The man Lucille Ball called the brains of I Love Lucy gives us an inside view of television history as it was being made. Jess Oppenheimer's famous sitcom was the most popular and influential television phenomenon in the history of the medium. Forty-five years after its debut, it remains a favourite the world over.

Lucille Ball's comic genius made them famous, but many of the unforgettable plot lines for I Love Lucy came from the life of their writer, Madelyn Pugh Davis. In Laughing with Lucy, Davis and her long-time writing partner, Bob Carroll Jr., recount her rise in television and her many years working on the set and behind the scenes with Lucille Ball and Desi Arnaz. Lighthearted and witty, this book offers a trip back in time to the tumultuous early days of television.

Covering everything from Hollywood films to Soviet cinema, London's queer spaces to spaceships, horror architecture and action scenes, Screen Interiors presents an array of innovative perspectives on film design. Essays address questions related to interiors and objects in film and television from the early 1900s up until the present day. Authors explore how interior film design can facilitate action and amplify tensions, how rooms are employed as structural devices and how designed spaces can contribute to the construction of identities. Case studies look at disjunctions between interior and exterior design and the inter-relationship of production design and narrative. With a lens on class, sexuality and identity across a range of films including Twilight of a Woman's Soul (1913), The Servant (1963), Caravaggio (1986), and Passengers (2016), and illustrated with film stills throughout, Screen Interiors showcases an array of methodological approaches for the study of film and design history.

An analysis of I Love Lucy, one of the best loved sitcoms in the history of American television. I Love Lucy aired for six seasons between 1951 and 1957 as a top-rated weekly sitcom, and its characters appeared in thirteen hour-long specials between 1958 and 1960. In I Love Lucy, author Lori Landay investigates the groundbreaking series and its highly charismatic stars, Lucille Ball and Desi Arnaz, to consider the program's impact on the conventions of the sitcom, television culture, and wider postwar culture. In chapters that proceed chronologically through the life of the series, Landay takes an interdisciplinary cultural studies approach to understanding the wider phenomenon of I Love Lucy, with an emphasis on a variety of issues as they arise from different phases of the show. She examines the program's efficient production system, compelling narrative formula, hilarious writing, and the technical genius behind the scenes that put it onto film. Landay also considers the show's clever plots within a familiar situation, magnificent comic performance, and the remarkable chemistry of its actors. In addition, she studies the end of the series and its continued place in popular culture. I Love Lucy is perhaps the most popular television show of all time, and its stars are some of the most recognizable in television history. For scholars of American television history as well as the series' many fans, I Love Lucy will be an enjoyable and informative read.

This stunning package offers a rich, intimate, and highly entertaining look at the remarkable life and work of the television pioneer, the First Lady of Comedy, the legend, Lucille Ball—AKA Lucy. Full of fresh perspective, gorgeously designed, and richly informative, this is a book on Lucille Ball like none other. With profiles spotlighting the many different facets of the woman, AKA Lucy details how Ball changed the face of comedy and the entertainment industry. It sheds new light on the star's history, from her childhood through hard-scrabble days trying to make it in show business, falling head over heels in love and embarking on one of the great romances of the twentieth century, to becoming the biggest star in the world, a pioneer in television, and an icon for the ages. Filled with photos and highlighted by bright illustration and design, this is a volume almost as vivid and entertaining as the woman herself. AKA Lucy is officially authorized by the estate of Lucille Ball and Desi Arnaz.

Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren't funny. But today's funny women aren't a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher's daredevil stunts, Mae West's linebacker walk, Lucille Ball's manic slapstick, Carol Burnett's athletic pratfalls, Ellen DeGeneres's tomboy pranks, Whoopi Goldberg's sly twinkle, and Tina Fey's acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women's bodies and behaviors. Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field's leading authorities, introducing a new framework for women's comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women's comedy.

The Emmy-nominated star of the classic 1950s sitcom I Married Joan, Joan Davis (1912-1961) was also radio's highest paid comedienne in the 1940s--and she displayed her unique brand of knockabout comedy in more than forty films. This book provides a complete account of her career, including a filmography with critical commentary, and the most detailed episode logs ever compiled for her radio and television programs. A biographical chapter offers never-before-published information about her family background, marriage to vaudeville comedian Si Wills and relationships with other men, and her tragic early death.