Wes Crowley and Otis “Mac” McFadden are lifelong friends. Wes is a year younger and has always looked up to Mac. But placing unequivocal trust in anyone is seldom a good idea. Honor and cowardice, greed and hatred, anger and love intertwine in this fast-paced tale of one man discovering what’s true in life. Come along as Wes battles Comanches, tracks enemies and friends, waxes philosophical, falls in love and ultimately finds himself in a place where one era hasn’t quite ended and the next hasn’t quite begun.

Nashville meets New Adult in Neon Dreams, a dramatic, sexy series from bestselling author Caisey Quinn, about a country band’s rocky road to fame—and the ambition, dreams, and love of the people who make the music. Dixie Lark hasn’t had it easy. She lost her parents in an accident when she was young and grew up in a ramshackle house on a dirt road in Amarillo with her ailing grandparents and overprotective older brother. Thanks to her grandfather, Dixie learned to play a mean fiddle, inspired by the sounds of the greats—Johnny and June, Waylon, and Hank. Her grandfather’s fiddle changed Dixie’s life forever, giving her an outlet for the turmoil of her broken heart and inspiring a daring dream. Ten years later, Dixie and her brother Dallas are creating the music they love and chasing fame with their hot band, Leaving Amarillo. But Dixie isn’t enjoying the ride. All she can think about is Gavin, the band’s tattooed, tortured drummer who she’s loved since they were kids. She knows he feels the connection between them, but he refuses see her as more than his best friend’s little sister. Convinced that one night with Gavin will get him out of her system, Dixie devises a plan. She doesn’t know that her brother has forbidden Gavin from making a move on her-a promise he swore he’d always keep . . . a promise that once broken will unexpectedly change the future for Dixie, Gavin and the band.

A NEW YORK TIMES BESTSELLER • "A memoir in essays about so many things—growing up in an abusive cult, coming of age as a lesbian in the military, forced out by homophobia, living on the margins as a working class woman and what it’s like to grow into the person you are meant to be. Hough’s writing will break your heart." —Roxane Gay, author of Bad Feminist Searing and extremely personal essays, shot through with the darkest elements America can manifest, while discovering light and humor in unexpected corners. As an adult, Lauren Hough has had many identities: an airman in the U.S. Air Force, a cable guy, a bouncer at a gay club. As a child, however, she had none. Growing up as a member of the infamous cult The Children of God, Hough had her own self robbed from her. The cult took her all over the globe--to Germany, Japan, Texas, Chile—but it wasn't until she finally left for good that Lauren understood she could have a life beyond "The Family." Along the way, she's loaded up her car and started over, trading one life for the next. She's taken pilgrimages to the sights of her youth, been kept in solitary confinement, dated a lot of women, dabbled in drugs, and eventually found herself as what she always wanted to be: a writer. Here, as she sweeps through the underbelly of America—relying on friends, family, and strangers alike—she begins to excavate a new identity even as her past continues to trail her and color her world, relationships, and perceptions of self. At once razor-sharp, profoundly brave, and often very, very funny, the essays in Leaving Isn't the Hardest Thing interrogate our notions of ecstasy, queerness, and what it means to live freely. Each piece is a reckoning: of survival, identity, and how to reclaim one's past when carving out a future. A VINTAGE ORIGINAL

The time is 1887. From any window in Georgia O’Keeffe’s Sun Prairie, Wisconsin birthplace home she only saw the Wisconsin prairie with its traces of roads veering around the flat marshlands and a vast sky that lifted her soul. At twelve years of age Georgia had a defining moment when she declared, “I want to be an artist.” Years later from her east-facing window in Canyon, Texas she observed the Texas Panhandle sky with its focus points on the plains and a great canyon of earth history colors streaking across the flat land. Georgia’s love of the vast, colorful prairie, plains and sky again gave definition to her life when she discovered Ghost Ranch north of Abiquiu, New Mexico. She fell prey to its charms which were not long removed from the echoes of the “Wild West.” These views of prairie, plains and sky became Georgia’s muses as she embarked on her step-by-step path with her role models--Alon Bement, Arthur Jerome Dow and Wassily Kandinsky. In this two-part biography of which this is Part I covering the period 1887-1945, Nancy Hopkins Reily “walks the Sun Prairie Land,” as if in Georgia’s day as a prologue to her family’s friendship with Georgia in the 1940s and 1950s. Reily chronicles Georgia’s defining days within the arenas of landscape, culture, people and the history surrounding each, a discourse level that Georgia would easily recognize. NANCY HOPKINS REILY was a classic outdoor color portraitist for more than twenty years and has taught portrait workshops at Angelina College in Lufkin, Texas where she had a one-woman show of her portraits. Her advance studies included an invitational workshop with Ansel Adams. Reily graduated from Southern Methodist University and lives in Lufkin, Texas. She is also the author of “Classic Outdoor Color Portraits” and “Joseph Imhof, Artist of the Pueblos,” both from Sunstone Press.

The time is 1887. From any window in Georgia O’Keeffe’s Sun Prairie, Wisconsin birthplace home she only saw the Wisconsin prairie with its traces of roads veering around the flat marshlands and a vast sky that lifted her soul. At twelve years of age Georgia had a defining moment when she declared, “I want to be an artist.” Years later from her east-facing window in Canyon, Texas she observed the Texas Panhandle sky with its focus points on the plains and a great canyon of earth history colors streaking across the flat land. Georgia’s love of the vast, colorful prairie, plains and sky again gave definition to her life when she discovered Ghost Ranch north of Abiquiu, New Mexico. She fell prey to its charms which were not long removed from the echoes of the “Wild West.” These views of prairie, plains and sky became Georgia’s muses as she embarked on her step-by-step path with her role models—Alon Bement, Arthur Jerome Dow and Wassily Kandinsky. In this two-part biography of which this is Part I covering the period 1887–1945, Nancy Hopkins Reily “walks the Sun Prairie Land,” as if in Georgia’s day as a prologue to her family’s friendship with Georgia in the 1940s and 1950s. Reily chronicles Georgia’s defining days within the arenas of landscape, culture, people and the history surrounding each, a discourse level that Georgia would easily recognize.