This play is for all the lady cowboys of heart and mind who ride outside the city limits of convention. Mary, always late and always married, meets a lady cowboy outside the city limits of Pittsburgh who teaches her how to ride a horse. Mary's husband, Crick, buys a painting with the last of their savings. Mary and Crick have a baby, but they can't decide on the baby's name, or the baby's gender. A story of one woman's education and her search to find true love outside the box.

"During the 1800s, many settlers moved westward across North America to seek their fortunes as farmers, ranchers, and miners. In the Wild West, there were few towns and few people paid much attention to laws. Readers will take a trip through this thrilling period of American history as they join Louise and Nat for a tale of cowboys in a frontier town. They will find out how people lived, worked, and traveled in the Wild West, and much more."--Publisher's description.

New York Times and USA Today bestselling author Carolyn Brown sends readers on a wild ride in this enemies to lovers romance between a rugged rodeo cowboy and a fierce competitor who thinks it's time for a woman to take the crown. Gemma O'Donnell was incensed when she wasn't the first woman to win the PRCA (Professional Rodeo Championship Association) buckle for bronc riding. This year, she heads out on the PRCA ProRodeo Tour burning to be the second. First stop is Cody, Wyoming where her stiffest competition is Trace Coleman, who already has a jump on her. A tall, dark-haired cowboy with a sexy grin and a swagger, he doesn't really give a damn about the trophy belt buckle—he wants the purse to buy a ranch he has his eye on. He damn sure doesn't have time for a sassy bit of Irish baggage who can evidently ride anything with four legs and make anything with two legs want to take her to bed. Gemma wins a few; Trace wins a few. In the end they both qualify for the final cut in Las Vegas. But when it comes down to the wire, only one can win the bronc-riding competition and take home one helluva prize. But in this competition, it just might be loser takes all...

Sarah Ruhl is one of the most highly-acclaimed and frequently-produced American playwrights of the 21st century. Author of eighteen plays and the essay collection 100 Essays I Don't Have Time to Write, she has won a MacArthur “Genius” Grant and the Steinberg Distinguished Playwright Award, been nominated for a Tony Award for In the Next Room or the vibrator play and twice been a finalist for the Pulitzer Prize for The Clean House and In the Next Room. Ruhl is a writer unafraid of the soul. She writes not about “this or that issue,” but “about being,” creating plays that ask “big questions about death, love, and how we should treat each other in this lifetime.” In this volume, Amy Muse situates Ruhl as an artist-thinker and organizes her work around its artistic and ethical concerns. Through a finely-grained account of each play, readers are guided through Ruhl's early influences, the themes of intimacy, transcendence, and communion, and her inventive stagecraft to dramatize “moments of being” onstage. Enriched by essays from scholars Jill Stevenson, Thomas Butler, and Christina Dokou, an interview with directors Sarah Rasmussen and Hayley Finn, and a chronology of Ruhl's life and work, this is a companionable guide for students of American drama and theatre studies. Amy Muse specializes in dramatic literature and performance studies at the University of St. Thomas in St. Paul, Minnesota, where she is Associate Professor and Chair of the English Department. She is the author of “Sarah Ruhl's Sex Ed for Grownups” (Text & Presentation 2013) and essays on Romantic drama, intimate theatre, female Hamlets, and travel in Romantic Circles, Romanticism: The Journal of Romantic Culture & Criticism, Frontiers, and other journals. METHUEN DRAMA CRITICAL COMPANIONS Series Editors: Patrick Lonergan (National University of Ireland, Galway) and Kevin J. Wetmore, Jr. (Loyola Marymount University, USA)

Introduces nine exciting and talented playwrights who have emerged in twenty-first century America, exploring issues of race, gender and society.

'The truest measure of the man we have thus far' - Mojo 'Affectionate, impeccably researched biography' - Mail on Sunday 'Head and shoulders above the usual rock hagiography' - Sunday Telegraph The first biography to be written with the cooperation of the Lynott Estate, Cowboy Song is the definitive authorised account of the extraordinary life and career of Thin Lizzy guiding spirit, Philip Lynott. Leading music writer Graeme Thomson explores the fascinating contradictions between Lynott's unbridled rock star excesses and the shy, sensitive 'orphan' raised in working class Dublin. The mixed-race child of a Catholic teenager and a Guyanese stowaway, Lynott rose above daunting obstacles and wounding abandonments to become Ireland's first rock star. Cowboy Song examines his key musical alliances as well as the unique blend of cultural influences which informed Lynott's writing, connecting Ireland's rich reserves of music, myth and poetry to hard rock, progressive folk, punk, soul and New Wave. Published on the thirtieth anniversary of Lynott's death in January 1986, Thomson draws on scores of exclusive interviews with family, friends, band mates and collaborators. Cowboy Song is both the ultimate depiction of a multi-faceted rock icon, and an intimate portrait of a much-loved father, son and husband.