A collection of Latin American favorites presented for Autoharp melody performance or accompaniment to singing. Each song is presented with melody, lyrics and guitar chords. In addition autoharp chords and melody parts are shown. Another fine book by well-known authoharp performer and writer, Carol Stober.

A useful collection of Hispanic-American folk songs complete with annotated songs and English-Spanish texts. Teacher's guides with suggested activities in three graded levels are also provided, enabling the instructor to select material appropriate for each classroom group in a convenient and flexible format.

The most complete, authoritative text available on autoharp. Teacher and author Meg Peterson presents a colorful array of songs and styles as well as a myriad of strum patterns in an easy-to-understand manner. This self-teaching course features Meg's highly acclaimed system for teaching melody solo performance on the autoharp. Each of its 48 lessons builds on the one before it, with a reference section included for those who wish to learn about music notation, theory, harmony, transposition, and chord substitution. There are 122 practice songs and many more suggested ones. Also included is information on tuning, changing strings, and altering chord position on the instrument. the CD is a stereo teaching tape with vocal instruction and performance demonstrating many of the strum patterns and tunes in the book at full tempo with a singer.

This book explores how creativity is increasingly designed, marketed, and produced with digital products and services — a process referred to as softwarization. If ‘being creative’ has developed into one of the paradigmatic architectures of power for framing the contemporary subject, then an essential component of this architecture involves its material and symbolic configuration through tools. From image editors to digital audio workstations, video editors to game engines, these modern tools are used by creatives every day, and mastering these increasingly complex technologies is now a near-compulsory pathway to creative work. Despite their ubiquity in cultural production, few have sought to theorize them in aggregate and with interdisciplinary breadth. By bringing disparate creative and methodological traditions in one volume, this book provides a comprehensive overview of approaches for understanding this complex, emerging, and dynamic field that speaks beyond the disciplinary categories of ‘tool,’ ‘instrument,’ and/or ‘software’. It makes a unique intervention in the fields of cultural production and the cultural and creative industries. ​

This is the first annotated index of selected articles from the more than 20 volumes of the preeminent 19th- and 20th-century American music trade publication, The Musical Courier. Included are over 3,500 citations of articles, illustrations, and advertisements related to the musical instrument industry between 1880 and 1940, greatly facilitating research of this subject and time frame.