An inviting, detailed analysis of the work and characters created by this Pulitzer Prize–winning writer Best known for his Pulitzer Prize–winning novel Lonesome Dove and his Academy Award–winning screenplay for Brokeback Mountain, Larry McMurtry is the author of twenty-nine novels, three memoirs, two collections of essays, and more than thirty screenplays. In Understanding Larry McMurtry, Steven Frye considers a broad range of McMurtry's most important novels and offers detailed textual analyses of works such as Horseman, Pass By, The Last Picture Show, Moving On, and Lonesome Dove to reveal the manner in which McMurtry engages the human condition. Characters are at the heart of McMurtry's fiction, whether they are nineteenth- or twentieth-century ranchers, modern rodeo men, or women grappling with the angst and confusion of life in the suburbs of Houston. He has created characters rich in texture, such as Augustus McCrae and Woodrow Call, not only to encourage an understanding of the persistent force of American mythology but also to transcend type so that they emerge as quintessentially human figures grappling with circumstances beyond their control. McMurtry portrays with depth and insight the conundrums of the modern moment and its relation to heritage, and he deals as well with the intensities of the human mind as it negotiates with a complex and sometimes indifferent world. In Understanding Larry McMurtry, Frye offers a comprehensive treatment of one of the most important living authors, one who has emerged as a central figure in a rich and compelling contemporary canon.

This is the first major single-authored book in almost twenty years to examine the life and work of Texas' foremost novelist and to develop coherent patterns of theme, structure, symbol, imagery, and influence in Larry McMurtry's work. The study focuses on the novelist's relationship to the Southwest, theorizing that his writing exhibits a deep ambivalence toward his home territory. The course of his career demonstrates shifting attitudes that have led him toward, away from, and then back again to his home place and the "cowboy god" that dominates its mythology. The book utilizes original materials from five library special collections, as well as interviews with McMurtry, his family, and his friends, such as Ken Kesey.

The writers of these chapters are often working with changing assumptions about literary and media interpretations of an American West. Here we see critical approaches to a West that never was, a West of myth so enduring that the myth dominates nearly all artistic representation about this place that never was. In this collection, we see critical approaches to a New West, a West that is a state of mind, not a geographical place but a mythic space with no boundaries and no political inevitabilities. These New Western studies accept the idea of a West that includes Canada, Mexico, Alaska, and, in the case of the US, every geographic and historical point west of the historic founding settlements. The West we study today is a post-West, an idea of the West past the traditional views of an old West dominated by white US nationalism and gendered as uncompromisingly masculine. The idea itself of a single West no longer holds validity. We now understand that all renderings of the West are renderings of multiple Wests; Wests constructed by American nationalists, Wests constructed by EuroAmerican writers and filmmakers, Wests constructed by native peoples, or Wests constructed outside the geographical boundaries of the US. This collection presents an eclectic array of new scholarship ranging freely over the New Wests and Post Wests, dealing with issues such as the literature of a 1950s California West; eco-crime genre fiction; the West of Edward Dorn and the Beat Movement; images of prostitution in California Gold Rush literature; European perspectives on film representations of the first peoples; the six shooter and the American West; German Westerns and Italian Westerns; The Authentic Death of Hendry Jones, by Charles Neider; and films such as The Treasure of Sierra Madre, Into the Wild, There Will Be Blood, and The Last Picture Show. A unique aspect of this collection is the range of writers interpreting the American West in film and literature; besides those writing from within the United States, five of the writers provide international perspectives from the United Kingdom, and the Universities of Tunis, Vienna, and Rome. Each chapter includes a review of scholarship on its subject and an extended bibliography for further research.

Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.

Larry McMurtry's award winning novels have redefined not only the literature of the west, but also the essential myths with which the west is associated. Readers were initiated into the world of the modern cowboy with McMurtry's first novel Horseman Pass By. Nearly 35 years later McMurtry revisits his hometown project with his latest update on the characters who populated The Last Picture Show and Texasville in his most recent novel Duane's Depressed. This Critical Companion examines all 22 of McMurtry's works. By considering individual literary elements and overall construction of the novels, this analysis probes how McMurtry has given contemporary relevance to traditional elements of the Western story.