Contains 4000 entries listing the published works of late Victorian poets (1880-1899). Arranged alphabetically by author, the work includes biographical information, bibliographical details of published works and cross-references to other names. It lists many minor poets unrecorded elsewhere.

In 1870, Dante Gabriel Rossetti published the first version of his sonnet sequence The House of Life. The next thirty years saw the greatest flourishing of the sonnet sequence since the 1590s. John Holmes's carefully researched and eloquent study illuminates how leading sonneteers, including the Rossettis, John Addington Symonds, Wilfrid Blunt and Augusta Webster, and their early twentieth-century successors Rosa Newmarch and Rupert Brooke, addressed the urgent questions of selfhood, religious belief and doubt, and sexual and national identity which troubled late Victorian England. Drawing on the heritage of the sonnet sequence, the poetic self-portraits they created are unsurpassed in their subtlety, complexity, courage, and honesty.

First published in 2006, this work is a valuable guide for the researcher in Victorian Studies. Updated to include electronic resources, this book provides guides to catalogs, archives, museums, collections and databases containing material on the Victorian period. It organises the vast array of reference sources by discipline to help researchers tailor their investigations.

Examining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.

This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.

This two-volume reset edition draws together a selection of Anglo-Indian poetry from the Romantic era and the nineteenth century.

'Deeply unpoetical' was how Matthew Arnold described the Victorian period; and many of his contemporaries would have agreed. Even to later generations poetic achievement from 1830 to 1890 seems dwarfed by the great burgeoning of the novel.However, English Poetry of the Victorian Period demonstrates the very real diversity and richness of Victorian poetry. This was the era of Tennyson, the Brownings, Arnold, Swinburne, Clough, the Rossettis and Hopkins - poets who not only wrote with distinctly original voices, but who also reflected the deeper tensions of their time. Bernard Richards balances detailed analysis of individual poets and works with a broader perspective of the poetic spirit of the age. Two new chapters have been added to this revised edition, on nonsense poetry and women poets. He characterises the Victorian age as one of tremendous poetic wealth, related to but different from the Romantic period which preceded it and the Modernist period which followed it.