In the late 50s after an unsuccessful stint in college, Larry Fink dropped out and began an odyssey of hitchhiking through America. Striking out that great Beat mecca, New York City, Fink settled down on Minetta Lane with a chap who fancied himself a poet. Larry was quick to hit McDougal Street where he met Turk, Mary, Bobbie, Motha, Ambrose, Randy and Mike Stanley, and not to mention Hugh Romney (aka Wavy Gravy) and LeRoi Jones and so many more - they soon left New York to cross America for Mexico - in search of the freedoms of the road.

These pictures of Andy Warhol and his tribe were taken within a time frame of four or five days. The rest of the images in the book were taken between 1964-1968. America was in the Throes of a certain revolution, that revolution comprised of Civil Rights, anti-war, and anti-establishment. These elements were all extremely active. Warhol's significance was that he took what were iconic commercial objects and made them into clever art. He signified the Commodification of the art world, which was soon to come. Warhol personally floated on the periphery of haute couture society like a hummingbird married to a leech. That said, the pictures of Andy and his tribe represented here are just a small moment within his larger life.

Reprinted with a new design and a number of never-before-seen images is the famed first monograph of two-time National Endownment for the Arts Fellow, Larry Fink. In an elegant exploration of two distinctly different cultures and classes, Frink captured a sense of stale emptiness lurking in the sensuous decadence of the upper crust of NYC, only to turn the tide and let loose with the often raucous, emotional and intimate photographs of the down-home folk of Martins Creek, Pennsylvania. Illustrated with 92 duotone photos.

An introduction to the 40 year career of the American photographer.

From the Financial Times's global finance correspondent, the incredible true story of the iconoclastic geeks who defied conventional wisdom and endured Wall Street's scorn to launch the index fund revolution, democratizing investing and saving hundreds of billions of dollars in fees that would have otherwise lined fat cats' pockets. Fifty years ago, the Manhattan Project of money management was quietly assembled in the financial industry's backwaters, unified by the heretical idea that even many of the world's finest investors couldn't beat the market in the long run. The motley crew of nerds—including economist wunderkind Gene Fama, humiliated industry executive Jack Bogle, bull-headed and computer-obsessive John McQuown, and avuncular former WWII submariner Nate Most—succeeded beyond their wildest dreams. Passive investing now accounts for more than $20 trillion, equal to the entire gross domestic product of the US, and is today a force reshaping markets, finance and even capitalism itself in myriad subtle but pivotal ways. Yet even some fans of index funds and ETFs are growing perturbed that their swelling heft is destabilizing markets, wrecking the investment industry and leading to an unwelcome concentration of power in fewer and fewer hands. In Trillions, Financial Times journalist Robin Wigglesworth unveils the vivid secret history of an invention Wall Street wishes was never created, bringing to life the characters behind its birth, growth, and evolution into a world-conquering phenomenon. This engrossing narrative is essential reading for anyone who wants to understand modern finance—and one of the most pressing financial uncertainties of our time.