Mexican American author Josie M&éndez-Negrete's memoir of how she and her siblings and mother survived years of violence and sexual abuse at the hands of her father.

Offering a fresh, revisionist analysis of Spanish fiction from 1900 to 1940, this study examines the work of both men and women writers and how they practiced differing forms of modernism. As Roberta Johnson notes, Spanish male novelists emphasized technical and verbal innovation in representing the contents of an individual consciousness and thus were more modernist in the usual understanding of the term. Female writers, on the other hand, were less aesthetically innovative but engaged in a social modernism that focused on domestic issues, gender roles, and relations between the sexes. Compared to the more conventional--even reactionary--ways their male counterparts treated such matters, Spanish women's fiction in the first half of the twentieth century was often revolutionary. The book begins by tracing the history of public discourse on gender from the 1890s through the 1930s, a discourse that included the rise of feminism. Each chapter then analyzes works by female and male novelists that address key issues related to gender and nationalism: the concept of intrahistoria, or an essential Spanish soul; modernist uses of figures from the Spanish literary tradition, notably Don Quixote and Don Juan; biological theories of gender prevalent in the 1920s and 1930s; and the growth of an organized feminist movement that coincided with the burgeoning Republican movement. This is the first book dealing with this period of Spanish literature to consider women novelists, such as Maria Martinez Sierra, Carmen de Burgos, and Concha Espina, alongside canonical male novelists, including Miguel de Unamuno, Ramon del Valle-Inclan, and Pio Baroja. With its contrasting conceptions of modernism, Johnson's work provides a compelling new model for bridging the gender divide in the study of Spanish fiction.

Using each chapter to juxtapose works by one female and one male Spanish writer, Gender and Modernity in Spanish Literature: 1789-1920 explores the concept of Spanish modernity. Issues explored include the changing roles of women, the male hysteric, and the mother and Don Juan figure.

The present collection echoes and contributes to a number of the issues defined by both the traditional and revisionist historiography. The intent of this special issue of the Portuguese Studies Review was to highlight some of the new research on late medieval and early modern Portuguese women, subjects typically situated outside of the academic mainstream, and to complement the four major collections on the history of Portuguese women published since 1986, as well as the larger literature dealing with Spain. The essays are organized into six general themes: “Female Characters in Late Medieval Chronicles,” “Women and Power in the Late Middle Ages,” “Habsburg Queens and Portugal,” “Women and the Economy,” “Attitudes Toward Women,” and “Women and Religion.” The volume presents essays by Amélia P. Hutchinson, José Valente, Jutta Sperling, Ivana Elbl, Susannah C. Humble Ferreira, Félix Labrador Arroyo, Annemarie Jordan, Almudena Pérez de Tudela, Amélia Polónia, Amândio Jorge Morais Barros, Darlene Abreu-Ferreira, Pedor Miguel Reboredo Marques, Marcia Eliane Alves de Souza e Mello, Jessiva V. Roitman, Inês Amorim, Elisbete de Jesus and Célia Rego, and Haruko Nawata Ward, with an Introduction by Darlene Abreu-Ferreira and Ivana Elbl. The volume also contains an Addendum on the Portuguese Estado Novo, with studies by Sonny B. Davis and Antonio Muñoz Sánchez.

El presente libro, "Genealoga de la familia MONTEALEGRE" es el Primer Tomo de tres, expone en sus pginas el origen del apellido, el lugar que dio origen al mismo, sus antepasados en Espaa, Francia, Inglaterra, Italia, Alemania y Kiev. Entre esos antepasados, entre los ms importantes, podemos mencionar al rey David, al Profeta Mahoma, a los Duques de Anjou y Aquitania, a los Plantegenet que son el origen de casi todas las monarquas europeas. Expone los antepasados del rey don Fernando III "el Santo" y su esposa Elizabeth Hohenstaufen, y sus descendientes, que a travs de sus hijos don Alfonso X "el Sabio" y el Infante don Manuel, llegaron hasta Amrica. De los descendientes del rey David, por Theodoric Makhir I, principe de de Narbona y marqus de Tolouse, cuyos descendientes contrajeron nupcias con los descendientes de Carlomagno, el linaje se extiende hasta Nicaragua, Costa Rica y Guatemala. La familia cuenta entre sus antepasados importantes conquistadores, tal como Juan Vzquez de Coronado y Anaya, que dej descendencia en Costa Rica y Nicaragua. Al final del libro se ofrece una extensa iconografa de la familia, de todas sus ramas: Montealegre, Sacasa, Solrzano, Somoza, Rivera y otros miembros que pasaron a formar parte de la familia. Finalmente, ofrece una valiosa bibliografa de donde los lectores podrn ampliar sus conocimientos sobre esta familia importante en el desarrollo social, poltico, cultural y econmico en Nicaragua, Costa Rica y Guatemala.