In the deep and colorful sandstone canyons west of the Rockies, along river corridors of northern Colorado, and inscribed on rock outcroppings of the Colorado Plateau, the rock art of ancient and historic inhabitants of the West is an enduring record of past ideas and practices. This first integrated analysis of rock art styles throughout the western Colorado region, dating from pre-A.D. 1 to the middle of the twentieth century, bring together information from earlier studies and presents new information to shed light on how various cultures developed and interacted over time and in diverse geographical settings. Sally Cole traces connections between art on canyon walls, rock shelters, and bolders and designs on pottery, basketry, and other artificts, placing the art in cultural context. This book surveys the cultural history and rock art traditions of Archaic hunters and gatherers, Anasazi, Fremont, Navajo, Eastern Shoshoni, and Ute peoples. regions of special interest include Mesa Verde and the Four Corners area, the Uncompahgre Plateau, Dinosaur National Monument and the canyons of the Green and Yampa rivers, and the Canyonlands of Utah and Colorado. An abundance of drawings, photographs, and maps illustrate the text and reveal the diversity of rock art forms and settings in the West.

National bestselling author Vickie Taylor presents the third novel in her startlingly different series featuring the shape-shifting Gargoyles: protectors and forbidden lovers of the mortal women they desire… As a child, Levi Tremaine discovered he possessed abilities he could neither understand nor control. As a man, he isolated himself from “normal” society, preferring instead to exist in a shadowy world of deception and violence, among people as dangerous as he. Now Levi is being hunted by the forces of both good and evil for the very abilities that drove him into hiding. Can he distinguish friend from foe in time to save his everlasting soul—and the woman he loves?

Darkness looms over the ancient world of Ahn Norvys, and the Great Harmony of Ardiel lies rent asunder. Prince Starigan, heir to the throne, has been abducted and power has been usurped by a traitorous cabal In the mountainous highlands of Arvon is the small but ancient community the Stoneholding, which has held out against the gathering forces of the evil Ferabek. Here by tradition, from earliest times, the High Bard has resided as guardian of the Sacred Fire, as well as the golden harp called the Talamadh. But in his search for the lost prince, Ferabek has attacked the Stoneholding with his Black Scorpion Dragoons and razed it to the ground. Wilum, the aged High Bard was forced to flee for his life with a ragged band of survivors, including Kalaquinn Wright, the wheelwrightss son. Kal, green in years and understanding, was torn from his pastoral life in a remote highland clanholding, and thrust out onto a broader stage in a journey of danger and escape, discovery and enlightenment. Now, as night covers Ahn Norvys, he must save what remains of the hallowed order of things and seek his destiny, a destiny that lies far beyond the Stoneholding. He must somehow find Prince Starigan and rekindle the Sacred Fire. At the publisher's request, this title is sold without DRM (Digital Rights Management).

The first integrated analysis of rock art styles throughout the western Colorado region, dating from pre-A.D. 1 to the middle of the twentieth century.

Her gilded world holds a deeply hidden secret. After years of tragedy, Gwen Kellerman now lives a quiet life as a botanist at an idyllic New York college. She largely ignores her status as heiress to the infamous Blackstone dynasty and hopes to keep her family's heartbreak and scandal behind her. Patrick O'Neill survived a hardscrabble youth to become a lawyer for the downtrodden Irish immigrants in his community. He's proud of his work, even though he struggles to afford his ramshackle law office. All that changes when he accepts a case that is sure to emphasize the Blackstones' legacy of greed and corruption by resurrecting a thirty-year-old mystery. Little does Patrick suspect that the Blackstones will launch their most sympathetic family member to derail him. Gwen is tasked with getting Patrick to drop the case, but the old mystery takes a shocking twist neither of them saw coming. Now, as they navigate a burgeoning attraction and growing danger, Patrick and Gwen will be forced to decide if the risk to the life they've always held dear is worth the reward. Elizabeth Camden's writing is full of . . . "Richly drawn characters and fascinating American history."-- All About Romance "Fabulous love stor[ies] wrapped around compelling historical events."--Booklist "Adventuresome, entertaining romance."--Foreword Reviews

In words and stunning colour pictures, this book tells the history and the current reality of over 50 fieldstone buildings in Saskatchewan. The book includes an introduction by Bernie Flaman, the provincial Heritage Architect, a historical overview, and profiles of several of Saskatchewan's most prominent stonemasons. The balance of the book is made up of stories of the buildings ­ farmhouses, homes in urban communities, places of worship, public buildings and ruins. Margaret Hryniuk uses her years of experience in journalism to present factual yet fascinating accounts of the buildings and what is known of the people who put them there. Larry Easton's spectacular photographs bring these beautiful stone buildings to life, and Frank Korvemaker examines the dimensions and differences of the fieldstone that inhabits the Saskatchewan landscape.

In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith's process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis's interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith's creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley.