"French Short Stories : Zoo" is a captivating collection of short stories that transports readers to the enchanting world of the zoo through the lens of French literature. Each story immerses readers in the lives of both the animals and the humans who care for them, offering a unique perspective on the interconnectedness of life within the zoo's confines. From heartwarming tales of friendship to thought-provoking explorations of the human-animal bond, these stories showcase the beauty of the French language and the rich tapestry of emotions that unfold within the zoo's diverse ecosystem. Whether you are a language enthusiast, an animal lover, or simply a fan of engaging storytelling, "French Short Stories : Zoo" promises to delight and inspire with its evocative narratives and vivid imagery.

Vexed by French verbs? Fear no more! In 500 French Verbs For Dummies, beginning French language learners can find a quick reference for verbs in the basic present tenses. More advanced French speakers can utilize this book to learn more complex verb tenses and conjugations as well as advanced verbs with irregular endings. One page for each of the 500 most commonly used verbs in the French language —alphabetically arranged and numbered for easy reference Special designation of the 50 most essential French verbs A summary of basic French grammar that includes verb tenses and moods An explanation of verb conjugation—the seven simple and seven compound tenses, as well as the imperative The accompanying CD-ROM includes flash cards and multiple choice questions with audio for practicing French verb conjugations and pronunciation 500 French Verbs For Dummies is beneficial for students, travelers, professionals, and life-long learners who need a reference to the intricacies of French verb usage.

This book accompanies an exhibition at the National Museum of African Art, Smithsonian Institution, on the role of photography in Central Africa. This is the first book to link two related themes: the role of photographic images in constructing and circulating fantasies, ideas, and sentiments in Europe and the US relating to the peoples of Central Africa; and the role of photography in enabling Africans to project images of themselves by becoming familiar with photographic technology. Broad in thematic and temporal scope, the book focuses on several time periods, especially on the years before and between the two world wars. This is also the first publication devoted to the important holdings of the Eliot Elisofen Photographic Archives, a department of the National Museum of African Art, Smithsonian Institution and a unique repository with more than 200,000 historical and contemporary images from all over Africa. This book raises important issues associated with photographic practice in Africa, the distribution of images, the circulation of ideas in Europe and the US, and African responses to photography through several poignant case studies. This book also advances the scholarly discourse on colonial/anthropological photography, and contributes to a better understanding of African responses to photography.