dodges and Oldsmobiles. In 1960, he purchased his first Pontiac and never looked back. At the beginning, he didn’t like the “farmer” nickname, but he quickly learned to utilize the name to lull his competition into complacency. After all, what could a simple farmer know of the world of high-performance drag racing? Throughout the 1960s, Arnie’s Mr. B's Passionate Poncho, Mystery Tornado, Star of the Circuit I and II, Tameless Tiger, and Super Judge all contributed to dispel the myth that a simple farmer couldn’t dominate straight-line racing. Arnie was an innovator, fierce competitor, entertainer and showman who always gave fans their money’s worth at the track. He is still brand loyal--sticking with Pontiac long after production models ceased. Arnie has always been a fan favorite for this reason, and he continues to exhilarate fans at the track with his cast of potent Pontiacs.

This history tells the story of the many sporting, entertainment, and community events held at Wharton Field House and the adjacent Browning Field in Moline, Illinois. Since 1928, Wharton has hosted big name entertainers, pageants of all descriptions, high school, college, and professional basketball, and countless other events. Beginning in 1912 Browning has hosted high school and professional football and baseball, along with other events. The book includes 460 images, mostly historical photographs that depict the rich history of these venues.

A behind-the-scenes journey through the rise and demise of the '70s and '80s classic rock era Before disco, punk, hair metal, rap, and eventually grunge took it all away, the music scene in Los Angeles was dominated by rock 'n' roll. If a group wanted to hit it big, L.A. was the place to be. But in addition to the bands themselves finding their footing, their albums also needed some guidance. That came from a group of dedicated producers and engineers working in a cadre of often dilapidated-looking buildings that contained some of the greatest recording studios the music industry has ever known. Within the windowless walls of these well-hidden studios, legends-to-be such as Foreigner, Fleetwood Mac, Pat Benatar, Boston, the Eagles, the Grateful Dead, Chicago, Linda Ronstadt, Santana, Tom Petty and the Heartbreakers, Loggins and Messina, REO Speedwagon, and dozens more secretly created their album masterpieces: Double Vision. Rumours. Hotel California. Terrapin Station. Damn the Torpedoes. Hi Infidelity. However, the truth of what went on during these recording sessions has always remained elusive. But not anymore. Longtime music-business insider Kent Hartman has filled Goodnight, L.A. with troves of never-before-told stories about the most prolific and important period and place in rock 'n' roll history. With music producer Keith Olsen and guitarist Waddy Wachtel as guides to the journey and informed by new, in-depth interviews with classic rock artists, famed record producers, and scores of others, Goodnight, L.A. reveals what went into the making of some of the best music of the past forty years. Readers will hear how some of their favorite albums and bands came to be, and ultimately how fame, fortune, excess, and a shift in listener demand brought it all tumbling down.

Part family memoir, part political commentary, part apologia, Dream State is all Floridian, telling the grand and sometimes crazy story of the twenty-seventh state through the eyes of one of its native daughters. Acclaimed journalist and NPR commentator Diane Roberts has many family secrets and she's ready to tell them. Like the time her cousin state Senator Luther Tucker wrapped his Caddy around a tree, allegedly with a jug of moonshine on the seat next to him. Or how cousin Susan Branford was given an African girl for her eighth birthday. Or the time when cousin Enid Broward was made the May Queen of 1907, even though her daddy the governor shocked the state by trying to drain the entire Everglades. Roberts' ancestors helped settle Florida, kill off its pesky Indians, enslave some of its inhabitants, clear its forests, lay its train tracks, and pave its roads, all the time weaving themselves into the very fabric of this dangling chad of a state. With a storyteller's talent for setting great scenes, Roberts lays out the sweeping history of eight geberations of Browards and Bradfords, Tuckers anf Robertses, even as she Forest Gumps them into situations with more historically familiar names. Whether it's the American court of Catherine de Médicis, the Tallahassee court of Katherine Harris, Henry Flagler's boardroom -- not to mention his bedroom -- or Jeb Bush's statehouse, you're likely to find a branch or a root of the Roberts family growing entangled nearby. Starting in the recent past with the botched presidential election of 2000, Roberts introduces the many sides of the debate, coincidentally peopled with cousins both kissing and close. She then goes back to Florida's first inhabitants, showing how this alluring peninsula many called a paradise played a role in the destiny of those who settled there. Following their colorful progress up to the present, she renders them all with a deep, familial affection. Florida has forced itself into the collective American unconscious with its messed-up elections, anthrax scares, shark attacks,boat lifts, snowbirds, and the Bush dynasty. While exposing the real people whom Carl Hiaasen and Elmore Leonard have been fictionalizing for years, Dream State ultimately reveals the cogs and wheels that make the state tick.