How the last years of Stalin’s rule led to the formation ofan imperial Soviet consciousness In this nuanced historical analysis of late Stalinism organized chronologically around the main events of the period—beginning with Victory in May 1945 and concluding with the death of Stalin in March 1953—Evgeny Dobrenko analyzes key cultural texts to trace the emergence of an imperial Soviet consciousness that, he argues, still defines the political and cultural profile of modern Russia.

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Soviet Workers and Late Stalinism is a study of labour and labour policy during the critical period of the Soviet Union's postwar recovery and the last years of Stalin. It is also a detailed social history of the Soviet Union in these years, for non-Russian readers. Using previously inaccessible archival sources, Donald Filtzer describes the tragic hardships faced by workers and their families right after the war; conditions in housing and health care; the special problems of young workers; working conditions within industry; and the tremendous strains which regime policy placed not just on the mass of the population, but on the cohesion and commitment of key institutions within the Stalinist political system, most notably the trade unions and the procuracy. Donald Filtzer's subtle and compelling book will interest all historians of the Soviet Union and of socialism.

The late Stalinist period, long neglected by researchers more interested in the high-profile events of the 1930s, has recently become the focus of much new research by people keen to understand the enormous impact of the war on Soviet society and to understand Soviet life under 'mature socialism'. Written by top scholars from high profile universities, this impressive work brings together much new, cutting edge research on a wide range of aspects of late Stalinist society. Filling a gap in the literature, it focuses above all on the experience of the Soviet people and their interaction with ideology, state policy and national and international politics.

Deals with the period of takeover and of 'high Stalinism' in Eastern Europe (1945–1955). These years are considered to be fundamentally characterized by institutional and ideological transfers based upon the premise of radical transformism and of cultural revolution. Both a balance-sheet and a politico-historical synthesis that reflects the archival and thematic novelties which came about in the field of communism studies after 1989.

This wide-ranging cultural history explores the expression of Bolshevik Party ideology through the lens of landscape, or, more broadly, space. Portrayed in visual images and words, the landscape played a vital role in expressing and promoting ideology in the former Soviet Union during the Stalin years, especially in the 1930s. At the time, the iconoclasm of the immediate postrevolutionary years had given way to nation building and a conscious attempt to create a new Soviet �culture.� In painting, architecture, literature, cinema, and song, images of landscape were enlisted to help mold the masses into joyful, hardworking citizens of a state with a radiant, utopian future -- all under the fatherly guidance of Joseph Stalin. From backgrounds in history, art history, literary studies, and philosophy, the contributors show how Soviet space was sanctified, coded, and �sold� as an ideological product. They explore the ways in which producers of various art forms used space to express what Katerina Clark calls �a cartography of power� -- an organization of the entire country into �a hierarchy of spheres of relative sacredness,� with Moscow at the center. The theme of center versus periphery figures prominently in many of the essays, and the periphery is shown often to be paradoxically central. Examining representations of space in objects as diverse as postage stamps, a hikers� magazine, advertisements, and the Soviet musical, the authors show how cultural producers attempted to naturalize ideological space, to make it an unquestioned part of the worldview. Whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination. Not all features of Soviet space were entirely novel, and several of the essayists assert continuities with the prerevolutionary past. One example is the importance of the mother image in mass songs of the Stalin period; another is the "boundless longing" inspired in the Russian character by the burden of living amid vast empty spaces. But whether focusing on the new or the centuries-old, whether exploring a built cityscape, a film documentary, or the painting Stalin and Voroshilov in the Kremlin, the authors offer a consistently fascinating journey through the landscape of the Soviet ideological imagination.

What did it mean to be a Soviet citizen in the 1970s and 1980s? How can we explain the liberalization that preceded the collapse of the USSR? This period in Soviet history is often depicted as stagnant with stultified institutions and the oppression of socialist citizens. However, the socialist state was not simply an oppressive institution that dictated how to live and what to think--it also responded to and was shaped by individuals' needs. In Soviet Society in the Era of Late Socialism, 1964-85, Neringa Klumbyte and Gulnaz Sharafutdinova bring together scholarship examining the social and cultural life of the USSR and Eastern Europe from 1964 to 1985. This interdisciplinary and comparative study explores topics such as the Soviet middle class, individualism, sexuality, health, late-socialist ethics, and civic participation. Examining this often overlooked era provides the historical context for all post-socialist political, economic, and social developments.