Ensign traces the engagement of Wolfe's characters with the nonhuman world to roots in a romantic tradition of American literature, as exemplified by Nathaniel Hawthorne."--BOOK JACKET.

These fifty-eight stories make up the most thorough collection of Thomas Wolfe's short fiction to date, spanning the breadth of the author's career, from the uninhibited young writer who penned "The Train and the City" to his mature, sobering account of a terrible lynching in "The Child by Tiger". Thirty-five of these stories have never before been collected. Lightning Print On Demand Title

"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19. "Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick. "You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.

"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19._x000D_ "Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick._x000D_ "You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow._x000D_ _x000D_ _x000D_

George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.

The early 20th century American novelist Thomas Wolfe produced highly original, poetic, rhapsodic and impressionistic prose, framed in the guise of autobiographical writing. His novels vividly reflect on 1930’s American culture and the mores of that period, filtered through a sensitive and hyper-analytical perspective. His first novel, ‘Look Homeward, Angel’, is now widely regarded as an American classic, characterised for its intense consciousness of scene and place, combined with an extraordinary lyric power. Wolfe imbues his life story with a lofty romantic quality, employing epic overtones. After Wolfe's untimely death at the age of thirty-seven, William Faulkner described him as “the greatest talent of his generation”. This eBook presents Wolfe’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Wolfe’s life and works * Concise introductions to the major texts * All the published novels, with individual contents tables * Features rare stories and poems * Special chronological and alphabetical contents tables for the stories * The complete plays, with rare dramas appearing here for the first time, including both versions of ‘The Mountains’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Includes Wolfe’s memoirs and essays * Ordering of texts into chronological order and genres Please note: a few posthumous works published many years after Wolfe’s death cannot appear due to copyright restrictions. When new texts become available, they will be added to the eBook as a free update. CONTENTS: The Novels Look Homeward, Angel (1929) Of Time and the River (1935) The Web and the Rock (1939) You Can’t Go Home Again (1940) The Hills Beyond (1941) The Shorter Fiction From Death to Morning (1935) Stories from ‘The Hills Beyond’ (1941) Miscellaneous Short Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Plays Deferred Payment (1919) The Streets of Durham (1919) Concerning Honest Bob (1920) The Return of Buck Gavin (1924) The Third Night (1938) Mannerhouse (1948) The Mountains: A Play in One Act (1970) The Mountains: A Drama in Three Acts and a Prologue (1970) The Poetry Collected Poems The Non-Fiction Miscellaneous Prose The Memoirs The Story of a Novel (1935) A Western Journal (1939) Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

This book examines the distinction between literary expatriation and exile through a 'contrapuntal reading' of modern Palestinian and American writing. It argues that exile, in the Palestinian case especially, is a political catastrophe; it is banishment by a colonial power. It suggests that, unlike expatriation (a choice of a foreign land over one’s own), exile is a political rather than an artistic concept and is forced rather than voluntary — while exile can be emancipatory, it is always an unwelcome loss. In addition to its historical dimension, exile also entails a different perception of return to expatriation. This book frames expatriates as quintessentially American, particularly intellectuals and artists seeking a space of creativity and social dissidence in the experience of living away from home. At the heart of both literary discourses, however, is a preoccupation with home, belonging, identity, language, mobility and homecoming.