An examination of comedy and feminism in the works of early women British novelists.

Exploring feminist social media tactics that use humor and laughter as a form of resistance to misogyny, rewiring feelings of shame into shamelessness. Online sexism, hate, and harassment aim to silence women through shaming and fear. In Who's Laughing Now? Jenny Sundén and Susanna Paasonen examine a somewhat counterintuitive form of resistance: humor. Sundén and Paasonen argue that feminist social media tactics that use humor, laughter, and a sense of the absurd to answer name-calling, offensive language, and unsolicited dick pics can reroute and rewire shame into a self-assured shamelessness.

From dour old women to buzzkills who can't take a joke, the stereotype of the humourless feminist has repeatedly been deployed to derail and delegitimize the women's rights movement. This collection skips the tired debates that ask whether feminists can be funny—we know the answer to this already—to instead investigate contemporary expressions and functions of humour within international feminist movements and communities. This interdisciplinary volume showcases critical analyses of cultural texts and events, personal accounts of producing and encountering feminist humour, and creative interruptions that pair laughter with insight. As a whole, this work seeks to sideline caricatures of the humourless feminist by promoting a vision of a diverse movement vibrant with innovative, generous, threatening, and, ultimately, triumphant laughter.

Laughing with Medusa explores a series of interlinking questions, including: Does history's self-positioning as the successor of myth result in the exclusion of alternative narratives of the past? How does feminism exclude itself from certain historical discourses? Why has psychoanalysis placed myth at the centre of its explorations of the modern subject? Why are the Muses feminine? Do the categories of myth and politics intersect or are they mutually exclusive? Does feminism's recourse to myth offer a script of resistance or commit it to an ineffective utopianism? Covering a wide range of subject areas including poetry, philosophy, science, history, and psychoanalysis as well as classics, this book engages with these questions from a truly interdisciplinary perspective. It includes a specially commisssioned work of fiction, `Iphigeneia's Wedding', by the poet Elizabeth Cook.

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

What’s on the menu for Meredith, Tori, and Sandy, the three women in Guy’s life? Healthy lifestyles, upward mobility, meaningful sex? Or self-loathing and distorted priorities? Inspired by the strangely ubiquitous advertising trend of picturing attractive women blissfully eating salad, award-winning playwright Sheila Callaghan breaks all the rules of our image-obsessed culture in Women Laughing Alone With Salad. This raw comedy is served with a side of feminism and tossed with audacious imagery, biting social critique, and devastating humor.

Based on the blog of the same name, a humorous book pairs 120 photos of Ryan Gosling with favorite feminist theories.