Between January 1880 and December 1889, Harper's Monthly Magazine published 263 works of fiction; half of these were written by women. Judging by the popularity of contemporary mass-circulation magazines. women writers of the late nineteenth century enjoyed equal opportunity in the world of commercial publishing. Yet although they wrote best-sellers and won prizes, the institutions that keep writers and their reputations alive chose not to sustain these writers, and few are familiar today; Sarah Orne Jewett, Mary Wilkins Freeman, Willa Cather, Edith Wharton. Elsa Nettels suggests that this lack of parity is not surprising in a culture that for centuries has used" masculine" to describe all things strong and dominant, while "feminine" has signified weakness and inferiority. In Victorian America, the relation of literary style to gender became of increasing interest as women writers became ever more prominent. In the influential magazines of the late nineteenth century -- Harper's, Century, Scribner's, Atlantic Monthly, Cosmopolitan, and Ladies' Home Journal -- writers directly or implicitly reflected society's views of the sexes and the proper roles of men and women. In this intelligent and accessible book, the author examines how William Dean Howells, Henry James, Edith Wharton, and Willa Cather helped both to perpetuate and to subvert Victorian America's ideology of language and gender. All had fruitful careers as novelists, editors, and critics, and she demonstrates that each was in a unique position to affect popular language and gender stereotypes. To gauge their responses to the pervasive assumptions held by the magazines that published them, Nettels traces how these writersdefined "masculine" and "feminine" in their works, how they characterized women's speech and language, how they distinguished male and female discourse, and where they invested authority in matters of usage. Taking into account others engaged in the Victorian construction of gender such as grammarians, linguists, sociologists, and writers on etiquette, Nettels offers a compelling look at the cultural perpetuation of ideologies, as well as fascinating scholarship on four authors who manipulated social mores to establish their place in American literature.

Looks at gender in relation to children's fiction And The role that language plays in this relationship.

This book explores six texts from across Spanish America in which the coming-of-age story ('Bildungsroman') offers a critique of gendered selfhood as experienced in the region’s socio-cultural contexts. Looking at a range of novels from the late twentieth century, Staniland explores thematic concerns in terms of their role in elucidating a literary journey towards agency: that is, towards the articulation of a socially and personally viable female gendered identity, mindful of both the hegemonic discourses that constrain it, and the possibility of their deconstruction and reconfiguration. Myth, exile and the female body are the three central themes for understanding the personal, social and political aims of the Post-Boom women writers whose work is explored in this volume: Isabel Allende, Laura Esquivel, Ángeles Mastretta, Sylvia Molloy, Cristina Peri Rossi and Zoé Valdés. Their adoption, and adaptation, of an originally eighteenth-century and European literary genre is seen here to reshape the global canon as much as it works to reshape our understanding of gendered identities as socially constructed, culturally contingent, and open-ended.

Gender in American Literature and Culture introduces readers to key developments in gender studies and American literary criticism. It offers nuanced readings of literary conventions and genres from early American writings to the present and moves beyond inflexible categories of masculinity and femininity that have reinforced misleading assumptions about public and private spaces, domesticity, individualism, and community. The book also demonstrates how rigid inscriptions of gender have perpetuated a legacy of violence and exclusion in the United States. Responding to a sense of 21st century cultural and political crisis, it illuminates the literary histories and cultural imaginaries that have set the stage for urgent contemporary debates.

In this 2010 book, Dorri Beam presents an important contribution to nineteenth-century fiction by examining how and why a florid and sensuous style came to be adopted by so many authors. Discussing a diverse range of authors, including Margaret Fuller and Pauline Hopkins, Beam traces this style through a variety of literary endeavors and reconstructs the political rationale behind the writers' commitments to this form of prose. Beam provides both close readings of a number of familiar and unfamiliar works and an overarching account of the importance of this form of writing, suggesting new ways of looking at style as a medium through which gender can be signified and reshaped. Style, Gender, and Fantasy in Nineteenth Century American Women's Writing redefines our understanding of women's relation to aesthetics and their contribution to both American literary romanticism and feminist reform. This illuminating account provides valuable new insights for scholars of American literature and women's writing.

Rather than the standard American story of an increasingly triumphant march of scientific inquiry towards structural phonology, Women, Language and Linguistics reveals linguistics where its purpose was communication; the appeal of languages lay in their diversity; and the authority of language lay in its speakers and writers. Julia S Falk explores the vital part which women have played in preserving a linguistics based on the reality and experience of language; this book finally brings to light a neglected perspective for those working in linguistics and the history of linguistics.

This book focuses on the interplay of gender, race, and their representation in American science fiction, from the nineteenth-century through to the twenty-first, and across a number of forms including literature and film. Haslam explores the reasons why SF provides such a rich medium for both the preservation of and challenges to dominant mythologies of gender and race. Defining SF linguistically and culturally, the study argues that this mode is not only able to illuminate the cultural and social histories of gender and race, but so too can it intervene in those histories, and highlight the ruptures present within them. The volume moves between material history and the linguistic nature of SF fantasies, from the specifics of race and gender at different points in American history to larger analyses of the socio-cultural functions of such identity categories. SF has already become central to discussions of humanity in the global capitalist age, and is increasingly the focus of feminist and critical race studies; in combining these earlier approaches, this book goes further, to demonstrate why SF must become central to our discussions of identity writ large, of the possibilities and failings of the human —past, present, and future. Focusing on the interplay of whiteness and its various 'others' in relation to competing gender constructs, chapters analyze works by Nathaniel Hawthorne, Mary E. Bradley Lane, Edgar Rice Burroughs, Philip Francis Nowlan, George S. Schuyler and the Wachowskis, Frank Herbert, William Gibson, and Octavia Butler. Academics and students interested in the study of Science Fiction, American literature and culture, and Whiteness Studies, as well as those engaged in critical gender and race studies, will find this volume invaluable.