Framed for murder in the town of Valley Shadow, Dave Norton finds himself on the run with saloon singer Nina Voles from both the sheriff and saloon owner Jeff Kelvin.

Featured here are the following prizewinning essays in the 1990 and 1991 ASCAP Nathan Burkan Memorial Competition in copyright law: 19901st Prize: Lee D. Neumann, Columbia University School of Law, "The Berne Convention and Droit de Suite Legislation in the United States".2nd Prize: Michael K. Davis-Hall, Harvard Law School, "Copyright and the Design of Useful Articles: A Functional Analysis of 'Separability.'"3rd Prize: Cynthia D. Mann, Harvard Law School, "The Aesthetic Side of Life: The Applied Art/Industrial Design Dichotomy".4th Prize (tie): Jon Clark, University of Maine School of Law, "Copyright Law and Work for Hire: A Critical History".4th Prize (tie): Ted K. Ringsred, William Mitchell College of Law, "Is Anticompetitive Misuse a Defense to Copyright Infringement?"Honorable Mention: Benjamin R. Seecof, University of California -- Hastings College of the Law, "Scanning Into the Future of Copyrightable Images: Computer-Based Image Processing Poses a Present Threat".19911st Prize: Christine L. Chinni, Western New England College School of Law, "Droit D'Auteur Versus the Economics of Copyright: Implications for American Law of Accession to the Berne Convention".2nd Prize: Jonathan Z. King, Harvard Law School, "The Anatomy of a Jazz Recording: Copyrighting America's Classical Music".3rd Prize: Leslie J. Hagin, University of Texas at Austin School of Law, "A Comparative Analysis of Laws Applied to Fashion Works: Renewing the Proposal for Folding Fashion Works Into the United States Copyright Statute".4th Prize: John Gastineau, Indiana University School of Law, "Bent Fish: Issues of Ownership and Infringement in Digitally Processed Images".5thPrize: Montgomery Frankel, University of San Francisco School of Law, "From Kroft to Shaw, and Beyond: The Shifting Test for Copyright Infringement in the Ninth Circuit".

Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.