These eighteen original essays pay tribute to Morris Halle, Institute Professor of Linguistics and Philosophy at MIT. Halle's impact on the study of language has been enormous; he and his students represent a continuous and coherent tradition which is unique in modern linguistics. Although they range from poetry to phonetics, the contributions share the common method of formal phonological analysis which reflects Halle's own work. With the exception of Roman Jakobson, his teacher, all of the contributors are Morris Halle's PhD students.Contributors include Roman Jakobson, Samuel J. Keyser, Paul Kiparsky, Sanford A. Schane, Arnold M. Zwicky, James W. Harris, Stephen R. Anderson, Elisabeth Selkirk, William R. Leben, Shosuke Haraguchi, Mark Liberman, Janet Pierrehumbert, Alan S. Prince, John Goldsmith, Jill Carrier Duncan, Joan Mascaro, John J. McCarthy, Bruce Hayes, Rochelle Lieber, and Moira Yip.

Designed as a university level text for intermediate and advanced courses, this volume will be of value to anyone interested in recent theoretical developments in the field of formal English.

A fundamentally new approach to the theory of phonology and its relation to syntax is developed in this book, which is the first to address the question of the relation between syntax and phonology in a systematic way.This general theory differs from its predecessors in the generative tradition in several respects. By arguing that the intonational structure of a sentence determines certain aspects of its stress pattern or rhythmic structure, and not vice versa, it provides a novel view of the intonation-stress relation. It also offers a new theory of the focus-prosody relation that solves a variety of classic puzzles and involves an appeal to the place of a focused constituent in the predicate-argument structure of the sentence. The book also includes other novel features, among them a development of the metrical grid theory of stress (including a complete treatment of English word stress in this framework), the representation of juncture in terms of "silent" positions in the metrical grid (with a treatment of sandhi in terms of this rhythmic juncture), and a "rhythmic" nonsyntactic approach to the basic phonology of function words in EnglishElisabeth 0. Selkirk is Professor of Linguistics at the University of Massachusetts, Amherst. This book is tenth in the series, Current Studies in Linguistics.

Edited and with an introduction by Anatoly Liberman Translated by Marvin Taylor and Anatoly Liberman N. S. Trubetzkoy (1890-1939) is generally celebrated today as the creator of the science of phonology. While his monumental Grundzüge der Phonologie was published posthumously and contains a summary of Trubetzkoy's late views on the linguistic function of speech sounds, there has, until now, been no practical way to trace the development of his thought or to clarify the conclusions appearing in that later work. With the publication of Studies in General Linguistics and Language Structure, not only will linguists have that opportunity, but a collection of Trubetzkoy's work will appear in English for the first time. Translated from the French, German, and Russian originals, these articles and letters present Trubetzkoy's work in general and on Indo-European linguistics. The correspondence reprinted here, also for the first time in English, is between Trubetzkoy and Roman Jakobson. The resulting collection offers a view of the evolution of Trubetzkoy's ideas on phonology, the logic in laws of linguistic geography and relative chronology, and the breadth of his involvement with Caucasian phonology and the Finno-Ugric languages. A valuable resource, this volume will make Trubetzkoy's work available to a larger audience as it sheds light on problems that remain at the center of contemporary linguistics.

This innovative work highlights interdisciplinary research on phonetics and phonology across multiple languages, building on the extensive body of work of Katarzyna Dziubalska-Kołaczyk on the study of sound structure and speech. // The book features concise contributions from both established and up-and-coming scholars who have worked with Katarzyna Dziubalska-Kołaczyk across a range of disciplinary fields toward broadening the scope of how sound structure and speech are studied and how phonological and phonetic research is conducted. Contributions bridge the gap between such fields as phonological theory, acoustic and articulatory phonetics, and morphology, but also includes perspectives from such areas as historical linguistics, which demonstrate the relevance of other linguistic areas of inquiry to empirical investigations in sound structure and speech. The volume also showcases the rich variety of methodologies employed in existing research, including corpus-based, diachronic, experimental, acoustic and online approaches and showcases them at work, drawing from data from languages beyond the Anglocentric focus in existing research. // The collection reflects on Katarzyna Dziubalska-Kołaczyk’s pioneering contributions to widening the study of sound structure and speech and reinforces the value of interdisciplinary perspectives in taking the field further, making this key reading for students and scholars in phonetics, phonology, sociolinguistics, psycholinguistics, and speech and language processing.

Since this classic work in phonology was published in 1968, there has been no other book that gives as broad a view of the subject, combining generally applicable theoretical contributions with analysis of the details of a single language. The theoretical issues raised in The Sound Pattern of English continue to be critical to current phonology, and in many instances the solutions proposed by Chomsky and Halle have yet to be improved upon.Noam Chomsky and Morris Halle are Institute Professors of Linguistics and Philosophy at MIT.