What is the relevance of the Chandigarh experiment today? Written by an esteemed scholar and former resident of the city, this fascinating book reevaluates Le Corbusier’s work in Chandigarh in terms of the pressing challenges of the present, in particular climate change, globalization, neo-nationalism, and information technology. Through a lively poststructuralist and postcolonial framework, this book explores issues of preservation, identity, meaning, and change, comparing how the Chandigarh we see today compares to the original plans and drawings. But this book also asks whether Chandigarh’s aesthetics, as well as the ethical tenets on which it was based, are still relevant to urban planning and architecture today. What lessons, if any, does the utopian ethos within modernism offer in the face of the climate crisis, rising authoritarianism, and the digital explosion? Via chapters focused on the hydrologics of the master plan, the symbolism of the Capitol buildings, and the archeology of the unbuilt Museum of Knowledge, this book makes the future-preservation case for Chandigarh as an ‘open’ work, a project that was set up by design to be ‘completed’ by others in times yet to come. Engaging and erudite throughout, this book will appeal to any student, scholar, or professional with an interest in architecture, landscape architecture, and urban planning.

- Author is known as an international authority on the subject. - Based on original archival research, the book provides a fresh perspective by situating the city in both historical and cultural context. - Will appeal to a range of disciplines, from urban planning to architecture and landscape architecture, to cultural and postcolonial studies.

- A commemoration of the legendary architect Le Corbusier and his masterpiece the city of Chandigarh - Features essays by world-famous architects and urban planners on Le Corbusier and his vision - Includes almost 250 images, maps and rare sketches by Le Corbusier himself, on the city of Chandigarh With the recent recognition of Chandigarh's Capitol Complex as a UNESCO World Heritage Site, the spotlight on its creator, Le Corbusier considered the 20th century's greatest architect-planner attains a more illustrious glow. Against this backdrop, Le Corbusier Rediscovered: Chandigarh and Beyond weaves together an anthology of inspired essays by eminent, global experts on Corbusier's life, ideas and work, both in Chandigarh and at other places. The diverse yet interlinked themes forming a composite compendium, rediscover the timelessness of Corbusier's architecture and revisit his impact in India and the world over. Current issues like conservation of Chandigarh's architectural heritage, future strategies for its growth and the Smart City model for Indian urbanization are also addressed. The book is imbued with a patina of historicity imparted by the inclusion of some rare archival images and texts. With focussed essays by international experts like B.V. Doshi, William J.R. Curtis, Raj Rewal, Rahul Mehrotra, Jacques Sbriglio, Michel Richard, Alfredo Brillembourg, S.D. Sharma, Jagan Shah, Rajnish Wattas and Sumit Kaur on thematically linked topics this richly illustrated book - with nearly 250 images - constitutes a seminal new publication. It rediscovers Le Corbusier and his crowning glory Chandigarh, viewed afresh in a new light.

A carefully crafted selection of essays from international experts, this book explores the effect of colonial architecture and space on the societies involved – both the colonizer and the colonized. Focusing on British India and Ceylon, the essays explore the discursive tensions between the various different scales and dimensions of such 'empire-building' practices and constructions. Providing a thorough exploration of these tensions, Colonial Modernities challenges the traditional literature on the architecture and infrastructure of the former European empires, not least that of the British Indian 'Raj'. Illustrated with seventy-five halftone images, it is a fascinating and thoroughly grounded exposition of the societal impact of colonial architecture and engineering.

The most thoroughgoing survey of nearly all of Le Corbusier's extant projects, beautifully photographed and authoritatively detailed. Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier--from his first villas in Switzerland to his mid-career works in his role as the first global architect in locations as far-flung as Argentina and Russia, and his late works, including his sole North American project, at Harvard University, and an extensive civic plan for Chandigarh, India. Le Corbusier: The Built Work provides numerous views of each project to bring a fuller understanding of the architect's command of space, sometimes surprising use of materials and color, and the almost ineffable qualities that only result from a commanding synthesis of all aspects of design. With an authoritative text by scholar and curator Jean-Louis Cohen, Le Corbusier: The Built Work is a groundbreaking opportunity to appreciate the master's work anew.

Maxwell Fry and Jane Drew were pioneers of Modern Architecture in Britain and its former colonies from the late 1920s through to the early 1970s. As a barometer of twentieth century architecture, their work traces the major cultural developments of that century from the development of modernism, its spread into the late-colonial arena and finally, to its re-evaluation that resulted in a more expressive, formalist approach in the post-war era. This book thoroughly examines Fry and Drew's highly influential 'Tropical Architecture' in West Africa and India, whilst also discussing their British work, such as their post World War II projects for the Festival of Britain, Harlow New Town, Pilkington Brothers’ Headquarters and Coychurch Crematorium. It highlights the collaborative nature of Fry and Drew's work, including schemes undertaken with Elizabeth Denby, Walter Gropius, Denys Lasdun, Pierre Jeanneret and Le Corbusier. Positioning their architecture, writing and educational endeavours within a wider context, this book illustrates the significant artistic and cultural contributions made by Fry and Drew throughout their lengthy careers.